Art,Transformation, Liberation: Balzac's Eugénie Grandet

Balzac's works about actual artists like Le Chef d’oeuvre inconnu have long been studied to derive the author's ideas about the artistic creative process. Eugénie Grandet also deals with art, however, even though there is not a real artist in it. In telling the story of Eugénie and her cousin Charles, Balzac suggests his views on the effects of beauty created by artful arrangement as opposed to the beauty in nature uncrafted by human art.     

Dreyfus,Georges B.J., Recognizing Reality: Dharmakīrti's Philosophy and Its Tibetan Interpretations. [SUNY Series in Buddhist Studies]

Indo-Iranian Journal -     

J.A. Symonds,socialism and the crisis of sexuality in fin-de-siècle Britain

This article analyses the theory of sexuality, personality and politics developed by the literary critic John Addington Symonds (1840–1893). Sections 1 and 2 introduce Symonds’ changing reputation as a modernist theorist of ‘sexual inversion’ (homosexuality). Section 3 examines his conceptualization of the processes whereby an individual can sublimate sexual urges to create a harmonious and unalienated personality which acknowledges the need to combine transgressive self-expression with social convention. Section 4 demonstrates how this theory led Symonds to endorse an eroticized form of democratic socialism, while Section 5 explores the culmination of Symonds’ thought in a form of pantheistic idealism. This research is significant in that it extends our understanding of socialism and sexuality into areas that are marginalized and yet historically important.     

J.B. Priestley: Bradford and a provincial narrative of England, 1913–1933

J.B. Priestley's writing has been used to explore aspects of landscape and Englishness. Through an analysis of Priestley's early journalism in the Bradford Pioneer and the Yorkshire Observer, we argue that his critical disengagement to most of the landscapes of England was based on a connection to the landscapes of his youth in Bradford where he first developed his fictional and documentary narrative style. In his early journalism, Priestley articulated a sense of dwelling in Bradford that was rooted in the experience of two distinct local landscapes: the spaces of the city and the nature of the surrounding upland and moorland. Priestley's geographical ideal balanced the civility of the Edwardian city embedded in a landscape that offered escape to and commune with nature. The existential balance between the two was, we argue, central to the narrative geographies developed by Priestley in his fiction which is illustrated through an analysis of his two early novels: The Good Companions (1929) and Angel Pavement (1930). We suggest that the ways in which Priestley's interwar writing expressed dwelling in local landscapes might be thought of as a critical provincialisation of London and England.