From Domus to Polis: Hybrid Identities in Southey’s Letters from England (1807) and Blanco White’s Letters from Spain (1822)

ABSTRACT

Robert Southey’s fictive travelogue, Letters from England, by Don Manuel Alvarez Espriella (1807), inspired several imitators, most importantly José María Blanco White with his Letters from Spain (1822). These works rejuvenate a fictional device popularised by Montesquieu’s Persian Letters—the “familiar stranger”—at a crucial juncture when British involvement in the affairs of Europe provoked a reassessment of pre-Revolutionary cosmopolitanism. The stranger as home-interpreter calls attention to an emerging emphasis in European Romantic thought on the contingency of freedom with hybrid, mobile identities, prefiguring the psycho-social-historical terrain in which Jean-François Lyotard and Dean MacCannell link modernity with travel and tourism. This essay argues that the Romantic figure of the foreign traveller expresses a condition of travel, reflecting Lyotard’s critique of human contingency in his essay “Domus and the Megalopolis.” Southey’s sympathetic stranger modulates a conversation with Wordsworth about the nature of modern subjectivity, historically contingent yet paradoxically liberated from historical particulars. Blanco White’s Letters from Spain demonstrates how displacement, emigration, and expatriation become refigured as conditions of the modern psyche, especially visible in moments of political crisis, when the cosmopolitan polis is immobilised by the myth of the domus.     

Arthur Schnitzler’s Professor Bernhardi — Antisemitism on the Stage and in Reality

Abstract

Professor Bernhardi was one of Schnitzler’s most successful plays, and at the same time, a key document in the development of his Austrian-Jewish identity. The central conflict in the play is not, as often assumed, that of science against religion, but rather that between the critically minded individual and those who submit to a political or religious programme. The figure of Bernhardi reflects Schnitzler’s own position on the Jewish identity crisis, which may be termed ‘enlightened apolitical individualism’. In addition to his experiences working in his father’s clinic, Schnitzler drew inspiration for the plot from sources that are cited here for the first time.     

Michael Polanyi's Response to the Crisis of Modernity and Its Relation to Recent Developments in Theology

Abstract

Michael Polanyi's theoretical response to the crisis of modernity ultimately leads to a consideration of theological issues, and Polanyi's attempt to address these issues has been extended by William H. Poteat. I argue that the theological formulations of both Polanyi and Poteat could be strengthened by a consideration of the work done by recent theologians, particularly Colin Gunton, and that, at the same time, the work of Polanyi and Poteat can extend the concepts developed by theologians like Gunton. Specifically, I argue that Gunton's analysis of the Trinity indicates that Polanyi and Poteat use a somewhat one-dimensional conception of God, at least in their explicit formulations. Conversely, Polanyi's understanding of knowledge and his recognition of the ambiguous nature of modernity and Poteat's discussion of the speech-act as a central model for Hebraic thought can actually point toward a more complete theorization of the Trinity and give a clearer indication of its political implications.     

The Political Thought of David Walsh: A Symposium

Abstract

David Walsh has published a trilogy of books on the ideological, political, and philosophical trajectories of modernity. He confronts the crisis of modernity and argues that modernity has the resources within itself to reestablish a collective commitment to the order of existence. This symposium offers four essays reflecting on and responding to Walsh's assessment of modernity and its prospects.     

Some Thoughts about Standardized Teaching Evaluations

Abstract

Mark Blitz begins his book Plato’s Political Philosophy by making a strong case for Plato’s continuing relevance to us. The book’s three parts are centered on three dialogues of special importance to Blitz’s topic: the Laws, the Republic, and the Statesman. Blitz also pulls into his discussion other dialogues that illuminate the teachings of these three central ones. Blitz’s analyses of the dialogues are illuminating. He lays out the dialogues’ intellectual pathways and gives us an important sense of their meaning. In addition to his examination of particular dialogues, Blitz also gives us rich discussions of four key concepts that underlie and are found throughout Plato’s works: nature, wonder, perplexity, and laughter. The book lacks a deeper discussion of the view that we should be guided by nature in determining our ends. Also missing is a better appreciation of both the challenge posed to philosophy by piety, and the attraction of institutions of modern republics. And we could have a better understanding of the limits of a rational politics in the Statesman. Plato has difficulty finding a place for the philosopher in the city, and this could come through more clearly in Blitz’s account. But these shortcomings are minor when set against the book’s strengths. Its synoptic analyses can help guide those new to Plato. But there is also much here for mature scholars in Blitz’s detailed and careful exploration of Plato’s more important concepts and arguments.     

Index To Volume 42

Traditionally, realism has been considered as a naive attempt to copy reality objectively. This article refutes this assertion by demonstrating that Benito Pérez Galdós's narrative aesthetics do not construct any reality organically; instead, his novels deconstruct it. Using the notion of the suppléer by Jacques Derrida and reflections on the emergence of modernity in Spain, the author proposes that the constant formal and thematic reconsiderations found in La incógnita and both versions of Realidad question the possibility of presenting a coherent and conclusive reality. Rather, they are symptoms of the crisis brought forth by the inauguration of modernity in Spain.     

The Presidency and the News Media

Abstract

Leo Strauss, often considered a critic of modernity, is famous for his claim that Machiavelli, in turning away from the classical tradition, is its originator. Yet his “Restatement on Xenophon's Hiero” presents a concise indictment of that tradition and a remarkably sympathetic account of the political and philosophic motives that led to the rupture. In light of this tension, Strauss's interest in Xenophon appears as a useful counterweight to both.     

Conversational Modernism: Talking Czech Men into Being Gentlemen by Way of The Gentleman, 1924–30

The article provides a profile of the Czech life-style magazine Gentleman (The Gentleman), published in Prague from 1924 to 1930. The gendered nature of the magazine is stressed and discursive mechanisms effective in the formation of modern masculinity are discussed. Issues of ‘democratic aristocratism’, male fashion, gender identity, but also traces of a local inflection (T. G. Masaryk as a modern man) are among the select points of attention. While some aspects of the magazine may appear instructional, the analysis draws attention to the fact that The Gentleman actually moves between the instructional and the represented, thus leaving ample space for the reader to negotiate his position on the map of masculine modernity. Other instances of media (e.g., the nineteenth-century Konversationslexikon) and authors (Karel ?apek, Milena Jesenská) are adduced to broaden the context and to explicate the meaning of ‘conversational modernity’, that is, a negotiated representation of modernity.     

Bernard Faÿ, Antoine Compagnon: the modern/anti-modern,or the delicate balance of the ‘Entre-Deux’

This article examines Antoine Compagnon’s Le cas Bernard Faÿ: du Collège de France à l’indignité nationale in the light of Compagnon’s intellectual trajectory and in connection with his conception of modernity, in particular French modernity. A sum of contradictions, at once modern and anti-modern, modernity is for Compagnon essentially ambivalent. Its emblem is Baudelaire, whose aesthetic predilection for the modern beauty of the present was paradoxically entwined with his hatred for modernization. Compagnon sets Baudelaire’s intensely nostalgic and somehow already postmodern modernity against the effusive ideology of ‘modernism,’ identified with the cult of progress, the equation between aesthetics and politics, and the lyric militancy of the avant-garde. Through the Janus-like figure of Bernard Faÿ, a modernist aesthete who was Gertrude Stein’s best friend and who turned into a collaborator and a persecutor of Freemasons during the Second World War, Compagnon excavates, at the crossway between aesthetics and politics, at the intersection of modernism and fascism, the contradictions of modernity and the paradoxes of the history of twentieth-century France. In the meantime, going against the linear grain of the great modernist narrative, Compagnon defines the tasks of the new literary history of modernity.     

Circean transformation and the poetics of Milton’s Masque

ABSTRACT

Circe’s presence in A Masque Presented at Ludlow Castle (Comus) invites readers to read both Milton’s Circe and Milton’s own poetic activity through long and intertwined traditions of theology and literary commentary. Stretching from Augustine and Aquinas to the commentaries and translations of Homer and Ovid by Sponde, Sandys, and Chapman, these traditions use Circe to explore and conflate the possibility, the permanence, and the experience of both human and literary transformation. Taken up by Townshend and Jones in their Caroline court masque Tempe Restored, they become essential intertexts for Milton’s Masque. Milton embeds this discourse in his masque – a genre that places metamorphosis at the heart of its poetics – to examine the nature of Renaissance intertextuality and the authorial self and interrogate his own use of Renaissance practices of imitatio and aemulatio. In Comus’ wood, Circean transformation becomes a touchstone for the virtuous soul and the virtuous poet alike.     

Johann Gaspar Spurzheim: The St. Paul of phrenology

ABSTRACT

Franz Joseph Gall’s wayward discipline Johann Gaspar Spurzheim greatly modified Gall’s original system and introduced it to the English-speaking world. Through an active program of itinerant lecturing, publishing and converting disciplines, Spurzheim made phrenology. He also developed a philosophy of following the laws of nature that was adopted and further promoted by his disciple, George Combe. Combe’s book The Constitution of Man (1828) became one of the best-selling works of its genre in the nineteenth century. Thus Spurzheim, never particularly original, exercised an enormous influence on nineteenth-century culture.     

Between friendship and justice: on Lincoln’s political thought

Reading Aristotle and applying his notion of philia, or political friendship, across 26 centuries sheds significant light into Abraham Lincoln’s career. It is precisely in Lincoln’s embodiment of the Aristotelian notion of friendship that we come to understand his unique greatness. Perhaps he alone of all Americans proved capable of such extraordinary feats as leading the Republican party to victory in 1860, holding the Union together through the secession crisis and four long years of bloody civil war, ending slavery without white backlash, and offering reconciliation with the incredible magnanimity expressed in the ringing phrases of the Second Inaugural address. The basis of Lincoln’s preternatural political genius proved to be his ability to comprehend all sides, a comprehension that can only come from a profound belief in the importance of friendship. Americans, Lincoln argued throughout a terrible war as he had his entire life, were not enemies but friends who shared a commitment to nature and nature’s law as expressed in the Declaration.     

Responding to the Mystery of Human Existence: David Walsh and Some Contemporaries for and Against Modernity

Abstract

An analysis of David Walsh's critique of modern liberalism based primarily on two of his works, The Growth of the Liberal Soul (1997) and The Third Millennium: Reflections on Faith and Reason (1999). Walsh's assessment of the advantages and disadvantages of modernity are discussed, and comparisons are drawn to the analyses of Eric Voegelin, Pierre Manent, Charles Taylor, and Michael Oakeshott.     

Philosophy and Esotericism

Abstract

Arthur Melzer's Philosophy Between the Lines establishes the historical reality of esotericism, or at least the reputation for it, throughout Western and Islamic philosophy until late modernity. But Melzer wants to do much more than that: to establish that there is a whole new world of philosophy to uncover and explore, thus to promote the recovery of “a long lost art of philosophical literacy.” I argue that he fails in this task. Most of the evidence he has for esotericism concerns religious beliefs, and it does not show that a significant portion of the work of important philosophers is to be read esoterically. I offer a detailed analysis of his account of Aristotle's alleged esotericism to give some indication of the weakness of his evidence. I also argue against the Straussian assumption (regarding the dualism of human nature between theory and practice) that stands behind so much of his account of esotericism. I end with a discussion of pedagogical esotericism, contrasting Melzer's Straussian account with my Nietzschean account of what esotericism can contribute to philosophical education.     

Hits,Misses and Close Calls: An Image Essay on Pattern Formation in On Growth and Form

Abstract

The second edition of D’Arcy Thompson’s On Growth and Form was written only shortly before the advent of computers made it possible to develop more sophisticated mathematical models of processes of growth, morphogenesis and pattern formation in nature. It also predates the blossoming of several branches of science with the conceptual tools to investigate complex phenomena such as self-organization, nonlinear dynamics and chaos, fractal geometry and self-organization. As a result, Thompson’s aspirations sometimes fall short of his means — and occasionally he sets out on the wrong path. This image essay explores some of the instances in which Thompson surpassed his limitations or, alternatively, was constrained by them. In either circumstance, it illustrates how his themes remain areas of significant scientific activity today.     

Soviet official critiques of the resource scarcity prediction by limits to growth report: the case of Evgenii Fedorov’s ecological crisis rhetoric

ABSTRACT

This paper focuses on official Soviet attitudes towards ‘ecological crisis’ and the rhetoric developed to address it. It analyses in particular the discussions in the Soviet Union that followed the publication of the Club of Rome report Limits to Growth (1972). It contributes to the better understanding of the debate around resource scarcity in a framework of so-called ‘ecological crisis’ as it was conceptualized in the late 1960s to the mid-1970s. It is based on the analysis of writings by the Soviet geophysicist Evgenii Fedorov (1910–81) who was among the few Soviet members of the Club of Rome and thus had direct access to contemporary Western scholarship. The paper explores how such rhetoric accepted and reconceptualized the notion of crisis for use in both domestic and international environmental politics and the associated advancement of technology as the most effective remedy against resource scarcity. Fedorov largely built his ideas on Soviet Marxism and Vladimir Vernadsky’s concepts, which preceded the current notion of the Anthropocene. In addition, his experience in nuclear projects and weather modification research –– both more or less successful technocratic projects – gave him some kind of assurance of the power of technology. The paper also provides some comparison of the views of the problem from the other side of the Iron Curtain through a discussion of the thoughts of the left-wing American environmentalist Barry Commoner (1917–2012), which had been popularized for the Soviet public by Fedorov.     

Jules Verne's Metaphor of the Iron Cage

Max Weber's concept of the iron cage has become a byword in the scholarly world since the publication in 1930 of Talcott Parsons’ translation of The Protestant Ethic and the Spirit of Capitalism. What is less well-known is that Jules Verne had earlier used the iron cage metaphor in Twenty Thousand Leagues Under the Sea (1869) to reveal the paradoxes of modernity. Roland Barthes criticized Verne's vision of modernity as bourgeois and positivistic, pointing out his narrow-minded enthusiasm for futuristic technology. In this essay, I argue that Verne's originality lies precisely in his equivocal attitude towards modernity with its high technology. Verne, I suggest, does not reject technological modernity, but by dissecting it he reveals its propelling forces, high demands and price. He shows that the Enlightenment's Rule of Reason is, in the end, governed by the ancient passions of fear, bitterness and the thirst for revenge. It is this combination that makes the human condition tragic. Verne's Homeric imagination creates an epic hero—Captain Nemo—who personifies the remarkable alliance of modern science and ancient heroism.     

Francesco Patrizi’s concept of “nature”: presence and refutation of Stoicism

ABSTRACT

This essay analyzes the ways in which, in his Nova de Universis Philosophia, Francesco Patrizi uses, adopts, and, in some cases, rejects the Stoic philosophical tradition. Although, at first glance, most of Patrizi’s remarks on Stoicism and Stoic understanding of nature are critical – as this article demonstrates – he widely relied on Stoic teaching that he sought to combine with Neoplatonism and the prisca theologia doctrine.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

Tropes of fear and the crisis of the west: Trumpism as a discourse of post-territorial coloniality*

We examine ‘Trumpism’ as a contemporary form of colonial domination, showing how this discourse represents both a crisis of coloniality and a stimulus for a movement of ‘decoloniality’. A critical discourse analysis is applied to seven speeches delivered by Donald Trump between his announcement of his presidential candidacy in June 2015 and his inauguration in January 2017. In assessing Trump's arguments, we focus mainly on those concerning national security, illegal immigration, and the threats posed by various foreign countries. Although these arguments sit within a long colonial tradition, they also indicate a crisis of modernity, as witnessed in the growing challenges to colonial masculinity, nationalism, and rationality. We conclude that Trumpism articulates a reaction to these challenges, and that Trump's rise to power is a symptom of the crisis of post-territorial coloniality in contemporary global society.