War,Modernity, and Motion in the Edison Films of 1898

This essay examines films created by the Edison Company of the US military campaign in the Caribbean in 1898 and their projection and reception in Vaudeville theaters and other similar venues in the larger urban areas of the US. Through an analysis of these films in regards to their production and reception contexts, it discusses relationships between entertainment, nationalism, and colonialism in this early cinema. Features foregrounding technology, production capacity, tourism, and military campaigns in tropical settings are examined in order to explore the blurred boundaries between journalism and entertainment in the context and how specifically the technology of the incipient cinema shaped these perceptions. The venues, in which they were exhibited, situated these war films within larger variety shows including oddities, acrobats, skits, and musical entertainment, together with technological exhibitions involving devices revered for both their destructive and constructive capabilities. It considers, furthermore, how tourism and the possibilities for travel related to the war shaped entertainment and dialogued with public desires regarding American empire and the roles of the Caribbean and, by relation, Latin America in these scenarios. The essay seeks to underscore, finally, how these films, and the war that they attempt to depict, resonated deeply with a type of audience and a corresponding mode of spectatorship that would come to expect an entertaining dimension in journalism.     

The Women's Emancipation Union and Radical‐Feminist Politics in Britain, 1891–99

This paper considers the ideals and activism of the fin de siècle feminist organisation, the Women's Emancipation Union (WEU). Active between 1891 and 1899, the WEU held a prophetic vision of the future and an appraisal of women's subjection more comprehensive than any contemporary feminist group. Members were the first to link the possession by women of their bodily autonomy directly to the acquisition of the parliamentary vote, and thus redefined the terms upon which citizenship was constructed. One member raised the matter of armed insurrection in support of the women's franchise, an issue which would have serious implications for the future of suffragist campaigns. The political roots of WEU members lay chiefly within the utopian‐socialist and Radical‐liberal traditions, but it was an organisation which resisted party‐political allegiance to become anchored in the Progressive movement. Adopting what has been defined as the ‘muckraking’ tradition associated with Progressive authorship, the WEU suffragists constructed a rhetoric of resistance to women's subjection from social, sexual, economic and political standpoints. Many points they raised, including for a woman's right to consent to maternity to be enshrined in law, were to become the bedrock of the philosophy of the militant suffragette movement.