试论藏传佛教微型雕塑“嚓嚓”在藏区的传入与发展(英文)

Buddhist culture was officially introduced into Ti- betan-inhabited areas in the 7th century A.D.Until that time,the influence of Bonpo culture on Tibetan society had been all-pervasive.However,its teachings and disciplines were less systematic and perfect,which offered Buddhism a good opportunity to infiltrate.So like any other foreign culture,Buddhism began its     

宝藏寂对佛性的理解（英文）

<正>The Ratnagotravibhāga(abbr.RGV)was very likely composed sometime around ~(th)e 4~(th) or 5~(th) century in India.But traces of the RGV fell into obscurity after ~(th)e late 6~(th) century,and again begin to appear after the early 11th century.To clarify the text’s resurrection after the early 11~(th) century,I have studied the earliest masters of this period who quote the RGV,namely Maitrīpa     

Lady Avengers in Jin He＇s （1818-1885） Narrative Verse of Female Knight-Errantry

Jin He 金和 (1818–1885), a pioneering poet of mid-nineteenth century China, wrote in a colloquial style strongly influenced by the ballad tradition. Jin’s style was prose-like and broke all the structural limitations of earlier poetry in order to create formal innovations, while at the same time experimenting with new subject matter. Liang Qichao 梁啟超 (1873–1929) and Hu Shi 胡適 (1891–1962) considered Jin He and Huang Zunxian 黃遵憲 (1848–1905) to be the major poets of the nineteenth century. Jin had a major impact both on other late nineteenth-century poets and on the “Poetic Revolution” that led to the rise of modern Chinese literature. However, his verse has been largely ignored ever since. Among the most striking contributions Jin made to the literary transition in the nineteenth century was his innovation in presenting the female knight-errant 女俠 (nüxia). This invented image of the female knight-errant reflected a new tradition of women’s voices in the literary works of his time, and had a great impact on the representation of swordswomen in modern literature. This paper examines how the image of nüxia in Jin’s writing is distinct from those found in past poetry, how the female knight-errant in Jin’s works inverts conventional gender norms, and how Jin’s female knight-errant image is both connected with and distinct from those in other literary forms.     

宁玛派(英文)

<正>The expression Rnying Ma-pa means "ancient" or "old".The Rnying Ma-pa sect maintained that it is ancient because Pad-ma vbyung-gnas established its doctrines in the 8th century,about three hundred years earlier than the origin of Tibetan Buddhism’s other sects.With regard to "old",the Rnying Ma-pa sect claimed to focus on the teachings of Old Tantric Mysticism,basically those translated during the Tubo period. The division of Tibetan Buddhism into various sects differed from that of Hinayana and Mahayana in Indian Buddhism.The separation of Hinayana into eighteen schools was     

Tonglha Zeweng： Master of the Garma Garze Painting School （Ⅱ）

The Garma Garze painting schoolis one of the three famous paint-ing schools in Tibetan-inhibitedareas(along with those ofMoinze and Qenze),and was formed inthe 15th century.In the 16th century,it began to exertgreater influence on the Tibetan-inhabitedareas,and.a number of painters flourished,including Dabo Goba,Garrna Sengzbe and     

BRINGING THE WISHES OF PEOPLE IN TIBET TO BEIJING——Record on Members of National Committee of CPPCC from TAR in the 5th Session of 12th CPPCC National Committee

<正>Spring has come once again,and as the flowers begin to bud,Beijing welcomes members of the National Committee of Chinese People's Political Consultative Conference(CPPCC)from the Tibet Autonomous Region(TAR)to participate in the 5th session of 12th CPPCC National Committee.These CPPCC members bring the proposals they have worked out based on their comprehensive investigations collected before their arrival in Beijing.The proposals are a compilation of the wishes and voices from the various different sectors of Tibet,and they aim to propel the initiative to develop the Tibet Autonomous     

HISTORY ENGRAVED ON THE STONES-Tubo Stone Inscription in Lhodrak——The 2~(nd) Record of Archeological Studies in Lhodrak

<正>Lhodrak Town is a small town on the border of the Tibet Autonomous Region(TAR) in China.This is a peaceful and beautiful town stretching from east to west along the Lhodrak River between a mountain and the river.The Xungqu River of Lhodrak runs day and night from the town to the distant border.The end of the downtown of the county seems to be the end of the access.Nevertheless,a single road suddenly appears before you,zigzagging to the village and surrounded by rich forest.In the morning when the fog is still lying on the land,we have     

A Diplomatic Edition of the Introductory Section of Yamāri's Pramā(n)avārttikālankāra(t)īkā Supari(s)uddhā Folios 10a1-14b2

This is the second part of the diplomatic edition of Yamāri's Pramā.navārttikālatkāra.fīkā Suparisuddhā,the continuation of the part published beforeJ In the part published here,Yamāri explains Prajnākaragupta's two initial verses,i.e.,folios 10a1-12a3 on PVA 1,and 12a3-14b2 on PVA2.     

Wise as the Filial Pious Prince:The Tibetan Sujāta-jātaka Translated from Chinese Sutras

1.Introduction My research centers around a birth story (Skt.Jātaka,Chin.bensheng本生,Tib.skyes rab) contained in the Sūtra of the Wise and the Foolish (Chin.賢愚經 Xianyu jing,Tib.mDzangs blun,abbr.SWF),2 a story in which a prince named Sujāta and his parents fled to another country because an evil minister of their suzerain tried to kill them.But as a result of taking a wrong path,they ended up using all their food and suffered greatly from starvation.     

REFERENCE MATERIALS

Potala PalaceConstruction of the Potala Palace began in the mid-7th century for the Tubo King Songtsan Gambo to greet his Han wife, Princess Wencheng. It comprised 999 rooms then, plus one built atop the Red Hill, which, said to have 1,000 rooms, was later destroyed by thunderbolts and wars. What we see today is a structure built during the 17th century.In the mid-17th century, the White House was added to the Potala Palace, which spread along the Red Hill in Lhasa.The palace is a structure of clay, wood and stone. The palace was the residence of the Dalai Lama of various generations. Beginning with the period of the 5th Dalai Lama, major religious and political ceremonies were held there.The palace covers a total area of 360,000 square meters, with major building rising 117 meters high in 13 floors, and extends some 360 meters from east to west.From 1989 to 1994, the State earmarked some 55 million Yuan and large quantities of gold and silver to repair the palace.In December 1994, the palace found its w