Reformation(en) und Wissenschaft(en). Einführung in das Tagungsthema

Based on a brief historiographical survey, the article aims at tracing some intellectual relationships between early modern science and the protestant Reformation (or the various individual reformations underlying it). Besides the mere structural analogies of the two reform movements and their common debt to Renaissance humanism, common elements such as the new reading of texts and the new role of the individual, but also the philosophical link between voluntarism and the notion of natural law, are discussed. However, the ambiguous attitude towards natural knowledge and the wide variety within the European protestant movement ask for a much closer look into the relationships between science and the Reformation than has been hitherto been achieved.     

Die Fotografie – ein neues Bildmedium im Wissenschaftspanorama des 19. Jahrhunderts. Einführung in das Symposium

Photography – a novel medium of scientific representation in the XIXth century array of arts and sciences. To delve into various nineteenth century academic disciplines under the heading ‘photography in the arts and sciences’ as did last year's annual conference of the History of Science Society – the interest in such a topic only partly stems from the ‘iconic turn’ that has generally enlarged the scope of the social sciences in recent years. A more poignant feature in any such present day study will probably be a basic scepticism facing the fact that in public use photographs have been manipulated in many respects. Yet, while shying away from any simple success story, a historically minded approach to changing ‘visual paradigms’ (Historische Bildwissenschaft) has begun to emerge. In this context, it has proved of considerable heuristic value to reconsider the role of early photography in an array of science, arts and technology: Since the reliance on the traditional ways of sketching reality persisted, in many an instance where photography was introduced, the thoughts the pioneer photographers had about their new, seemingly automated business, call for close attention. Thus scholarship sets up a parallel ‘discussion room’; the lively debate on the benefit of academic drawings as opposed to photographic portraits is a case in point. Some fairly specialised reports on photographically based analyses, such as electron microscopy, point to a borderline where the very idea of representation as a correspondence of reality and imagination gets blurred. Even though any ‘visual culture’ will have to shoulder the ‘burden of representation’, it is equally likely that it will offer a deeper sensibility for the intricacies entailed in the variegated ways of illustrating or mapping chosen subjects of scientific interest. Scholarship may thus somewhat control the disillusionment that by now has become the epitome of writing on photographic history. Provided with a renewed methodological awareness for the perception process and its photographic transition, historians may strike a better balance between the ever present tendencies of a realistic and an aesthetic way of picturing the world we live in.     

»…über Sekunden lacht man nicht« — Über die Folgen der Anwendung von Genauigkeit und Präzision in den Wissenschaften. Einführung in das Tagungsthema

Since the time of Descartes science has been influenced by the demand for precision and accuracy in research. In the 20^th century also humanities began to submit to this demand. The term precision itself has a far‐reaching and historically grown semantics. As a consequence of the attempt to answer precisely and irrefutably to scientific questions, achieved knowledge today is only valid for an increasingly narrow range.     

Wissenschaft und Musik – Einführende Bemerkungen

Science and music. Introductory remarks. The article presents a brief introduction to “Science and Music”, theme of the 44^th symposium of the “Society for History of Sciences” held in Munich in Mai 2007. The text begins with a brief reference to the numerous biographical connections between the two fields, but focuses primarily on topics that reveal music and the sciences to be results of shared cultural practices. Examples include: (1) shared objects in the material sense, meaning the use of particular instruments in both music and the sciences; (2) shared semantics, metaphors, and concepts, for example the use of the concepts like clang or tone color in acoustics and the psychology of audition, or talk of ‘mood’ and ‘harmony’ in both music and in literature; (3) direct interactions between mathematics, physics and music, for example in the electronic music of the twentieth century.     

Wissenschaftsgeschichte und Wissenschaftsphilosophie – Einführende Bemerkungen

History of Science and Philosophy of Science. Introductory Remarks. This article introduces two special issues of the journal History of Science Reports (Berichte zur Wissenschaftsgeschichte) with contributions on the relationships of history and philosophy of science since the seventeenth century. The introduction begins with a brief reminder of Thomas Kuhn's provocative discussion of the relationship in the 1970s, placing it in the context of the debate of the period over whether the foundation of university departments for History and Philosophy of Science in the United States had led to a mere “marriage of convenience” or something more. Following this the paper briefly outlines the transformative impact of the “practical turn” in both philosophy and history of science since the 1990s, and contends that the relationship of history and philosophy of science has nonetheless become increasingly distant over time. This is due in large part to the professionalisation of history of science and to the recent turn to cultural approaches in that field; both trends have led to the adoption of strictly historicist rather than analytical perspectives on knowledge. General historians, too, are paying more attention to the increasing impact of science and technology, but have at most instrumental use for philosophical perspectives. Thus, the distinct possibility arises that the debate between historical and analytical approaches in philosophy of science is becoming a conversation within one discipline rather than a dialogue between two disciplines: what was once a ?marriage of convenience”? could end in respectful separation or amicable divorce. The article concludes with brief summaries of the articles published in the two special issues, indicating their relations to specific aspects of the broader topic at hand.     

Wissens‐ und Wissenschaftstransfer – Einführende Bemerkungen

Knowledge and science transfer – introductory remarks. The article presents introductory remarks on the historical study of knowledge and science transfer. Discussion focuses initially on the reasons for speaking of knowledge transfer and not only about science transfer, and the relations of this topic to current research in general history on cultural transfer. Multiple levels of knowledge / science transfer are then discussed, specifically: (1) transfer by means of migration or other movement of people across geographic boundaries; (2) scientific changes related to the transfer of objects (such as plant specimens or instruments) across continents or disciplines; (3) knowledge or science transfer in practical contexts. Addressed throughout is the problematic character of the concept of transfer itself. The author suggests that users of this concept often presuppose a static conception of scientific and cultural contents being more or less successfully transferred; more interesting, however, are the changes in science and culture conditioned or caused by the migration of individuals as well as the transfer of culture by other means.     

Erschöpfte Literatur. Über das Neue bei Samuel Beckett

Exhausted Literature. The Emergence of the New in Samuel Beckett's Novels and Plays. The article investigates literary subjectivity in some texts by Samuel Beckett. The article proceeds by relating the ways of how narration and speech acts constitute literary subjectivity to the problems of subjectivity that scientific investigations deal with. While successful self‐regulation of the organism nourishes the roots of subjectivity, i. e. the habits, subjectivity decomposes in states of exhaustion, when self‐regulation breaks down. As soon as a certain threshold is transgressed, fatigue sets in, alters the personality and eventually leads to exhaustion – a state, which psychiatrists compare to mental illness. Notwithstanding the different explanations given, scientists agreed about the effects of exhaustion. According to their investigations, the decomposition of personality by exhaustion generally does not involve apathy, withdrawal from activity or termination of movements, but rather mere action. Similarly, in Beckett's novels and plays exhaustion is much more than tiredness, as French philosopher Gilles Deleuze observed. For Beckett, exhaustion is rather the model for both literary innovation and a new concept of subjectivity, which he explores on the basis of a detailed knowledge of physiology, psychology, and psychiatry, but using his own literary means. The exhausted subject is beyond any calculus of activity. It will perform an activity even if he or she makes mistakes or loses control, and will thus act in an unpredictable way. This unpredictable action is not an exception in the continuation of the habits, but rather points to the moment when a new subjectivity emerges. Such new subjectivity surfaces in Beckett's novels and plays in forms of literary innovation.