3. CARL SCHMITT'S CONTRIBUTION TO A THEORY OF POLITICAL MYTH

My goal in this essay is to show that myths have played a larger role than we might think in politics and in political theory and that myths are essential to politics. For this purpose I will use Schmitt's theory of myth, since he elaborated his theory with strong interpretations of two different myths: Hobbes's Leviathan and Shakespeare's Hamlet. I will compare Schmitt's interpretations of Hamlet with my own, as doing so will provide a critical view of Schmitt's conclusions, and it will enable me to develop my own conception of myth and its relations to political theory and history.     

Transcendent myths,mundane objects: setting the material scene in rock,soul, and country museums

The many varied myths of origins, aesthetic transcendence, and greatness that surround popular music continue to proliferate in a variety of forms. One comparatively recent type of institution producing such forms of mythology is the popular music museum. This article uses the familiar idea of the ‘experience economy’’ to examine how three popular music museums produce experiences through objects that, while they are deliberately cast as mundane and everyday, work to support widely-shared narratives of the musical traditions of which they are a part. I argue that they do so in the service of larger myths of popular music. In each case I examine, I show that the myths on display are specific to the music that forms that content of the exhibitions. I argue that the specific kinds of spectator experiences these museums seek to produce are designed to enhance the value of these museums and their collections through claims made on specific types of musical patrimony made material through carefully contextualized objects of display. As such, traditionalist myths of musical greatness and aesthetic transcendence are well-served by the forms of exhibition and display produced by these institutions.     

Christianity and Secularisation in the West and the Middle East: A Theological Stance

In this article I argue that Christianity is essentially secular. Hence, secularisation not only has a theological connotation concerning Christian faith but also it is the highest and most perfect realisation of Christian religion, since it signifies the cross that is in the centre of Christian faith. As Christians take upon themselves secularisation as an existential choice, namely the powerlessness of God and of the human being, they simultaneously take the worldly‐human existence as “here” and “now” upon themselves. I will argue that this is the culmination of Reformation. Further, I want to demonstrate that secular Christianity, in the sense given in this article, remains a challenge for both Western and Eastern worlds. In order to accomplish this I will reflect in the first part of this article — from a theological point of view — upon some sociological interpretations or theories concerning mainly secularisation in Western Europe and also the contemporary socio‐political scene in the Middle East. In the second part of the article I will present several Western and Eastern theological positions that defend secularisation, and through their contributions I will construct my own theological stance for secular Christianity.     

Australian Communist Party of Australia v The Commonwealth: Histories of Australian Legalism

Abstract

In this article I structure legalism as a device to interpret how 1951 is remembered in law, in order to show what legal orthodoxies meant in their own time, and how that shifts to a different form of legalism in our own. In doing so, I will argue that the idea of legalism famously produced by the High Court judgment in 1951 has shifted its meaning as much as the ideological support of and opposition to communism that were expressed in the case. I will suggest that this history requires conscious incorporation in the commemorative narratives of ‘democracy vs. communism’.     

Geschichte ohne Kausalität. Abgrenzungsstrategien gegen die Wissenschaftssoziologie in zeitgenössischen Ansätzen historischer Epistemologie

History Without Causality. How Contemporary Historical Epistemology Demarcates Itself From the Sociology of Scientific Knowledge. Contemporary proponents of historical epistemology often try to delimit their enterprise by demarcating it from the sociology of scientific knowledge and other sociologically oriented approaches in the history of science. Their criticism is directed against the use of causal explanations which are deemed to invite reductionism and lead to a totalizing perspective on science. In the present article I want to analyse this line of criticism in what I consider are two paradigmatic works of contemporary historical epistemology: Lorraine Daston's und Peter Galison's Objectivity and Hans‐Jörg Rheinberger's Toward a History of Epistemic Things. I first present their arguments against the sociological and causal analysis of scientific knowledge and practice and then try to defend sociological work in the history of science against their charges. I will, however, not do so by defending causal explanations directly. Rather, I will show that the arguments against sociological analysis put forward in contemporary historical epistemology, as well as historical epistemology's own models of historical explanation and narration, bear problematic consequences. I argue that Daston, Galison and Rheinberger fail to create productive resonances between macro‐ and microhistorical perspectives, that they reproduce an internalist picture of scientific knowledge, and finally that Rheinberger's attempt to deconstruct the dichotomy between subject and object leads him to neglect questions about the political dimension of scientific research.     

THE ONTOLOGY OF CAPITAL: ON THE SHARED METHODOLOGICAL LIMITS OF MODERNIZATION THEORY AND ITS CRITICS

This article argues that critical scholarship in historical studies has not overcome the methodological limits of modernization theory for failing to question the ontological principles that construct its object of analysis. I call these principles the “ontology of capital” and explicate them through Bourdieu's conceptualization of the field and capital. I argue that this ontology is established according to a distribution model in which social entities come into the analysis with the amount and value of the capital they hold. This model grasps all social relations in the form of competition, and actors and actions enter into the analysis only when they are involved in such relations. I then analyze Bernard Lewis's The Emergence of Modern Turkey, which is written explicitly from a modernization perspective, to show how the principles of the “ontology of capital” operate in this text. The analysis focuses on how sociohistorical facts are constructed through selection and articulation of empirical evidence that become meaningful only on the basis of this ontology. The aim of this analysis is to show the ontology of capital that constructs the object of analysis in Lewis's text rather than the Eurocentric, teleological, and elitist character of his analysis of history that critics in recent decades have addressed as problems of the modernization paradigm. Based on this, I argue that for a productive critical approach, relational analysis, which characterizes critical scholarship in contrast to essentialism, also has to consider the ontological principles in a historical work to overcome methodological limits. The failure to interrogate this ontology leads to an analytical separation in critical scholarship between the analysis of historical reality and of alternatives to this reality. This separation not only produces a dehistoricized analysis of the present from a critical perspective, but also turns the alternatives into utopian models.     

Sacred Narratives in Secular Contexts

Although sacred narratives are thought to have lost their numinous aura for secular receivers (readers/listeners), their presence is evident whenever mythology, usually taken to reflect a mode of thinking typical of primeval cultures, and its associated themes are used in fictional works. This study aims at elucidating sacred narratives for people who do not subscribe to their sacredness. It attempts to show (1) that myths reflect a fictional mode of thinking; (2) that meaningful myths map the unconscious drives of secular readers/listeners, enabling them to confront them in terms of their own culture; and (3) that fictional thinking thus operates as a psychical laboratory. I illustrate these claims through myths that feature animosity between parents and children, such as the stories of Oedipus, Isaac, and Jesus.     

Tender Beauty: Victorian Painting and the Problem of Sentimentality

One of the most enduring critical legacies of modernism has been the condemnation of the sentimentality of Victorian art. This essay argues that recent art historical attempts to discuss Victorian sentimentality are condemned to repeat modernist critical judgements about sentimental art because of their espousal of historicist methodologies which produce historical distance between artwork and the critical viewer in the present. Instead, I argue, our own emotional involvement with Victorian paintings should form part of our scholarly accounts of their meanings, because their affective power is central to their aesthetic qualities. To look properly, I argue, is also to feel. To exemplify this I discuss Augustus Mulready's Remembering the Joys that Have Passed Away (1873), in order to show how a sentimental look at this painting undermines approaches that absorb sentimentality into historicist, social-constructionist and ideological accounts of such a picture.     

The Religious,the Secular,and the Natural Sciences: Nietzsche and the Death of God

When, in The Gay Science, Nietzsche poses the question of how the natural sciences are possible, he insists that they depend not on a principle that is natural but on the will to truth, the will not to deceive even oneself, with which, he holds, “we stand on moral ground.” Yet, that the natural sciences stand on ground that is moral also means, for Nietzsche, that their origin is to be located in “a faith that is thousands of years old,” a faith that, in the Genealogy of Morals, he develops as presupposing what he calls the ascetic ideals of Judaism and Christianity. Further, in holding that the natural sciences have their origin in principles that are biblical, Nietzsche goes on to indicate that, like the natural sciences, his own critical position, unconditionally honest atheism, is, in forbidding itself “the lie involved in belief in God,” not opposed to, but is rather an expression of, Judaism and Christianity's ascetic ideals. In addressing the interrelationships among the religious, the secular, and the natural sciences in light of Nietzsche, I argue that the natural sciences have their origin in principles that are not natural but that are no less religious than secular.     

2. IN DEFENSE OF PROVINCIALIZING EUROPE: A RESPONSE TO CAROLA DIETZE

This response to Carola Dietze's critique of Provincializing Europe takes up for examination three key expressions or ideas on which the original argument of the book was founded: hyperreal Europe, historicism, and political modernity. I appreciate the spirit of Dietze's engagement with the book, but I show that her critique is based on a degree of misapprehension of these three central ideas. While clarifying the details and the degree of my disagreement with Dietze, I provide my own critique of Dietze's proposal of “equal histories” by arguing that Dietze has not named or explained the unit with respect to which different histories could be considered equal. I also argue that Dietze's proposals about judging societies only by their “own” standards, and basing human dignity on the idea of a “human nature” that could be seen as a “constant,” do not solve the problems she sees with my book and are themselves open to some serious historical and logical criticism.     

Young lesbians negotiating public space: an intersectional approach through places

In this paper I analyze how different aspects of identity combine to shape the experiences of seven young lesbians in public space in Manresa, a non-metropolitan city in Catalonia. I argue that their experiences need to be understood intersectionally and spatially, as complex processes that involve the mutually constituted identities that shift in space. I focus on interviews and Relief Maps to show how these dynamics work and how they are related to larger social processes such as the heteronormalization and adultification of public space.     

Rewriting Eighteenth-Century Swedish Republican Political Thought: Heinrich Ludwig von Hess's Der Republickaner (1754)

This article provides the first comprehensive and historically genuine analysis of Heinrich Ludwig von Hess's (1719–1784) pamphlet Der Republickaner (1754). Hess was an important figure in both the German and Swedish eighteenth-century political context. Firstly, I will show that the proper historiographical context for Hess's pamphlet is Sweden. In previous historiography on the subject it has been argued that Der Republickaner was a comment on the constitutional reality of Hamburg. My article demonstrates that the original context of Hess's pamphlet was the power struggle between King Adolf Frederick of Sweden and the council of the realm. Secondly, I argue that Hess's pamphlet is the most elaborate defence of aristocratic republicanism written in Sweden in the Age of Liberty (1719–1772). As a result, Hess's pamphlet is the fiercest attack on absolutism written in German in the eighteenth century.     

The Politics of Subjectivity in Vangelis Raptopoulos’s Urban Stories

In this article I offer a critical analysis of the spatial cultures of modern Athens through the urban portraits presented in three fictive stories by Vangelis Raptopoulos—“At the Bottom of the Sea” (Sto Vytho), “One-Way Street” (Monodromos), and “Long-Distance Call” (Yperastiko)—from his 1995 collection “In Pieces” (Kommatakia). I argue that by constructing first-person fictive narratives, written in confessional prose, Raptopoulos problematizes the notion of subjectivity in its varying relationships to modern urban and spatial cultures. My main focus is on the practice of subjective recitations of urban space in view of the narrator’s experiences of imaginative and physical spatial appropriation. I argue that these experiences and the fragmentary style, through which they are conveyed in the stories, are an incisive critique of the official planning practices of urban public space and prescribed practices of spatial mobility. By drawing on the critical-philosophical and critical-historical literature, with particular reference to Benjamin, Foucault, Lefebvre, and de Certeau, this article contributes to the broader critique of the politics of subjectivity in modern Europe.     

The sound of images: peddlers' calls and tunes in Republican Peking

Street peddlers were a common feature of city life in China well into the twentieth century. The presence of these small-scale, often single-good merchants can be traced back to earlier centuries. That they survived until after WWII reflects in part the state of economic development of China, where recent immigrants were prepared to take up the meanest, lowest-paid jobs to make a living. In Peking, thousands of peddlers roamed the streets, and more particularly, the hutongs where most of the population lived. They ceaselessly offered their goods and services to the residents, day and night. In order to attract customers and to entice them out of their walled houses and courtyards, peddlers uttered musical vocal phrases, sometimes in elaborate form, and more interestingly, they sometimes used musical instruments. In this paper I examine who they were, how they operated and what they represented to Peking's urban society. From this sketchy social portrait, I will move into a study of how the peddlers were represented in various settings of the pictorial records. Finally, I argue that peddlers were an integral part of a kind of street theater. This is not just a metaphor. Through their calls, songs, and music, peddlers created a constant flow of live entertainment in the street.     

Kamula Accounts of Rambo and the State of Papua New Guinea

This paper contributes to the ethnography of masculinity and the media in PNG. I outline some changes in Kamula men's understandings of masculinity as they are registered in accounts of conflicts between state security services, the Kamula, Rambo and other actors. Outlining this history shows how Kamula men are increasingly entangled in forms of state power and violence that are partially defined by new myths of masculinity expressed in Melanesian readings of Rambo. The paper describes how some of the power effects linked to Rambo are transferred to Kamula men. I argue that in their accounts of Rambo the Kamula are also exploring different models of sovereignty and state power.     

Christological Foundations for Political Participation: Women in the Global South Building Agency as Risen Beings

This paper draws upon the theologies of Jon Sobrino and Engelbert Mveng to construct a social ethics of participation for those who have been marginalized by corrupt political and economic institutions, focusing on the agency of women in Sub-Sahara Africa. In light of the philosophy of political participation in developing countries, I examine Sobrino's insights that the victims of the evil of this world have to live as risen beings, I consider the African Theologian Engelbert Mveng's concept of anthropological pauperization, and argue that it makes a difference to consider historical events that influence the contexts in which we view the victims. I also argue that both Sobrino and Mveng provide foundations for political participation of the victims, but there is a need to reinforce the agency of the victims, and their own ability to come down from the cross and live as risen beings. Such agency suggests the need for reinforcing the political participation of the victims. Finally, I supplement Mveng's thoughts with the cultural features of the African philosophy of Ubuntu — related to African Humanism — to show that Ubuntu, as well as Mveng, reinforce Sobrino's claims.     

Hobbes and the Rationality of Self-Preservation: Grounding Morality on the Desires We Should Have

In deriving his moral code, Hobbes does not appeal to any mind-independent good, natural human telos, or innate human sympathies. Instead he assumes a subjectivist theory of value and an egoistic theory of human motivation. Some critics, however, doubt that his laws of nature can be constructed from such scant material. Hobbes ultimately justifies the acceptance of moral laws by the fact that they promote self-preservation. But, as Hobbes himself acknowledges, not everyone prefers survival over natural liberty. In this essay I show that Hobbes can argue that the desire for self-preservation is rationally required by modifying his subjectivist theory of the good to equate what is good for an agent only with the satisfaction of desires (for her own life) that she has at the time that they are satisfied. It is thus irrational to prefer postmortem glory over survival since an agent must be alive for glory to have any value for her.     

The Treatment of Byzantine Place-Names

Abstract

The anonymus author of An Historical Curiosity, One Hundred and Forty-One Ways of spelling Birmingham (London 1880) unaccountably complicated things by listing his spellings in neither alphabetical nor chronological order. But he may also have been revolutionary in treating all spellings with equal respect, as names in their own right, rather than variants of ‘Birmingham’, the authorised version which happens to be a poor reflection of what people actually call the place. His treatment was in mind when I indexed the toponyms in David Winfield's and my Dumbarton Oaks Study of The Byzanting Monuments and Topography of the Pontos – alphabetically, not chronologically. In doing so, I was surprised to find how little theoretical discussion there has been on how to treat Byzantine place-names, or what happens when they are transferred from memory to written record (and back again). We can learn from Western medievalists.     

The greatest deception: fiction,falsity and manifestation in Spinoza’s Metaphysical Thoughts

ABSTRACT

“The first meaning of true and false”, writes Spinoza in a neglected passage of the Metaphysical Thoughts, “seems to have had its origin in stories”. Ideas are true when they “show” us things as they are; they are false when they do not, when they are fictional. In this essay, I argue that what appears at first sight to be a simple assertion of a correspondence theory of truth in fact opens onto broad historical transformations in the nature of meaning that reshaped the very atmosphere of truth: the emergence of a new kind of fictionality, transformations in the sense of logical interpretation, and ultimately transformations in the structures and sources of the natural light, that “clarity” which constitutes for Spinoza, as for Descartes, an indispensable criterion for certainty.