Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.     

Native American Women in a Contemporary World

Most scholarly literature of Native American peoples and cultures focuses on the ill effects that colonialism has had on their societies and cultures. However, recent scholarship explores the creative adaptations that Native Americans have made to modern life. There is also more research on the lives of women. Finally, current research is often conducted as a collaborative venture, with the scholars/editors giving up some of their power and authority to their Native American collaborators. This review discusses two recent books, Grandmother's Grandchild and Blood and Voice, that reflect this new scholarship.     

Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

Self-reflection,Egyptian Beliefs,Scythians and “Greek Ideas”: Reconsidering Greeks and Barbarians in Herodotus1

This article addresses the debate between Afrocentrists like Martin Bernal and classical scholars such as Mary Lefkowitz and Robert Palter concerning the origins of ancient Greek civilization. Focusing on the first half of Herodotus’ Histories, I argue that, although Greek cultural developments can be attributed to the Greeks themselves, Herodotus indicates that the conditions that made these developments possible were due to the prior Greek absorption of important aspects of Egyptian religion. Herodotus shows that the Greeks learned from the Egyptians to individualize their gods and to appreciate the humanity of women. This Egyptian influence, Herodotus suggests, is what allowed the Greeks, in contrast to the Scythians, to become an object to themselves within the context of stable city life. I conclude that this habit of self-reflection is the source of the uniquely Greek contribution to the art, philosophy, science and politics of the West.     

From the Body of Christ to Racial Homogeneity: Carl Schmitt's Mobilization of ‘Life’ against ‘the Spirit of Technicity’

This article traces the semantics of “life” and “vitality” in Carl Schmitt up to the 1930s. It shows that Schmitt deploys these vitalist elements against the modern “spirit of technicity” in his attempt to combat the lack of substantial ideas in modern politics. However, Schmitt himself cannot escape a fundamental political relativism. There remains an unstable tension at the heart of his thought between the quest for substance and the quest for order. The latter is relativist because it is a quest for order as such, any order. Although Schmitt's semantics of life and vitality is not drawn from a biological register, it adopted a völkisch meaning in 1933. Anti-Semitism becomes a form of life and racial homogeneity fills in for substance. The article concludes that, while there are good reasons for criticizing the modern “spirit of technicity,” Schmitt's critical model is fundamentally flawed.     

Can Only Religion Save Us?

This paper will examine the loss of confidence in secular bases for the normative understanding of, and response to, the fundamental social and political problems. The recent arguments of Richard Falk in favour of a religious foundation for a humane globalization will be taken as paradigmatic. While the paper agrees that the normative core of major world religions supports Falk's particular conclusion that religion can provide the content for a universal critique of inhumane global governance, it will conclude that the universal claim that global human solidarity today can only be built on the basis of religious faith does not follow. The paper will contend that the required normative foundation for the positive project of constructing global human solidarity is neither religious nor secular, but synthetic, embracing both—in what I will call, following the work of John McMurtry—the “life-ground of value.”     

Narrative claims on regions: prospecting for spatial identities among social movements in Finland

Regions have been regarded as processes, artefacts and discourses, and recently as ‘brands’ that various stakeholders use in marketing. Discourses on institutional regions are typically promoted by media, governmental bodies and planning organizations that draw on reputed collective regional identities—the expressions of past and current social discourses and cultural practices. However, such institutional regional discourses are often incongruous to spatial imaginaries of everyday life. This article scrutinizes the meanings of spatial attachment to citizens and explores to what extent regional identities are meaningful in everyday life. To avoid biased assumptions, focus-group interviews were carried out within four Finnish provinces among the members of four social movements. The results show that provincial spaces are not actively thought-and-practiced. Spatial identities are rather structured around personal experiences that typically accumulate in several locales, since personal histories are increasingly characterized by mobility. This article also recognizes that the everyday meanings of a socially constructed region are often generationally read and combine different historical narratives.     

Introduction: Biographies of Anthropologists as Anthropological Data

Biographies of anthropologists are widely recognized as useful for the history of science and the discipline. Introducing this special issue “Biographies of Anthropologists,” I argue that they not only provide information about anthropology, but also data for anthropology because they are studies of human agents enmeshed in social and cultural contexts, comparable to life histories of ethnographic informants. Biographies of anthropologists are of similar importance for empirical and theoretical anthropology as ethnographies, grammars, and monographs in archaeology and biological anthropology. They depict cultural dynamics from a person-centered, intimate, experience-near, and diachronic perspective on anthropology's cluster of sodalities.     

Claiming Commerce,Quality and Credit: Raisons d’être of the Antwerp and Brussels tapissierspanden (Sixteenth–Eighteenth Centuries)

Literature on the Antwerp and Brussels tapissierspanden tends to give a one-dimensional account of the institutions as very similar commercial enterprises that were embraced wholeheartedly by everyone involved in the Antwerp and Brussels tapestry worlds since they all shared the same concerns and a single goal — namely, to develop and secure a central meeting point and marketplace. This essay, however, adopts a different vantage point. It discusses the tapissierspanden from the viewpoint of the conflicting business conduct and strategies developed by Antwerp city council and tapestry entrepreneurs on the one hand, and Brussels tapestry entrepreneurs on the other. This essay argues that those who founded the institutions in Antwerp and Brussels established and used them to further completely different objectives — and that their strategies, which both manifested themselves and crystallised in the panden, present tapestry scholarship with a fundamental methodological problem, the magnitude of which has yet to be appreciated.     

Missionaries and Cannibals in Nineteenth‐century Fiji

This article examines the controversies concerning both customary cannibalism and missionary ethnography. Focusing on Fiji, it supports the conclusions of Marshall Sahlins about both issues, demonstrating that the attempts of William Arens, Gananath Obeyesekere and others to debunk “cannibal talk” are flawed in several ways. The eyewitness testimony of numerous missionaries and non‐missionaries in Fiji from the 1830s to the 1870s provides an extensive evidentiary basis for examining both controversies. Some of the testimony comes from indigenous witnesses, moreover, including Thakombau, who became known—or notorious—to Europeans as “the King of the Cannibals”. The article briefly recounts Thakombau's role in the processes of conversion and colonization. Two key texts that are closely analyzed as examples of missionary ethnography are Reverend Joseph Waterhouse's The King and People of Fiji and Reverend Thomas Williams's Fiji and the Fijians.     

Creating Cultural Identity: Opus anglicanum and its Place in the History of English Medieval Art

The term opus anglicanum, as a designator of English national identity associated with embroidery and textiles, is unknown in any document written in England during the Middle Ages, but is used in papal and other European archives. The term has been questioned by a number of scholars who have suggested it may be a generic name used to describe a particular technique of attaching gold thread to an embroidered textile (underside couching). It is suggested in this article that the phenomenon of opus anglicanum during its golden age c. 1200–1400 was part of a wider European cultural development at a time when an appreciation of cultural identity as a transnational phenomenon emerged. The article goes on to examine the relationship between English pictorial artists and the craftswomen and men who made these textiles. It concludes with a case study of the orphrey associated with the Daroca Cope in Madrid — now associated with a designer in the artistic circle of the artist of the Wilton Diptych. The respect for, and reuse of, these works of art (many of which have survived through the care taken to preserve them in cathedral treasuries and private collections up to the present day) is an element in their continued importance as a part of our shared European heritage.     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

Political Differentiability

The urgent task of political ontology is, I believe, neither to investigate the nature of the political nor to define politics; instead, the pressing task is to put into question the political difference itself between the political and politics. The subject of my inquiry is, in other words, the political difference as political difference. To demonstrate this thesis, I examine Oliver Marchart’s and Giorgio Agamben’s positions. The political difference takes in Marchart the form of the never-ending play between the political and politics and in Agamben the constantly renewed sovereign decision between life and law. Besides reformulating Marchart’s and Agamben’s positions, I want to show that the never-ending play and the sovereign decision fail to capture the political difference, because it is approached through the differentiated—whether between the political and politics or between life and law. Drawing on the diverse works of Agamben, I argue that the political difference becomes intelligible as the political differentiability that points to the power of differentiation, to the ability of the political differencing to differentiate. And the task of thinking and of political practice is neither the thinking itself nor the political practice itself, but rather to experience political differentiability as the shared field of thinking and practice, as the common dimension of philosophy and politics. I argue that experiencing political differentiability, ontology and politics can avoid falling prey, respectively, to intellectualism and to wild practicism.     

The Holocaust in Italian Collective Memory: Il giorno della memoria , 27 January 2001

The article examines the first official, national Holocaust memorial day in Italy, the so-called Giorno della memoria (Day of memory), marked on the 56th anniversary of the liberation of Auschwitz on 27 January 2001. It looks at the ways in which the day acted as a filter for issues of national collective memory and identity, in particular state and public negotiation of the legacy of Fascism, as well as addressing broader issues of Holocaust remembrance. The article looks first at the origins of the Giorno della memoria in political and in legislative terms. Then it sketches in the events of the day itself, at national and local levels, in political, educational and cultural terms. This is followed by an analysis of media coverage and contemporary commentary, showing how various lines of interpretation addressed general issues related to the Holocaust and specifically Italian historical, ideological and contemporary questions.     

Oswald Spengler,Technology, and Human Nature

Oswald Spengler (1880–1936) is a neglected figure in the history of European philosophical thought. This article examines the philosophical anthropology developed in his later work, particularly his Man and Technics: A Contribution to a Philosophy of Life (1931). My purpose is twofold: the first is to argue that Spengler's later thought is a response to criticisms of the “pessimism” of his earlier work, The Decline of the West (1919). Man and Technics overcomes this charge by providing a novel philosophical anthropology which identifies technology as the highest expression of human cognitive and creative capacities. The second is to suggest that in his later period Spengler presents an affirmatory account of modern technology as the final stage of human cultural evolution. I conclude that by providing a philosophical anthropology that reconciles technology with human nature, Man and Technics represents an important development of Spengler's theory of human culture.     

Identity and geopolitics in Hergé's Adventures of Tintin

This is a study of identity and geopolitics in Hergé's Adventures of Tintin, a series of adventure comics created from 1929 to 1976. The Tintin comics became increasingly popular throughout the mid-twentieth century, and their creator, Hergé, is still a subject of intrigue in the press and popular publications. Recent work in popular geopolitics has pioneered the use of comics as a new type of source material in critical geography. Hergé's approach to the comics format combines an iconic protagonist with detailed and textured environments that draw upon some of the geopolitical discourses of the twentieth century. Three forms of geopolitical meaning are identified within the Tintin comics: discourses of colonialism, European pre-eminence and anti-Americanism. These overlapping trends amount to different facets of one single discourse, which places European ideologies at the centre of its world-view. This is highlighted by focusing on three geographical spaces of the Tintin series, and by contextualising the life and selected works of Hergé.     

Intellectuels belges en quête d'un nouveau socialisme: l'aventure des Cahiers socialistes (1944–1953)

Summary ?The publication of the first issue of Cahiers socialistes at the very end of the war in 1944 and its nine-year run have to be considered in the framework of the new socialist politic, which combined realism and reformism. It is in answer to the ‘formal, parliamentarian and conformist’ socialism that the collaborators of Cahiers socialistes, mostly trained at the Université Libre de Bruxelles, formulated an alternative left-wing proposition focused on socioeconomic reforms grounded in moral ideals such as freedom and human dignity. Cahiers socialistes were thus the product of an intellectual elite which then had a career in academe or in the civil service. This small group did not have a great impact in the shaping of public opinion but it has left a considerable conceptual legacy for socialist intellectuals.

La parution du premier numéro des Cahiers socialistes dans les derniers jours de guerre en 1944, et la poursuite fructueuse de la publication au cours des neuf années qui suivirent, doivent être vues dans le contexte socio-économique de l'époque et de la ‘nouvelle’ politique socialiste belge, réaliste et réformiste, avec ses points de vue en matière de politique sociale, de politique étrangère et d'intégration européenne. C'est en majeure partie en réaction au socialisme ‘parlementaire, formel et conformiste’ que les collaborateurs des Cahiers socialistes, pour la plupart issus de l'Université Libre de Bruxelles, proposèrent une gauche alternative centrée sur des réformes socio-économiques, situées dans une optique volontariste, même personnaliste, et liées à une série d'idéaux moraux comme la liberté et la diginité humaine. Les Cahiers socialistes étaient le produit d'une élite intellectuelle. Tant le contenu des publications que le profil sociologique de ses collaborateurs—la plupart d'entre eux firent carrière dans l'enseignement, la recherche scientifique ou dans l'administration—en témoignent. Il s'agissait d'un petit groupe d'intellectuels dont l'engagement, s'il était considérable, ne trouva pas vraiment grand écho dans l'opinion publique. Cela n'a toutefois pas empêché la constitution d'un héritage spirituel à long terme destiné aux générations futures d'intellectuels socialistes.