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Amy E. Den Ouden 《History & Anthropology》2013,24(2):101-133
This essay critiques the claims to political neutrality and academic authority in an approach to ethnohistory that is defined by historian James Axtell as “balanced” and “objective.” Seeking to shed light on the political genealogy of Axtell’s assertion of objectivity, particularly as it is articulated through an evocation of cannibalism, I trace the ways in which power is implicated in Axtell’s theorizing and argue that objective ethnohistory is linked to conquest as an ongoing ideological and material process. I conclude that objective ethnohistory works to both mask and affirm an imperial grounding, most egregiously through a deceptive rhetoric of democratization in the context of which a posited “we” becomes the supreme cannibalizing trope. Finally, I suggest possibilities for a decolonized, politically engaged ethnohistory. 相似文献
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巫师用他们富于想象力的手,编织出一个个充满灵智的手式.它们是无声的,却是法力无边的;它们不是用来表演的,而是用来敬神事天、驱邪赶鬼的.这是一个神奇而荒诞的世界,一个虚幻的世界,但其中有人类童年时代的思维特征,它们曾经是文明发展的一段历程. 相似文献
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中国是世界上最早发明瓷器的国家,也是青花瓷器的发源地和首创国,但是对青花瓷起源的认识一直比较模糊。最近几年,随着巩义唐三彩窑址、巩义白河窑址聊及郑州市上街区正岩公司工程项目中唐墓的发掘,唐代青花瓷名正言顺登上中国古陶瓷的殿堂,越来越引起陶瓷研究界和全国各界的关注,同时又促使一批研究成果问世。然而关于唐代青花瓷的有些问题也存在不同认识和盲区, 相似文献
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《中国西藏(英文版)》1995,(4)
AManWhoDespisesBigTalkHANSHULIThenameofLuChangthepresidentoftheMacaoFineArtsAssociation,hadlongheldaprominentplaceinmythought... 相似文献