关于金代“赤壁”主题题画文学的探讨

本文从金代"赤壁"主题题画文学为切入点,着重探讨苏轼文风、人格及《赤壁赋》中蕴含的人文思想对金代文学产生的影响。据此可知,苏轼文学对于民族文化的融合与文化认同具有重要的意义。     

苏轼的“尚意”书法与《集归去来辞诗》刻石

本文围绕西安碑林藏苏轼《集归去来辞诗》刻石,对苏轼的“尚意”书法不践古人、追求个性自由的本质,及其在中国书法史上的地位,略加述评。对该刻石所据之墨迹本的由来及刊刻者邓霖其人,对苏轼这件书法作品产生的背景及其价值,略加考述。认为《集归去来辞诗》刻石之“六首本”和“十首本”各有出处,不能因为《苏轼诗集》收录10首,便轻易否定“六首本”。     

甲骨卜辞之"正"和"又正"

把甲骨卜辞的结构分为"前辞"、"命辞"、"占辞"、"验辞"几个部分,这对于卜辞的早期研究意义重大,但随着对甲骨卜辞研究的深入,这种分法逐渐显露出一些弱点,它不能真正揭示甲骨占卜祭祀的全过程,一些卜辞的性质被隐藏了起来.虽然学界提出了署辞、兆辞、果辞等术语,以期更细致的揭示卜辞的结构,但仍然有一些问题值得探讨.通过对卜辞...     

他山之石 瑕瑜可鉴——《七台河市志》初稿读后感

<正>2012年12月20日,《七台河市志》初稿评议会在七台河市召开。《七台河市志》初稿的完成,是我省修志工作的盛事,笔者有幸参加评议会,受益匪浅,启迪良多。一部好的志书,一般都应具备观点正确、资料翔实、体例完备、文风质朴、特点突出等几个方面。     

哀文研究

哀文是哀祭类文体的一种,它最初的源头是伤辞,即在殡前宣读的为死者而作的致命辞。真正意义上的哀文发源于秦汉,盛行于魏晋,南北朝以降无不沿袭。且当伤辞这种质朴的书面文学形式经由文人参与变成成熟的哀文之后,它的形式、创作范围、语言等都发生了很大的改变。     

关于扬雄四赋作年的两个问题

论者通常将扬雄四赋的作年定于元延二年和元延三年。但此论存在两个问题:一是以成帝元延三年从胡客大校猎的假设为前提,二是对本传里"明年"二字理解有误,将扬雄作《校猎赋》之年与成帝羽猎之年混为一谈。只有充分尊重《成帝纪》元延二年的记载,并认识到本传所说的"明年"并不是指成帝羽猎之明年,而是指扬雄"作《校猎赋》之明年",才能正确地考证出扬雄四赋的作年。     

从"文质"之辩看清初帝王与士林思想的趋同与合流

本文是想通过展示清初士人和帝王对"文一质"关系的理解上由分歧走向趋同的过程,重新探讨知识阶层与帝王在鼎革之际如何重构他们之间的关系."文质之辩"在中国文化史的脉络里有很长的诠释历史,在明末清初的鼎革时期又被赋予了新的含义.首先,清初满人作为异族入主中原承继大统,带来了新的生活方式,进而在思想与社会层面引起了一系列的变化,这些变化也改变了清初士人对"文一质"关系的传统理解.其次,汉人以南北区域和族群来界分文明与野蛮的传统认知受到了满人"大一统"理念的挑战和修正.第三,清初帝王和士林对奢靡还是质朴生活的选择也是在"文质"关系的理解上加以展开的,对明季生活方式持有共同的批评态度导致士人与帝王均对质朴生活加以推重,但在方向上有所区别,士人企图在基层社会恢复礼治的秩序,帝王则把抑制奢靡、崇尚质朴看作是统治权谋的一种表达.     

试论西周甲骨的埋藏方式——以周公庙刻辞甲骨的出土为例

卜后甲骨的处理是甲骨学研究关注的问题之一。搞清甲骨的埋藏方式,有助于深入探讨、理解古人对甲骨的处理。本文以周公庙刻辞甲骨的为对象,并结合其它遗址刻辞甲骨的情况,从出土甲骨的状况与特征、单位性质及聚落背景三个方面,分析甲骨的埋藏状况,最后总结出了"败则埋之"下的"有意识掩埋"与"已则去之"下的"随意的弃佚"两种西周甲骨的埋藏方式。这为研究西周甲骨的器用制度与处理方式奠定了基础。     

理论创新不能停顿

江泽民同志"5.31"重要讲话,站在党和国家发展全局的高度,科学分析了面临的形势,继承、丰富和发展了"七一"重要讲话精神,进一步深刻阐述了"三个代表"重要思想,是我们党理论创新的又一光辉文献.这篇重要讲话充分体现了一个"新"字,内涵新,表述新,文风新;提出许多新思想、新观点、新论断.     

毛泽东对党的文风建设的历史贡献

文风体现党风,党风决定文风。作为中国共产党文风建设的奠基人,毛泽东不仅重视文风建设,而且一直为培育和弘扬生动活泼、新鲜有力的马克思主义优良文风而努力。毛泽东关于党的文风建设的思想实践,不仅具有鲜明的特色,而且对加强党的建设具有榜样力量和指导意义。新形势下,如何按照党的十八大精神对不同程度存在的不良文风尤其是一些党政机关的文件、领导干部讲话和理论文章的"长、空、假"进行批评与反思,重温毛泽东关于文风建设的历史性建树意义重大。     

浅谈苏轼诗序

苏轼是宋诗大家,苏轼诗序同样也具有丰富的文学及文化价值。本文主要从三个方面对苏轼诗序进行探讨:其一是诗序中的互见手法和诗序之美,二是诗序中写人记事所带有的史笔和小说笔法,三是苏轼诗序的思想内涵。     

The psychiatric works of Emil Kraepelin: a many-faceted story of modern medicine

A new English language edition of some of the major works of Emil Kraepelin (1856-1926), the famous German psychiatrist, appeared in 2002. This essay has been written to mark the occasion. Kraepelin is famous for his psychiatric nosology, specifically the demarcation of dementia praecox (schizophrenia) and manic-depressive insanity (bi-polar disorder). This essay deals not only with these topics but with many other aspects of Kraepelin's psychiatry: his talents as a writer and teacher; his unusual and intense concern with volition; his lack of psychological empathy with his patients, on the one hand, and on the other, his humane care for their physical well-being; his tangled involvement with psychoanalysis; his war on alcohol; his tradition-bound treatment of hysteria; his reflective attempt to understand paranoia; some criticisms of his work; the debate over the role played by his famous diagnostic cards (Z?hlkarten); his misuse of his psychiatric beliefs in the public arena. A conclusion addresses both his shortcomings and his assets.     

尤袤文集首刻时间考及其诗文辨伪辑佚

尤袤是南宋"中兴四大诗人"之一,文章在当时也很有影响。但其诗文在身后却散佚太多,以致声名日小,甚至于渐难以匹配"四大诗人"之盛名。其文集流传情况直接关乎他的声名、影响及文学史地位,本文试着手考察尤袤文集的版本流传情况。通过考辨,认为尤集首刻时间在尤袤当世,其文集在元、明两代尚有流传;同时介绍了尤袤文集的最新整理成果,以及辨伪、辑佚情况。     

The Riddle of Paul de Man

The discovery in 1987 of Paul de Man’s pro‐Nazi literary activities in wartime Belgium prompted a debate over the fact that de Man neither publicly declared his collaboration, nor clarified the relationship between his wartime experience and his post‐war work. De Man’s detractors argued that he insidiously hid his past. The evidence of his concealment, they maintained, was his silence and unwavering conviction in his mature work that the meaning of every text contains its opposite. De Man guaranteed the impossibility of knowing the original meanings of his wartime articles. In contrast, de Man’s supporters argued that what appeared to be de Man’s silence masked his life‐long critique of his wartime errors. His heroic analysis, they maintained, was expressed in his post‐war work. In contrast to these interpretations, it is argued that de Man’s silence and post‐war work resulted from his rejection of his former self and the influence of its unacknowledged presence. The unintentional presence of his past caused de Man’s inability to speak openly about his coll aboration and shaped the content of his late work.     

Vienna and the Jews, 1867–1938: A cultural history

This article examines Ernest Belfort Bax's interpretation of the French Revolution and traces the impact that his idea of the Revolution had on his philosophy and his political thought. The first section considers Bax's understanding of the Revolution in the context of his theory of history and analyses his conception of the Revolution's legacy, drawing particularly on his portraits of Robespierre, Marat and Babeuf. The second section shows how the lessons Bax drew from this history shaped his socialist republicanism and discusses his support for Jacobin methods of revolutionary change. The third section of the article looks at the ways in which Bax's reading of revolutionary history affected his internationalism and shows how his ‘anti-patriotism’ led him to support the Anglo-French campaign in 1914. I argue that the Bax's understanding of the French Revolution gave body to his philosophy and greatly influenced his understanding of the socialist struggle. Bax believed that socialists had history on their side, but was so emboldened by the idea of the Revolution that he was led to advance a view of socialist change that undermined the historic values that socialism was supposed to enshrine.     

Yusuf Islam (aka Cat Stevens) and his anti-war and pro-peace protest songs: from hippy peace to Islamic peace

ABSTRACT

In the 1970s Yusuf Islam (aka Cat Stevens) inspired a generation with his songs on anti-materialism, finding self and peace in such classic albums as Tea for the Tillerman (1970, US 3x platinum) and Teaser and the Firecat (1971, US 3x platinum). In December 1977 he converted to Islam, gave up popular music and focussed on humanitarian and educational work, until he returned to popular music in 2006. Meanwhile, Muslims became associated in the West as intolerant and violent. Yusuf has emerged in the last decade as a voice for progressive Muslims. This article explores the continuities in his music from his Cat Stevens days to his comeback and how he has reconciled popular music and his Cat Stevens past with his understanding of Islam. The focus is on his anti-war and pro-peace songs. It argues that his earlier songs are similar in their messages of world peace through love and unity, though less dark than his post-2006 songs. Additionally, his recent songs have a new message that the world must be more inclusive to achieve world peace. This is connected to him being a Muslim in the West and his feeling of exclusion, in an age when many in the West portray all Muslims as extremists. Consequently, in his recent music he reflects his experience as a Muslim, in the same way as his earlier music reflected the counter-culture of that period. Thus he has gone back to his earlier self after adopting a progressive understanding of Islam. Not Started Completed Rejected.     

汉武帝追求长生的心路历程

目前学者大多侧重分析汉武帝迷信神仙的原因和弊端,却很少有人关注他追求长生的复杂心态及其变化.在任用方士希求长生的过程中,汉武帝尝尽希望和失望交替的痛苦;在亲临海上求仙或派人到海上寻仙的过程中,汉武帝深谙寻觅失败的滋味;在追求长生的道路上,汉武帝鲜明地体现出屡求屡败,败而不馁的执著;汉武帝晚年终于认识到神仙的虚妄,不再祈求长生,伴随醒悟而来的是些许失落和无奈.     

Politician or Poet? The 6th Lord Byron in the House of Lords, 1809–13

Lord George Gordon Byron, 6th Baron Byron of Rochdale, is known internationally as, perhaps, the most famous Romantic poet of his generation. His work continues to be read across the globe. As a peer (succeeding to the title following the death of his great uncle, the 5th Baron Byron, in 1798) he was entitled to a seat in the Lords, and this article covers the period during which he was active in the House. He took his seat in 1809, but most of his work in the Lords took place between early 1812 and the summer of 1813. Thereafter, his financial troubles, his stellar literary career, and his personal problems, led him to spend little or no time in the House, and he lived abroad between 1816 and his death in 1824. In 1812, before he had become known for his poetry, except among a small London elite, he began actively to cultivate a political career, and he made his maiden speech on the Framework Knitters Bill in 1812. Byron was a prolific letter writer, and from his published correspondence as well as other sources of contemporary information, it is possible to document his growing career in the upper House, and to see how a young peer might make his way into politics in the absence of a particular sponsor.     

War and Revolution: Friedrich Engels as a Military and Political Thinker

This article explores the link between political and military strategy and tactics in the work of Friedrich Engels. Though widely praised for his understanding of military affairs, Engels’ interlocutors have tended to be dismissive of his political works. By exploring his politics through the lens of his military writings this article challenges the view that Engels was a mechanical materialist and political fatalist thinker. It argues that his military writings cannot be understood apart from his political works, and that, whatever the historical limitations of the specific conclusions to which he came, his method in these writings illuminate his profound grasp of the relationship between strategy and tactics at both the military and political levels.