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Abstract

Shakespeare shows how enforceable contract not only undergirds the city of Venice, which makes a multicultural society possible, but its corrosive effects on non-contractual relationships like friendship, love, and marriage. This is evident in the decisions, actions, and relationships of Antonio, Bassanio, Portia, and Jessica. Although Shakespeare concludes the play on a happy note, the conclusion one can reach is that, despite its advantages, regimes based on commerce and contract fail to create the conditions for friendship, love, and marriage to flourish.  相似文献   

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Carl J. Friedrich (1901–1984) defined constitutionalism as something more than can be expressed by the dominant behavioralist paradigm of modern political science and the typical academic focus on law and courts. A leading but now neglected post-WWII authority on constitutionalism, Friedrich argued that it should be understood as an institutionally-based, interactive system for deliberating the meaning and legal application of the norms of a political community. His approach shares much with the contemporary “historical institutionalist” call to situate law and courts within a broader, more normative, and more interactive conception of constitutionalism. Accordingly, a reconsideration of Friedrich's work may help current efforts to better articulate the full richness and complexity of constitutionalism as a distinctive way of ordering political life.  相似文献   

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Dreams and Discourses (1627) by Francisco de Quevedo is a Baroque satirical work composed by five dreamlike narrations that criticize the moral decadence of seventeenth-century Spanish society. Traditionally, it has been read as a conservative Catholic text that conveys an official view of truth and morality. This article attempts to question that reading by addressing the use of subversive strategies, such as wordplay and ambiguity. Through an analysis of the paratext, the narrative voices, and the satire of popular trades—e.g., bankers—the article sheds light on the text's self-erosion of established moral and epistemological values. It concludes that behind its apparent religious correctness, the work reflects on the fundamental opacity of language. Theoretically, Quevedo's satire is understood as a disseminatory artifact following Derrida in Dissemination.  相似文献   

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In 1612 the Bordeaux witchcraft inquisitor Pierre de Lancre (1556–1631), himself linked by marriage to Michel de Montaigne (1533–1592), revealed that the essayist and sceptic was related on his mother’s side to a leading authority on magic and superstition, the Flemish-Spanish Jesuit Martin Delrio (1551–1608). De Lancre confounded historians' expectations by using the revelation to defend Montaigne against his cousin's criticism. This article re-evaluates the relationships of De Lancre, Delrio and Montaigne in the light of recent scholarship, which casts demonology as a form of "resistance to scepticism" that conceals deep anxiety about the existence of the supernatural. It explores De Lancre’s and Delrio’s very different attitudes towards Montaigne and towards evidence and scepticism. This, in turn, reveals the different underlying preoccupations of their witchcraft treatises. It hence argues that no monocausal explanation linking scepticism to witchcraft belief is plausible.  相似文献   

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