Body as weapon: the archaeology of a war victim’s narrative

ABSTRACT

The soldier's body is the most important subject of violence and destruction in war. Humans live primarily through their body in the material world, and when the body is destroyed, their whole existence is affected, both physically and non-physically. Therefore, the first locus on which we can observe the effects of war and violence is the human body, mainly soldiers. In modern wars, the soldier’s body is combined with weapons and machines of war, but is also the first target of killing whether in attack or defence. On the one hand it is targeted and killed, but on the other hand the body itself targets and kills. In warfare, bodies are trained to be the mechanism of killing and they are employed on battlefields according to the political objectives of their sovereign power. Thus, the soldier’s body becomes a weapon separated from the individual human body by the political authority.     

Die these von der verschwörung 1776–1945: Philosophen,freimaurer, juden,liberale und sozialisten als verschwörer gegen die sozialordnung

How do Goya's representations of the body disrupt the Enlightenment's configurations of the corporeal? If for eighteenth-century aesthetics the body is both the site of ideal beauty and the limit of what can and may be represented, then Goya's panoply of monsters provides a way of understanding other modes of reason(ing), other ways of representing the body and its functions within culture. In his work there is a recuperation of those elements that seem to lie outside the ken of the Enlightenment project: physicality, animality, hybridity, the grotesque, the popular; a recognition of the animal nature of the body and the products of bodily impulses and forces. A rethinking of the body would incorporate an understanding of its role as a physical and social phenomenon in the constitution of the subject. Following on from Paul Ilie's concept of counter-rational Reason, which he defines as the opposite of a uniform centre of rationality in representative thought, the first half of my paper will consider Goya's problematization of representation. My analysis of a selection of drawings from the collection Los Caprichos (1799) will focus not just on the representation of bodies in the painter's work but on his exploration of bodies in their material variety—configurations of modes of constructing the body. This examination of Goya's prolific pictorial negotiations and adaptations of flesh and world will draw upon contemporary approaches to theorizing the body, namely the theories of Julia Kristeva and Elizabeth Grosz.     

The Discursive Violence of Postcolonial Asylum in the Irish Republic

ABSTRACT

This paper situates postcolonial asylum as a dominant global encounter between the West and the Rest. Rather than a humanitarian gift, the paper argues that discursive violence of asylum regimes forces the materialization of identities, spaces and structural conditions that encamp and re-colonise asylum-seeking bodies. It first examines the global instrumentalization of images and bodies of Third World women in refugee representations to act as a humanitarian alibi that re-signifies the white saviour discourse. Moving to the Irish context where childbearing bodies of African women were targeted in a political campaign that ended birthright Citizenship for children of non-EU parents in 2004, it examines the performativity and affective entanglements of visual representations of ‘Third World Women’ and illustrates how NGO policies and projects force performances of black female bodies that exploit their representational and affective labour. Meanwhile, the material labour—of waiting— is appropriated from bodies detained in Direct Provision (a form of open asylum detention) by the asylum industry. The paper argues that postcolonial asylum is non-performative of the promise it makes, but a colonial continuity that serves a number of uses for white Western states and preserves a humanitarian face while detracting critical attention from the root causes of forced displacement from the South—necropolitics in the South.     

(De)queering Hatshepsut: Binary Bind in Archaeology of Egypt and Kingship Beyond the Corporeal

The representations of Egyptian female king Hatshepsut are, as a consequence of a binary heteronormative sex/gender bind, continuously queered in scholarship. Statements on her body and identity are often made by directly equating her representations with the corporeal. This paper offers a critique of the heteronormative interpretations of Hatshepsut, which often identify her as a cross-dresser, gender-bender or “woman with a beard.” An alternative approach will be attempted with the discussion of her imagery in the context of queer and Actor Network theoretical encounters. This paper argues that the binary bind of the sex/gender system can be traversed through a complex network of actants, including bodies, ancestors, relatives, gods, and material culture.     

Tracing Indian girls’ embodied orientations towards public life

Abstract

Contemporary figurations of the ‘the Indian Woman’ over recent years have been heavily influenced by national and international media coverage focused on high profile, gruesome and brutal cases of rape and sexual assault of women in public. The suffering involved in such cases notwithstanding, we argue that investment in such representations runs the risk of limiting our understanding of the varied experiences of female bodies in public life. Most significantly, the bodies of younger girls and how they relate to public life is mostly assumed rather than studied. Drawing on a sub-sample of ethnographies of younger children aged 6–8 living in the city of Hyderabad, India and employing the phenomenological concept of ‘orientation’, the article explores young girls’ everyday embodied orientation towards public life, with an intersectional framework. The paper considers three case studies from different spatial/cultural contexts and the empirical material is organised around the themes of the male gaze in a public space, orienting bodies in a schooled space, and the lived body in a domestic space.     

The Political Order and Corporal Coercion in Kanak Societies of the Past (New Caledonia)

Till the mid-19th century, in Kanak institutions in north central Grande Terre (New Caledonia), chiefs received their titles from the ‘masters of the land’. To add material and symbolic power to their preeminent position, they received human sacrifices, as one of their kinspeople offered his/her body; and they waged warfare outside the chiefdom. Their fame was proportional to control over human bodies. Based on historical sources and ethnographic information gathered in the field, the effort is made to see how these precolonial cannibalistic practices fit into political systems. A comparison is made between Kanak chiefs and Melanesian big men and great men.     

Animal Bodies and Ontological Discourse in the Greek Neolithic

The present article tries to assess the ways that animal bodies were represented in the Neolithic of Northern Greece. Contending that representations always have a material presence (be they spoken, depicted or anything else), an attempt is made to sort out how the specificity of this presence constitutes a frame of reference for the deployment of social action. Animal representations seem to be particularly related with certain materials, especially clay, and certain objects, mostly clay vessels. It is suggested that these objects allow animals to be incorporated in social action in a very specific manner, one that is further defined by the contexts of their use.     

从异地空间到异质空间——90后中国女性旅游者身体的自我建构

旅游作为休闲活动为空间中的身体实践提供了特定情境,且伴随技术迭代,旅游者可“置身”于地理实体空间与数字虚拟空间。本文选取90后中国女性为研究对象,探究其身体于旅游异地空间和虚拟异质空间中的自我建构;采用深度访谈法并对访谈文本进行扎根理论分析,研究发现：①90后女性具身化模型由内外两个维度构成,身体唤醒、身体建构等构成内部维度,场域空间、自他认知等构成外部维度;②尽管90后女性逐步唤起身体的自我意识,打破女性身体在消费主义影响下产生的“商品化”“神话化”现象,但其身体仍受到日常审美标准与他者监视的压迫。     

People of Stone: Stelae, Personhood, and Society in Prehistoric Europe

Stelae (also known variously as statue-stelae and statue-menhirs) are a pan-European phenomenon in fourth and third millennia b.c. Europe and are clearly associated with the social transformations characterizing Europe in this period. While the varying traditions of stelae, from the Ukraine to Iberia, differ considerably, they also share a set of general aesthetic choices towards representing the human body, reducing the body to a rigidly schematic, highly stylized with a widely shared geometry and with emphasis upon its surface as a canvas for social marking, particularly of gender. This paper reviews the aesthetic choices involved in stelae and relates them to the changing social contexts of later prehistoric Europe.     

Dominant,damaged, disappeared: imagining war through videogame bodies

ABSTRACT

Like other pop-cultural forms, videogames commonly reify militarist representations of warfare as straightforward, precise, and moral by obscuring conflict's embodied messiness. But videogames do not just reflect militarist interests in their content; they are materially, symbiotically entangled with militarist interests. Recognising this intimate connection, and the phenomenon of virtuous warfare that results, this paper takes videogames seriously as material cultural artefacts. This paper draws on feminist IR, critical military studies, and game studies to explore three categories of bodies, and their gendered logics, produced by virtualised warfare: the hypermasculine, technologised soldier; the oft-ignored broken bodies of the soldier and game developer; and the obfuscated civilian. Together, this analysis argues that the consumption and production of videogames benefits certain parties, in ways that are reproduced and sustained through the production and obfuscation of bodies. Such entanglements have real consequences for how war, and its popular culture production, is understood and imagined.     

‘Working out’ for two: performances of ‘fitness’ and femininity in Australian prenatal aerobics classes

In this article, I consider the distinctly classed places/spaces in which affluent Australian pregnant women physically maintain their bodies through aerobics. The case study described is drawn from data obtained between 2006 and 2008 in a longitudinal study examining feelings about body image and ‘fatness’ in a sample of pregnant women in Melbourne, Australia. The ways in which pregnant bodies are disciplined within gym spaces are discussed through a case study of a prenatal fitness centre, FitForTwo, and drawing on narrative data of pregnant informants. FitForTwo is described as a primary site for the performance of ‘fit’ pregnancy and underscored by bodies that can be shaped, trained, moulded and modified. This case study is analysed against a backdrop of a growing Australian moral panics about ‘fighting’ maternal obesity. It adds to a body of feminist geographical and qualitative studies of pregnancy, bringing both a more sustained, longitudinal analysis than previously offered, and an Australian context that offers rich comparative material.     

Talking about bodies online: Viagra,YouTube, and the politics of public(ized) sexualities

The development of Viagra in the late 1990s ushered in a new age of conversation about sex and sexuality, as men's bodily abilities were put on display for all to discuss. In 2005, the video-sharing technology YouTube was launched. Taken together, these technological innovations – both biomedical and representational – have produced debate around sex, sexualized and gendered bodies, and sexual health. This article interrogates Viagra-related representations posted on YouTube and analyzes sexuopharmaceuticals as a set of intertextualities that create space for both normative discourses and social critiques. Three analytic themes illustrate how Viagra-related YouTube videos (1) reinforce a regime of self-care within a wider context of individualized responsibility for one's sexual health, (2) highlight the values attached to the pharmasexed gendered body for men and women in the age of Viagra, and (3) provide disruptions, in the form of criticism, to the assumption that healthy bodies and relationships need pharmasexual enhancement. The article concludes by suggesting that social networking sites such as YouTube are managed public spaces through which one can interrogate the intertextualities that link discourses related to bodies and sexual health to the virtual and material spaces of everyday life.     

Cereals,calories and change: exploring approaches to quantification in Indus archaeobotany

Several major cereal groups have been identified as staples used by the pre-urban, urban and post-urban phase populations of the Indus Civilisation (3200–1500 BCE): wheat, barley, a range of small hulled millets and also rice, though their proportional exploitation is variable across space and over time. Traditional quantification methods examine the frequency, intensity and proportionality of the use of these crops and help ascertain the ‘relative importance’ of these cereals for Indus populations. However, this notion of ‘importance’ is abstracted from the daily lives of the people using these crops and may be biased by the differential production (as well as archaeological survival) of individual cereals. This paper outlines an alternative approach to quantifying Indus cereals by investigating proportions of calories. Cereals are predominantly composed of carbohydrates and therefore provided much of the daily caloric intake among many late Holocene farming populations. The four major cereal groups cultivated by Indus farmers, however, vary greatly in terms of calories per grain, and this has an impact on their proportional input to past diets. This paper demonstrates that, when converted to proportions of calories, the perceived ‘importance’ of cereals from five Indus sites changes dramatically, reducing the role of the previously dominant small hulled millet species and elevating the role of Triticoid grains. Although other factors will also have affected how a farmer perceived the role and importance of a crop, including its ecological tolerances, investments required to grow it, and the crop’s role in the economy, this papers suggests that some consideration of what cereals meant in terms of daily lives is needed alongside the more abstracted quantification methods that have traditionally been applied.     

The Practice of Identity and an Irish Sense of Place

Following in the wake of Benedict Anderson's work in particular, cultural geographers and cultural studies scholars have analyzed the nation and nationalism as primarily 'imagined' or abstract entities. Coincidentally, the greatest analytic attention has been given to nationalist representations of place, rather than to the everyday discursive practices constitutive of the nation as lived. Drawing on Pierre Bourdieu's practice theory, in this paper I develop the beginnings of a corporeal approach to the nation. Here the relationship between the practice of identity (the embodiment of gendered and sexualized subjectivities via discursive practice within culturally defined spaces) and an Irish nationalist sense of place is explored. In this approach, analytic considerations of identity and space are collapsed within the shared material and metaphoric medium of the body. Irish nationalism and the nation are analyzed as corporeal materialities via an ethnohistorical focus on late nineteenth-century changes in the political economy of 'peasant' and nationalist bodies. The analysis suggests that a particular matrix of constructions of femininity and masculinity was extended paradigmatically throughout the society in the latter half of the nineteenth century. These paradigmatic changes are characterized as a 'heterosexing' of bodies and places linked to economic change and the rise of the confessional state.     

Reproductive cancer: female autonomy and border crossing in medical discourse and fiction

Using three contemporary Irish novels: Down By the River and The Light of Evening by Edna O'Brien and My Dream of You by Nuala O'Faolain as well as Irish Medical Journal, I suggest that representations of female cancers are images of female pathology that reify and question disease as limitation of autonomy. Tracing the image of reproductive cancers through parts of the Irish cultural artifacts displays how both the fiction and Irish medical discourse attend disproportionately to female reproductive cancers. The texts construct female bodies as sites of pathology through textual representations of reproductive cancer and build upon Irish metaphors of landscape as female, which conceptualize women's (immobile, permeable) bodies as the site of invasion. Thus, fiction and health genres construct (and restrict) gender autonomy through two versions of border control: movement across body borders and movement across spatial, especially geopolitical, borders.     

Compositional and Microstructural Study of KoryŎ Celadon and Whiteware Excavated from SŎRi Kiln in Kyŏnggi Province

An extensive study of the composition and microstructure of celadon and whiteware sherds excavated at Sori, one of the most important sites that were active during the founding stage of the stoneware and porcelain industry in Korea, was carried out. The analysed sherds were organized according to four different levels of the excavation and four different styles of haemurigup foot rim. Principal component analysis of the chemical compositions of the sherds revealed slight differences in their body and glaze compositions between the levels of excavation. Porcelain stone with high silica and low aluminium contents was generally used as the body material and wood ash as the chief flux in the glaze. Over the period of operation, the aluminium content in the bodies of the ceramics decreased and the P₂O₅ content in the glazes increased. Glazed bodies were fired in a single step, in contrast to the two‐step method used in later ceramic production. Firing conditions were adjusted to produce vitrification of the glazes, which meant that vitrification of the ceramic bodies occurred to varying extents, mostly determined by the relative contents of flux in the body and the glaze.     

Gay Games: Performing 'community' out from the closet of the locker room

Matters of community, performativity, bodies, space, belonging, oppression, resistance and their relationship to culture are explored in this paper within the context of Sydney's 2002 Gay Games. I begin the paper considering how the everyday meaning and practices of sports produce spaces that are oppressive to many gay men. I then introduce the Gay Games as a site of gay, lesbian, bisexual, transsexual, and intersex resistance, established to rupture stereotypes of heteronormativity in sports. Drawing upon my own research of Sydney's Gay Games I next explore how willingness to participate amongst self-identifying gay men depends upon how they understood their performance within the context of the event. I conclude the paper by arguing that willingness to participate in Sydney's Gay Games illustrates fundamental issues about the connectedness of bodies and space through the discursive body as space and the material body in space.     

Flexing Femininity: Female body-builders refiguring 'the body'

This paper considers the built bodies of female body-builders and their training environments. Empirical findings suggest that place of training provides a material and discursive environment that reworks bodies in the feminine/masculine binary. However, the female body-builder works her body within this binary as well as beyond the acceptable feminine/masculine dualism. Three possible, non-exclusive, readings of female body-builders are offered. I argue that the specific materiality of female muscled (built) bodies provides the ground for contestation of the feminine/masculine binary as well as other binaries such as nature/culture, body/mind and sex/gender, thereby opening up new spaces to reconceptualise sexed bodies in geography. The ontological and socio-political status of female body-builders demands a refiguring of sexual difference.     

安徽铜陵师姑墩遗址出土原始瓷的初步分析研究

通过对铜陵师姑墩遗址出土的29件原始瓷进行的检测分析表明,师姑墩原始瓷胎为高硅低铝型,部分器物胎体的Fe_2O_3和TiO_2含量较高;釉属高温钙釉,釉中Mn和P含量相对较高,其可能由草木灰引入,部分器物釉中含较高的Fe_2O_3,致使釉色较深。这一结果为皖南地区先秦时期原始瓷手工业发展研究提供了新的科学依据。