浙江出土的金银器

The gold was put into use as early as Shang dynasty. From the late Tang dynasty on, the private gold and silver workshop came into being in accord with the improvement of excavation and workmanship systems, which stimulates greatly the gold and silver production in the southern China. Most of the gold and silver wares unearthed in Zhe Jiang are from Late Tang to Ming dynasty. Its categories and shapes are closely fit in with the needs of daily life.     

Beyond Exemplar Tales: Women's Biography in Chinese History

This volume brings together accounts of biographies of women covering a span of history from the Han dynasty to the mid-twentieth century.Its aim is to define and provide interpretive clues on the genre.It is,as the editors Joan Judge and Hu Ying point out,partly a study of epistemology,as many of the authors grapple with the issue of whether or not historians can claim to know the lives,including the inner worlds,of Chinese women through time,using biographical information.That seems to me a bit of a "straw wo/man," for knowledge of historical subjects is always mediated by sources.Nonetheless,the contributors,writing from the perspective of history or literature studies,bring a wide variety of viewpoints to bear on questions of the usefulness of women's biography for understanding changes in society,and in the process introduce some fascinating Chinese women.     

The Everlasting Empire： The Political Culture of Ancient China and Its Imperial Legacy

To most specialists and non-specialists of Chinese political culture, probably the most intriguing question is why the Chinese empire, one of the largest political entities in human history, attained against all odds its unparalleled longevity for more than two millennia from 221 BCE to 1911. Building upon his previous study of the formation of China＇s unique imperial ideology prior to the foundation of the first dynasty, （Yuri Pines, Envisioning Eternal Empire： Chinese Political Thought of the Warring States Era, Honolulu： University of Hawai＇i Press, 2009）.     

The Administrative System in Tibet during the Tang and Yuan Dynasties

(1)China's Tang Dynasty (618-907) and Yuan dynasty(1279-1368) were of epoch-making importance in theformation and development of the Tibetan ethnicgroup.Numerous ethnic tribes began to unite,and theprocess of evolution from a tribal to a political societywas basically completed over the span of the twodynasties.The advanced political,ec,onomic and cul-rural systems of the Han people were introduced intoTibet,primitive tribes were gradually replaced by a     

西藏夏鲁寺壁画中的“汉藏合璧”

Shalu Monastery is one of the most famous Tibetan Buddhist monasteries and is seated in Gyatso Shong Township of Shigatse Municipality in the Tibet Autonomous Region.The monastery is rich in murals that total over a thousand square meters in wall space,putting on display a fine example of Tibetan Buddhist mural art from the Yuan dynasty.     

青铜文物复制中常用的作伪方法

People kept on study of faking the antique through thousands of years. As early as Song dynasty, people began the forgery of antique. This essay gives us a brief introduction of forgery technology in the restoration and copying of bronze wares, through which you may have a general idea of fake     

Koh, Khee Heong, A Northern Alternative: Xue Xuan (1389-1464) and the Hedong School

How did a Neo-Confucian scholar who built no academies,who actually discouraged interested students from studying with him,and whose followers did not have a strong sense of group identity become the first scholar enshrined in the Ming dynasty's imperial Confucius Temple? This is the question that Khee Heong Koh seeks to answer in writing this masterful study of the Ming Neo-Confucian master Xue Xuan.After all,admission into that temple's rolls was a rare honor,one carefully controlled by every imperial court.Only four men were enshrined over the entire Ming dynasty,and Xue is interesting not only because he was the first to be enshrined,but also because he was the only one of the four from northern China.Koh provides us with a detailed picture of this heretofore largely forgotten scholar-official and how he came to be thus enshrined.But this is not simply a biographical study;Koh also problematizes the monolithic understanding of Ming China as having been completely captivated by the Wang Yangming School of Neo-Confucianism.     

吐蕃第一窟－－拉萨市药王山札那路浦石窟的几个问题

In this article, through the studies on the statues of brag-lha-klu-phug in Lhasa, combining with Chinese and Tibetan documents, the author makes a further exploration into its date, artistic styly and the relations with the Buddhist art of the neighbourhood. Apart from the influence of the art of grottos in Hexi Area, the traditional cultural relations between Tubo and Nepal, India also should be considered. The styles of statues, the Grotto of Tubo dynasty is closer to that of the Buddhist art of Nepal.     

湖南津市窖藏元代金银器

A set of buried objects was found in Jin Shi, Hunan province in the May of 1984. The identification shows that two of them are ranked the nation‘s 1st rank treasures. Analyzed by their shape and decoration, they are of Yuan dynasty and bear the features of those of Song Dynasty. The designs on them are rather complicated, such as the dragon and phoenix, coiled grass, meander pattern, linked beads, and plum blossom, which are usually found in the objects of Yuan dynasty. The refined craftsmanship and gorgeous decoration demonstrate fully the features of Yuan dynasty.     

Picturing Heaven in Early China

In Picturing Heaven in Early China,a consideration of the symbolism of Heaven in early Chinese culture,Lillian Lan-ying Tseng examines the evolution of a pictorial language for the expression of "religious" ideals.By analyzing the architectural,material and literary evidence from the Han dynasty,the author traces the trajectory of Han thought from its first concerns with the notion of Heaven and the involvement of the emperor,to the growing desire for personal immortality at all levels.The book comprises five chapters,which plot the development of Han thought and images of heaven.This is a complex and well-researched examination,whose depth and detail can only be suggested here.     

Uspensky,Vladimir L., Tibetskiy Buddizm v Pekine （Tibetan Buddhism in Beijing）

The new book by Vladimir Uspensky （alternatively, Uspenskiy）, Professor and Chair of the Department of Mongolian and Tibetan Studies, Faculty of Asian and African Studies of Saint Petersburg State University （Russia）, deals with various aspects in the history of Tibetan Buddhism in Beijing; the time is mainly the period from the middle seventeenth to the early twentieth century. During the reign of the Qing dynasty, the ruling class, namely Manchu and Mongolian nobility, patronized Tibetan Buddhism. This aspect of Qing history is studied too little in Chinese and foreign works, and Uspensky＇s book fills this lacuna. One can see that the author successfully achieved his aim, as he has drawn a vivid picture of institutions and cultural activity among Tibetan Buddhists in Beijing.     

谈三件宋瓷盏珍品

Without parallel either in history or in future the black porcelain in Song dynasty reached In its climax in tecbnulogy, style, and mond. The Jian Yang kiln in Fu Jian province and the Ji Zhou kiln in Jiang Xi Province are tv, ro well-known kilns in black porcelain prodoction. The black wares from Jian Yang kiln are sedate, simple and elegant. The black wares from Ji Zhou kiln are decorated with designs out of paper cutting, dignified and graceful In this Ihesis. the author centers on three treasures of black bowls and gives us some ideas about black porcelain.     

西安南郊皇明宗室汧阳端懿王朱公镨墓清理简报

This tomb,consisting of a vertical passage and a main room made of brick,excavated by Xi‘an Municipal Institute of Relics Preservation and Archaeology in August, 1998. According to the epitaph,the occupant was Zhuzeng(朱zheng),a member of imperial family,titled Qianyang Duanyi King(汧阳端懿王). There were 111 materials such as pottery ceremonial figurines with bright color,vivid expression and various action;fine models of house and furniture with well--preserved color,sacrificial utensils;porcelains ;bronze coins ;wooden stamp and stone epitaph etc. excavated out . This excavation provided detail data for us to study the tomb formation,burial custom,style of construction,art of clay sculpture,characteristics of furniture,ceremonial system and cloth fashion etc. of Ming dynasty.     

梅瓶三绝

The plum vases, one with a white dragon design over the blue ground of Yuan dynasty, one with a design of Xiao He chasing Han Xin in the moonlight in underglaze blue of the late Yuan and early Ming, and the other with pine, bamboo, and plum designs in underglaze red in the Ming dynasty under Hongwu‘s reign, are three important pieces in Yuan and Ming dynasties in Jiangsu Province. They might be rated as the three treasures in the Chinese porcelain world for their unique characteristics.     

Victor REBRIK, IHAC

The book is confined to the study of the “popular morality” of the Athenians of the second half of the fifth century BCE and the whole extent of the fourth. The author moves outward from the central phenomenon of Athenian life, the oikos, comprising the family and extended family (Chapter 1), with a more sideways to take in threats or alternatives to the family, in the shape of courtesans and other ladies of irregular status (Chapter 2), returning then (Chapter 3) to the oikos with a chapter on problems of inheritance. After this he passes (Chapter 4) to the topic of friends and enemies, as essential feature of the Greekpolis.