Cargo Cults and Discursive Madness

Understood as mimetic portrayals of the image of unlimited good projected by European colonial culture, Melanesian ‘cargo cults’ are therefore viewed as ‘irrational’ within indigenous understandings. Consequently, Western anthropological discourse has sought to functionally normalize and nativize ‘cargo cult’ behaviors at the expense of denying their non‐rational character. The result has been a lexical and semantic uncertainty and explanatory instability in ‘cargo cult’ discourse that can be analyzed as a type of discursive ‘madness.’ A strategy of reading the ‘madness’ of ‘cargo cult’ discourse is outlined and applied to key anthropological texts, in particular Peter Worsley's The Trumpet Shall Sound.     

The Sun and the Shakers,Again: Enga,Ipili, and Somaip Perspectives on the Cult of Ain

ABSTRACT The ‘Sun and the Shakers, Again’ resumes the conversation begun by Mervyn J. Meggitt in his 1973 article ‘The Sun and the Shakers’ concerning the circumstances and mindset of Enga and Ipili speakers on the eve (or in the early stages) of colonial penetration. The ‘Cult of Ain,’ as Meggitt termed a regional cult that broke out in the mid‐1940s, followed on the heels of devastating epidemics and famine and was in some measure, at least in most areas where it caught on, a response to those traumas. Yet there were other dimensions: apparent cargo cultism and millenarianism. Widening the geographical scope of reporting beyond that of Meggitt's article to include both the Somaip, as reported on by Hans Reithofer in The Python Spirit and the Cross, and the Ipili speakers of the western Porgera valley and the Paiela valley, this second and final installment reviews and critiques existing interpretations of the Cult of Ain in light of the ethnohistorical detail offered in the first installment and goes on to offer an interpretation of the cult that is inspired by the cosmological symbols common to all cult versions: most obviously the sun but also the sky. The Cult of Ain is viewed by participants and their descendants alike as the prelude to colonialism and missionization, and understanding it is crucial to writing the cultural history of the last 65+ years.     

The Origins of the Concept of ‘Palaeolithic Art’: Theoretical Roots of an Idea

This paper explores the origin and theoretical roots of the concept of ‘Palaeolithic art’ in the late nineteenth and early twentieth centuries (1895–1906). It identifies three main sources for this concept: the Western category of ‘art’, the idea of evolution and the notion of primitive. This article shows how the traditional conception of ‘Palaeolithic art’ is a particular case of the wider idea of ‘primitive art’, a category that was born as an attempt to harmonise the notion of ‘primitive society’ and the nineteenth-century bourgeois concept of ‘art’. Additionally, I discuss this traditional conception as the source of a number of ideas that have persisted in our way of interpreting Palaeolithic images until recently, including the understanding of prehistoric images through the lens of the modern notion of ‘art’, their interpretation in symbolic-religious terms and their formal definition based on the idea of naturalism.     

Cult Places at Former Oppida in South‐East Gaul: Questions of Memory,Tradition and Identity

This paper offers a new perspective on the reuse of Celtic fortified hilltops by Gallo‐Roman shrines. Going beyond the simplistic explanation of continuity, I shall argue for the role of memory in the perception of the landscape and in the location of some Gallo‐Roman shrines. This paper opposes the argument for continuity of sacred spaces and Celtic cults during the Roman period despite abandonment of the settlements. The evidence supports a more symbolic protohistoric expression, beyond that attendant on the place of a cult. The continuity concealed breaks, changes and modifications. I put forward the concept of ‘fictive continuity’, after Hobsbawm. The reclamation of a place of memory assigns a greater visibility to these shrines, enhancing their topographical appearance at the highest points in their respective landscapes, thus enabling the sites to appropriate fully space and place and to ensure cohesion within the community.     

‘Scientific’ nationalism

This paper investigates how the discursive battle for the Flemish nation is waged in the Flemish mass media by politicians of the Flemish nationalist party, the New Flemish Alliance (N‐VA). I focus on the ‘new nationalism’ that N‐VA politicians advocate as a means to ‘banalise’ a hot Flemish nationalism. I establish that N‐VA spokespeople and especially their chairman Bart De Wever invoke discursive alliances with established scholars such as Anderson, Hroch, Calhoun and Billig. On the one hand, these alliances are used to sell their nationalism as a non‐ideological or non‐discursive project. On the other hand, the analyses of these intellectuals are used as manuals to ‘banalise’ a hot nationalism. The concept of ‘scientific’ nationalism refers to the entextualisation of scientific discourses in order to legitimate and banalise the nationalist project of the party as ‘in line with science’.     

Scottish Rights and ‘Centralisation’ in the Mid-Nineteenth Century

Abstract. This article will address the assumption that the essential definition of nationalism is parliamentary political. By highlighting the solitary Scottish nationalist movement in the mid-nineteenth century, the National Association for the Vindication of Scottish Rights, this article asks whether a ‘centralised’ state for the Scottish nation should be the model against which nationalism is interpreted. By developing the concept of ‘civil society’ as both ‘container’ and ‘director’ of nationalism, this article will show the influence of a ‘decentralised’ state to conceptions of ‘best-governing’. By stressing the contradictions in the legitimacy of the British state mid-century, it will be argued that Scottish nationalism can not be regarded as merely romantic, nor, as its outcome, can Scottish culture be presented as somehow weak. This article will argue that intellectual thought regarding the state meant that the only form of nationalism at this time was ‘Unionist-nationalism’, more union with England, not less.     

美国劳工史研究中“阶级”的概念重构与范式更新

在20世纪美国劳工史研究中,“阶级”概念的内涵被多次重构。旧劳工史家们依据马克思主义的社会分析理论,把“阶级”视为在生产力基础之上形成的一种社会结构。60到80年代美国的新劳工史家在社会史的广阔视野中重新研究阶级。他们反对“阶级”的结构化定义,重视工人自身在“阶级”形成中的能动性,但是,这种“社会转向”也让阶级研究变得碎片化。90年代以后,受后现代主义思潮影响的学者们把种族、性别等分析范畴嵌入劳工史研究,从而解构了“阶级”概念的确定性,将其变为一个不稳定的、模糊不清的“社会和话语构造物”。随着“阶级”概念被多次重构,其作为一个分析范畴在劳工史中的重要性也呈现出弱化的趋势。     

The Sun and the Shakers,Again: Enga,Ipili, and Somaip Perspectives on the Cult of Ain Part One

ABSTRACT In the middle 1940s, at a time when white people were just beginning to penetrate the western highlands of what would become Papua New Guinea, a cult spread quickly among Engas, Ipili speakers, and Somaips. In the seminal article ‘The Sun and the Shakers' published almost 40 years ago, Mervyn J. Meggitt would call this cult the ‘Cult of Ain.’ The cult's core feature involved a massive sacrifice of pigs to the sun in an attempt to enlist the sun's aid. Participants stared at the sun and shook, entering a trance‐like state. While massive pig sacrifices to the sun occurred in all cult variants, local versions of the cult differed in emphasizing one or two themes: acquiring wealth (pigs and pearlshells but also white manufactured goods) and/or ascending to the sky. Interpretations of the cult reflect this variation, some focusing on apparent cargo cultic dimensions while others train on the cult's millenarian aspects. This reprise of Meggitt's article argues that the themes of wealth acquisition and ascent to the sky were at base the same, intelligible with respect to the cosmological discourse that so clearly informed all the cult's manifestations (hence the emphasis upon the sun), a discourse that this article attempts to interpret. This, the first of a two‐part article, summarizes what is known of Cult of Ain variants, highlighting the features other reporters have emphasized as well as those that may provide insight into underlying cultural and even transcultural logics.     

Strathern's Melanesian ‘dividual’ and the Christian ‘individual’: a Perspective from Vanua Lava,Vanuatu

What happens to people's concept of the person when their ‘dividuality’ engages with the Christian concept of the ‘individual’? According to Vanua Lava kastom, when people die they go to sere timiat, the place of the dead. But do they still go there when the person had been a Christian during their life time? Where is the Christian heaven and hell? Is there a separate Christian ‘soul’? Will the dead be eternally separated from each other and their ancestors? Can kastom and Christian concepts be reconciled? Depending on denomination and degree of conversion (devout, nominal, or ‘back‐slider’) people have found multiple answers that help them conceptualise their final resting place. Their answers are of relevance for theoretical debates in anthropology about dividuality, individuality and engagement with modernity.     

Pius XII: Romanita,prophesy and charisma

The modern popular cult of the Pope, which originated with the ‘disinherited’ papacy of Pius IX, reached its acme with Pius XII. Phases of intensification of this cult, which was linked to other ‘devotions’, those of the Sacred Heart of Jesus and of the Virgin Mary, served to mobilize the Catholic masses at critical junctures for the Catholic Church and in the face of what were perceived as political threats. Pius XII had to animate ‘movement’ in an age proclaimed to be one of a unique crisis of civilization. The projection of him as a charismatic figure was linked to that of Rome as a sacred centre and as the very fulcrum of world history. The Catholic activist ethos of ‘movement’ and also the presentation of the interchange between Pius XII and the Crowd had features in common with Fascist rhetorics, but ultimately the cult of the ‘victim‐Pope’ represented an inversion of the crasser forms of power‐imagery.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

Telephones,Cameras and Technology in West New Britain Cargo Cults

In this paper, I explore the creative practices of cargo cult followers in the Kaliai bush of West New Britain. I focus on how rural villagers reworked their experiences of meaning and sociality through their appropriations of western technology. In particular, bush Kaliai cult followers frequently used telephones and cameras in idiosyncratic ways that mapped out anew and redisclosed the spaces occupied by a racialised human existence. Through their novel use of western technology, cult followers struggled to resituate and overcome the new distances and cleavages of modernity by unearthing other ways of being white that came from their customary past and ancestral homelands.     

Trust in world politics: converting ‘identity’ into a source of security through trust-learning

In the discipline of international relations, the concept of trust has been theorised in two ways: the ‘rationalist’ approach and the ‘normative’ approach. This article aims to show that these approaches do not adequately reflect how trust operates in world politics and that trust provides a new way of understanding the identity–security nexus in international relations. It is argued that as actors learn to trust each other, this trust-learning process has a transformative effect on their definition of self-interests and identities. The elaborated understanding of trust in the security dilemma is operationalised in terms of the immigration security dilemma.     

Soldiers and Citizens: the concept of citizenship and the Anjala Covenant, 1788–1790

This article discusses the relationship between ‘citizenship’ and military duty during the late 18th century. This is illustrated by the legal conflict that erupted between the members of the Anjala Covenant and the Board of War in 1788. In a study of the records from the following court martial, the trial is viewed as a political discussion concerning the definition of the concept of the ‘citizen’. The covenanters and the Board of War held different definitions of this concept, which had implications for when and how a military officer was allowed to act politically. According to the final verdict, a military officer was deemed not to be allowed to delve into politics during an ongoing war, even though he considered himself forced to do so by his duty as a citizen. Through a study of the covenanters’ own writings and arguments, a new picture emerges of how their collective insubordination was motivated. According to the covenanters themselves, they wanted the Anjala Covenant to be seen as an attempt to reach a compromise in a moral dilemma, which would inevitably force them to abandon either their duties as ‘citizens’ or as ‘soldiers’.     

THE ‘TEMPLE HOUSE’ AT LATO RECONSIDERED

This paper reconsiders the ‘Temple House’, a building excavated in 1969–70 on the Temple terrace of the site of Lato in eastern Crete. While the building was dated to the Hellenistic (HL) period and identified as domestic space by the excavator, a restudy of the material from the excavation, combined with an examination of the excavation notebooks, and observations on site, reveal a more complex history of use, unusual architectural details, and a heterogeneous range of dates (from Late Minoan (LM) IIIC to HL) and functions, suggesting original funerary and post‐funerary cult contexts. It is possible to recognize the remains of a Subminoan (SM)/Protogeometric (PG) burial and evidence for an Early Iron Age (EIA) and HL tomb cult, allowing a reconsideration of the history of Lato and the process of city‐state formation in eastern Crete.     

Strong Words and Forceful Winds: Religious Experience and Political Process in Melanesia

Melanesian religious movements tend to conform to two contrasting types of regime: the one relatively centralized, hierarchical, stable, long-lived, and nationalistic; the other fragmented, egalitarian, unstable, sporadic, and parochial. Existing theories of ‘cargo cults’, including the progressivist hypothesis which views millenarism as the natural precursor of nationalism, have failed to appreciate this fundamental divergence. It is shown that politico-religious regimes are rooted in alternative cognitive processes, a point which is illustrated with reference to the Pomio Kivung movement of New Britain and the Taro cult of Northern Papua. One implication of this argument is that typologies of cults, based on ideological variation, are of limited sociological import, and rather that the structure and scale of cults are artefacts of distinctive styles of cognition, codification, and transmission.     

The Marriage Well at Teltown: holy well ritual at royal cult sites and the rite of temporary marriage

This article discusses Lag an Aonaigh, the ‘Marriage Well’ of Teltown, and the unusual temporary marriage ritual that once took place there during the annual Lughnasa festival. The relationship of Lag an Aonaigh to the modern and ancient fairs (aonach and óenach), and to the broader cult of holy wells is considered, which it is suggested largely represents the local adoption of the Mediterranean healing-spring cult. The article investigates the possibility that this marriage rite was informed by lore of a divine wedding at Teltown, and by the inaugurations carried out at many royal centres that entailed the matrimonial symbolism of the king marrying the Goddess of the land. The relationship of this site to the broader landscape of Teltown, especially to the nearby Knockans linear earthwork is explored. This relationship is then used to analyse the landscapes of the other main ‘royal’ sites, where linear earthworks similar to the Knockans that terminate near springs or ponds are also found. It is considered that all of these earthworks may have been used in ritual processions involving the springs, or even as devices to segregate young men and women at these assemblies, and lead them to the spring to start their own ‘Teltown weddings’.     

‘Is imperialist nationalism an oxymoron?’*

According to Ernest Gellner's celebrated definition, nationalism is a political principle that holds that the political and the national unit should be congruent. Based on this definition, Alexander Motyl has declared that ‘nationalism and imperialism are polar types’. Even so, dozens of books and articles have used the concept of ‘imperialist nationalism’ without any qualms. Is this just a matter of terminological confusion, or does it reflect a deeper disagreement on what the phenomenon of nationalism actually is? In the lecture, I discuss the concept of ‘imperialist nationalism’ as used in the standard literature and find that numerous historical actors take pride in being both nationalists and imperialists. I distinguish between overseas colonial empires and contiguous land‐based empires and demonstrate that in both cases, ‘imperialist nationalism’ can be found. In the latter case, nationalism can take the shape of either ‘nation‐building imperialism’, in which nationalists strive for cultural homogenisation throughout the state, or ‘ethnocratic imperialism’, in which the distinction between ‘the imperial nation’ and other national groups is retained. In overseas colonial empires, I find only ethnocratic imperialism. As a case study, I analyse how Russian nationalists have related to the fact that Russia has historically been an Empire.     

Constantius,St Germanus and fifth‐century Britain

The two visits of Germanus to Britain that Constantius included in his Life of the saint were long a staple of insular history. Recently, however, they have come under close scrutiny, leading to the second visit in particular being considered unhistorical. This essay re‐examines the two visits in the context of the whole work, concluding that Constantius had access to good‐quality information for Germanus's activities. Focusing on two episodes of the first visit, Germanus's journey to the cult site of St Alban and the ‘Alleluia Victory’, allows us to explore what the bishop achieved in Britain. Recent suggestions that Germanus effectively ‘invented’ the cult of St Alban arguably go beyond the evidence available, but the bishop's interaction with the cult was an important, planned part of his anti‐Pelagian strategy. The passages describing the two visits are also explored in terms of Constantius's wider purposes in writing the Life. In those terms his investment in stories regarding Germanus in Britain enabled him to develop his hero in ways which accord with his overall vision of an exemplary bishop. Germanus's deeds in Britain, therefore, need to be read both in terms of what they can offer in terms of British history and in the context of this author's wider agenda.     

Beyond ‘Crisis’ in Understanding Gender Transformation

Since the late 1980s, historians have described certain eras as marked by ‘crisis’ in the production of gender norms. At the outset, the concept of ‘gender crisis’ proved useful for understanding changes in normative cultural systems. The rhetorical trope of crisis distinguished key turning points in the construction of gender and helped to shape a coherent narrative centred on moments of breakdown and reconstruction. Unfortunately, however, the concept of ‘gender crisis’ has now outlived its usefulness; it has lost its analytic purchase. This article reviews the notion in modern, American and European historiography, then critiques its usefulness as an analytic concept. ‘Gender crisis’ has been overworked to the point of semantic collapse. It has been so reified as to foreshorten analysis, and it conceptualises masculinity as a fixed set of essentialised norms. Finally, ‘gender crisis’ describes subjectivity and its relation to normative systems in overly binary and mechanistic terms. Using the case study of postwar French masculinity, the author proposes the alternative concept of ‘gender damage’ as a way to understand periods of transformation in gender. The term ‘gender damage’ moves beyond a mechanistic notion of interaction with normative systems in order to incorporate such emotions as frustration, humiliation and confusion in our thinking of human subjectivity. In addition, the term forces us to specify exactly which gender norms are being reconfigured in some way. ‘Damage’ is by nature specific and local because it does not totalise catastrophe in the same way as does ‘crisis’.