From Etelāʿāti to Eslāhtalabi: Saʿid Hajjarian,Political Theology and the Politics of Reform in Post-Revolutionary Iran

This article examines the importance of the political thought and praxis of politico, ‘reformist’ strategist and intellectual, Sa?id Hajjarian, and his rethinking of the post-revolutionary Iranian state’s sources and bases of legitimacy in the 1990s and 2000s. It also provides an exposition and assessment of a number of his recommendations for the realisation of ‘political development’ (towse?eh-ye siyāsi) in the post-revolutionary order and their contribution to the discourse of eslāhāt during the presidency of Hojjat al-Islam Mohammad Khatami (1997–2005). Moreover, it attempts to situate Hajjarian within a broader spectrum of reformist political opinion and its proponents within the Islamic Republic of Iran’s political class.     

Rhetoric,Narrative, and the Remembrance of Death in ʿAttār's Mosibat-nāmeh

This paper examines the anecdotes of ?Attār’s Mosibat-nāmeh as temporal phenomena from the perspective of a reader moving progressively through the text; it is argued that that these anecdotes do not function primarily as carriers of dogmatic information, but as dynamic rhetorical performances designed to prod their audiences into recommitting to a pious mode of life. First, the article shows how the poem’s frame-tale influences a reader’s experience of the embedded anecdotes by encouraging a sequential mode of consumption and contextualizing the work’s pedagogical aims. Next, it is demonstrated that these anecdotes are bound together through formulae and lexical triggers, producing a paratactic structure reminiscent of oral homiletics. Individual anecdotes aim to unsettle readers’ ossified religious understandings, and together they offer a flexible set of heuristics for pious living. Finally, it is argued that ?Attār’s intended readers were likely familiar with the mystical principles that underlie his poems; he therefore did not use narratives to provide completely new teachings, but rather to persuade his audience to more fully embody those pious principles to which they were already committed.     

Persian Monshi,Persian Jones: English Translations of Saʿdi’s Golestān from the Late Eighteenth to the Mid-Nineteenth Centuries

From the seventeenth century, Mosleh al-Din Sa?di Shirazi (d. 1291), a key figure in Persian classical literature, became the center of Europeans’ attention: his name appeared in travelogues and periodicals, and selections of his tales were published in miscellaneous Latin, German, French, and English works. To follow Sa?di’s impact on English literature, one needs to search for the beginning of the “Sa?di trend” and the reasons that led to the acceleration of the translation process of his works into the English language in the nineteenth century. This article examines the role of the British educational institutions in colonial India in the introduction of Sa?di and his Golestān to the English readership, and, in parallel, it uncovers the role of the Indo-Persian native scholars (monshis) who were involved in the preparation of translations. The article discusses how the perception of the British towards Sa?di’s literature developed in the first half of the nineteenth century and how their approach towards the translation of the “text” and its “style” evolved in the complete renderings of the Golestān.     

Differentiation between Seizure and Hysteria in a Tenth-Century Persian Text: Hidāyat of al-Akhawayni (d. 983 AD)

Although hysteria is associated largely with the nineteenth century, we find the subject treated in a tenth-century Persian medical text, the Hidayat al-Muta`allemin Fi al-Tibb [A Guide to Medical Learners] by al-Akhawayni Bukhari (d. 983 AD), a prominent physician in the Persian history of medicine. In this article, we discuss al-Akhawayni’s views on seizure and hysteria and his differentiation between the two conditions, and we place it in a historical context.     

The Modernization of Iran and the Development of the Persian Carpet Industry: The Neo-Classical Era in the Persian Carpet Industry, 1925–45

The two decades, 1925–45, witnessed a dramatic transformation and revitalization of the Persian carpet industry in response to developments in Iranian governance, society and economy. Two historical watersheds were covered by that period, notably the replacement of the Qajar dynasty by a modernizing administration under Reza Shah Pahlavi, and the subsequent wartime occupation of Iran jointly by the Soviet Union and Great Britain. It was during those two decades that Iran acquired a centralized system of government and the beginnings of a modern industrial base. The accompanying social transformation brought about the emergence of new classes of administrators and managers who constituted the dominant elite of the Reza Shah era. This twin process of centralization and modernization had a telling impact on Iranian culture and the arts, including the carpet arts.     

The Iranian Community of the Late Ottoman Empire and the Egyptian “Crisis” through the Persian Looking Glass: The Documentation of the ʿUrabi Revolt in Istanbul’s Akhtar

This article focuses on the coverage of the ?Urabi rebellion of 1881–82 in the Istanbul-based Persian-language newspaper Akhtar. Akhtar was the first periodical to be published in Persian outside the auspices of the Qajar state, and first appeared on 13 January 1876, from the press owned by Mohammad Tāher Tabrizi in the Valide Han in the Ottoman capital. The objective of the present article is twofold. First, it aims to interweave the history of the Persian-language publication Akhtar with broader questions of how the Hamidian state strove to situate itself within a changing international order in a bid to affirm its legitimacy and sovereignty. It then proceeds to examine the ideological leanings of Akhtar set against the complex background of censorship laws implemented by the Hamidian state (1876–1908). To this end, by scrutinizing the reportage of this one specific event—the Egyptian crisis of 1881–82—it attempts to shed light on how the editors of Akhtar successfully maintained the delicate equilibrium of appeasing both its patrons: namely, the Hamidian state and its readership across the region where Persian was spoken. Thus, the article seeks also to highlight the ways in which inter-imperial dynamics lie at the heart of the history of this “Persian” publication.     

Vintages of the Sāqī-nāma: Fermenting and Blending the Cupbearer's Song in the Sixteenth Century

Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.     

Historical and Textual Notes on Magical Texts in the Papyrus Collection of the University of Oslo Library†

This article, which concerns the history and texts of some of the magical papyri in the collection of the University of Oslo Library, has two parts. The first part (Hickey and Maravela) sheds light on the acquisition of the celebrated Oslo magical roll, P.Oslo I 1, by drawing on Samson Eitrem's account of the purchase in the Norwegian daily Aftenposten and the correspondence of Francis W. Kelsey, who had sought to buy the papyrus for the University of Michigan. The second part (Zellmann-Rohrer) offers critical remarks on the formats and texts of the magical papyri P.Oslo I 1, 4–5 and II 15.     

Elamite Karintaš and Avestan Kvirinta: Notes on the Early History of Kerend

The toponym Kerend has a long history. This study explores the appearance of Kerend in pre-modern sources, beginning with the toponym Karinta? in the late second millennium BC. Kassite, Elamite and Assyrian rivalry for control over the central western Zagros mountains is discussed and the survival of the name in later antiquity is investigated. A derivative of the name appears in Claudius Ptolemy’s Geography and in the Parthian Stations of Isidore of Charax, as well as in the late Antique Cosmographia of the Anonymous Geographer of Ravenna. A homonymous name from the area east of the Caspian Sea is also discussed, as are several unrelated names occurring in other sources (Achaemenid Elamite, Armenian).     

Knives for the Slaughter – Notes on the Reform and Governance of Indigenous Reindeer Slaughter in Norway

Abstract

Drawing on historical records and ethnographic fieldwork, the present article examines the history of the so-called curved knife, or krumkniv, as a window on the governance and regulation of indigenous Sámi reindeer slaughter in Norway. Originally developed by scientific activists in the 1920s, in the context of a series of experimental field trials held at a farmstead in Røros, the knives were designed to combine efficiency and ease of use with the elimination of visible animal pain, thus bringing indigenous slaughter in line with the shifting aesthetic and moral concerns of the time. The innovation was highly successful, and the knives rapidly adopted as essential tools of the herding trade – to the point where today, most users disregard their origins. Moving forward to the early 21st century, the situation had shifted almost entirely: animal welfare activists now decried the same knives as a barbaric anachronism, while herders defended them as part of their cultural heritage. Historical narratives of moral progress articulated with other discourses to produce a homogeneous present moment of the state, a moment that threatened to exclude herders from participation in the ongoing nation-building project – constituting them instead as objects of intervention and reform, targeting the successes of previous reform. Herders, meanwhile, challenged such negative constructions by defining the knife as an indigenous tradition, invoking the international commitments of the state to preserve their cultural heritage. Comparing these two historical moments, the article draws out how the technical minutiae of slaughtering practice could operate both as an instrument of social engineering, and as an arena within which complex, large-scale issues – to do with matters such as social inclusion and participation, the value of history, the function and obligations of the state – could be settled, contested and redrawn.