Toward a Received History of the Holocaust

In this article, I examine both the problem of so-called postmodern history as it relates to the Holocaust and suggest the ways that Saul Friedlander's recent work successfully mediates between the somewhat overly polemicized positions of “relativist” and “positivist” history. In this context, I find that in his search for an adequately self-reflexive historical narrative for the Holocaust, Hayden White's proposed notion of “middle-voicedness” may recommend itself more as a process for eyewitness writers than as a style for historians after the fact. From here, I look at the ways Saul Friedlander's reflections on the historian's voice not only mediate between White's notions of the ironic mode and middle-voicedness, but also suggest the basis for an uncanny history in its own right: an anti-redemptory narrative that works through, yet never actually bridges, the gap between a survivor's “deep memory” and historical narrative. For finally, it may be the very idea of “deep memory” and its incompatibility to narrative that constitutes one of the central challenges to Holocaust historiography. What can be done with what Friedlander has termed “deep memory” of the survivor, that which remains essentially unrepresentable? Is it possible to write a history that includes some oblique reference to such deep memory, but which leaves it essentially intact, untouched and thereby deep? In this section, I suggest, after Patrick Hutton, that “What is at issue here is not how history can recover memory, but, rather, what memory will bequeath to history.” That is, what shall we do with the living memory of survivors? How will it enter (or not enter) the historical record? Or to paraphrase Hutton again, “How will the past be remembered as it passes from living memory to history?” Will it always be regarded as so overly laden with pathos as to make it unreliable as documentary evidence? Or is there a place for the understanding of the witness, as subjective and skewed as it may be, for our larger historical understanding of events? In partial answer to these questions, I attempt to extend Friedlander's insights toward a narrow kind of history-telling I call “received history”—a double-stranded narrative that tells a survivor-historian's story and my own relationship to it. Such a narrative would chart not just the life of the survivor-historian itself but also the measurable effect of the tellings—both his telling and mine—on my own life's story. Together, they would compose a received history of the Holocaust and its afterlife in the author's mind—my “vicarious past.”     

DOES HISTORY MATTER? CHARLES TAYLOR ON THE TRANSCENDENTAL VALIDITY OF SOCIAL IMAGINARIES

Since its appearance in 2007, Charles Taylor's monumental book A Secular Age has received much attention. One of the central issues in the discussions around Taylor's book is the role of history in philosophical argumentation, in particular with regard to normative positions on ultimate affairs. Many critics observe a methodological flaw in using history in philosophical argumentation in that there is an alleged discrepancy between Taylor's historical approach, on the one hand, and his defense of fullness in terms of openness to transcendence, on the other. Since his “faith‐based history” is unwittingly apologetic, it is not only “hard to judge in strictly historical terms,” but it also proves that “when it comes to the most ultimate affairs history may not matter at all.” This paper challenges this verdict by exposing the misunderstanding underlying this interpretation of the role of history in Taylor's narrative. In order to disambiguate the relation between history and philosophy in Taylor's approach, I will raise three questions. First, what is the precise relation between history and ontology, taking into account the ontological validity of what Taylor calls social imaginaries? Second, why does “fullness” get a universal status in his historical narrative? Third, is Taylor's position tenable that the contemporary experience of living within “an immanent frame” allows for an openness to transcendence? In order to answer these questions, I will first compare Peter Gordon's interpretation of the status of social imaginaries with Taylor's position and, on the basis of that comparison, distinguish two definitions of ontology (sections I and II). Subsequently, I try to make it clear that precisely Taylor's emphasis on the historical character of social imaginaries and on their “relaxed” ontological anchorage allows for his claim that “fullness” might have a trans‐historical character (section III). Finally, I would like to show that Taylor's defense of the possibility of an “openness to transcendence”—as a specific mode of fullness—is not couched in “onto‐theological” terms, as suggested by his critics, but that it is the very outcome of taking into account the current historical situation (section IV).     

Genealogical narrative and self-knowledge in Rousseau's Discourse on the Origin and the Foundations of Inequality among Men

SUMMARY

Why did Rousseau cast the substance of the Second Discourse in the form of a genealogy? In this essay the author attempts to work out the relation between the literary form (genealogical narrative, as the author calls it) of the Discourse's two main parts and the content. A key thesis of Rousseau's text concerns our lack of self-knowledge, indeed, our ignorance of our ignorance. The author argues that in a number of ways genealogical narrative is meant to respond to that lack. In the course of his discussion he comments on Rousseau's puzzling remarks in the Second Discourse about his expository method. Further, given the thesis that we lack self-knowledge, Rousseau owes us an account of his genesis as self-knowing genealogist. He attempts to do so in part through his narrative of the ‘illumination of Vincennes’. The author examines that narrative as well, reading it and the Discourse in light of each other. Can Rousseau resolve the problems of self-reference that the philosophical use of genealogy often leads to? The article discusses this complex metaphilosophical problem, along with views about the value of genealogical accounts, in light of recent work by Robert Guay, John Kekes, Alasdair MacIntyre, and Frederick Neuhouser, among others.     

EXPERIENCE AND HISTORY: THE REACH AND LIMITS OF PHENOMENOLOGICAL APPROACHES TO HISTORY

Experience and History: Phenomenological Perspectives on the Historical World presents the summa of David Carr's phenomenological approach to history. I acknowledge the value of this perspective, but I find it doubtful that a phenomenological account can replace the paradigms of memory and representation against which Carr pits it. The concept of historicity is, rather, complementary in that it alerts us to the prethematic presence of history. Phenomenologically, Carr's attempt to tie history closely to experience runs into problems as it is based on a questionable use of Husserl's notion of retention and risks blurring the distinct temporality of history. At the same time, the central concepts of Carr's approach, both experience and narrative, could be deployed in further ways. As literary scholars have come to emphasize, narrative triggers experiences in its readers. Thus, even if it is impossible to recreate the experiences of historical protagonists, narrative lends itself to giving readers a sense of the experiential dimension of the past. In this sense, narrative is not only a medium of representation, but also a means of presence.     

Bede's Cædmon, “The Man Who Had No Story” (Irish Tale-Type 2412B)

Although various analogues have been cited to Bede's account of the poet Cædmon, none are very close. The plot of a tale well known in modern Irish and Scottish tradition, however, “The Man Who Had No Story” (Irish type 2412B), resembles the first part of Bede's chapter so closely as to suggest that Bede shaped his account under the influence of this narrative pattern, which must, therefore, be assumed to be of some antiquity. Clinching this connection is the motif that Cædmon, a lowly cowherd, is called by name by his mysterious interlocutor. Naturally, Bede turned this tale-type to his own purposes by emphasising devotional features that are not a normal part of the tale. Moreover, he added the story of Cædmon's later life and pious death. Bede's monastic milieu was not impervious to oral culture, it seems. His account of Cædmon involves much myth-making, and it is best read as an example of the storyteller's art.     

Autobiography and Hagiography in Byzantium

This article explores the interaction between hagiography and autobiography in Byzantine literature. As the most productive narrative genre, hagiography influenced the structure and content of autobiographical accounts. On the other hand, for some vitae the protagonist's autobiographical account constituted the primary written source. A hagiographical work, again, may have a highly autobiographical character insofar as the author refers to himself as the saint's associate who eye-witnessed the saint's exploits. In many cases the hagiograph's autobiographical remarks are sprinkled over the whole narrative. Other authors present the life, or part of it, in a separate section, located usually toward the end of the text. The present study also points to common features in hagiographical autobiography and other forms of autobiographical writing, that constitute the conventions of a standardized way of written self-representation in Byzantium.     

Folk Narrative Research in Wales at the Beginning of the Twentieth Century: The Influence of John Rhŷs (1840–1916)

Although published at the beginning of the twentieth century, John Rh?s's work on folklore remains an important source for the study of Welsh folk narrative. There exists, however, no overall assessment of his contribution, his concept of folk narrative, his sources, or his interpretation of his material either in terms of Welsh culture or in the wider context of folklore theory, then and now. This paper is intended as a platform from which some of those concerns can be addressed by bringing together primary material relating to Rh?s's folklore interests. Some of his letters at The National Library of Wales, plus material in the Archives of The Folklore Society and in the collection of the Bodleian and Taylorian Libraries at Oxford, can help to clarify Rh?s's interest in folk studies. These sources also indicate how his interest in language, archaeology, and folklore overlapped, and how these interests affected his attitudes to folklore and its uses.     

Tracing the Line of Europa: Migration,Genealogy, and the Power of Holy Origins in Ancient Greek Narrative Knowledge and Cultural Memory

This essay explores the place of the mythical heroine Europa in the narrative knowledge and cultural memory of ancient Greece and modern Europe. Early Greek sources make reference to several women named Europa, only one of whom is Agenor's (or Phoenix's) daughter abducted by Zeus who made her the member of a divine lineage. However, during the fifth-century BCE, the diverse “Europa” figures came to be identified with the Phoenician princess; and the foundations were laid for the abduction story to take on its modern notion as founding myth of Europe. This elevation to founding myth can, in part, be attributed to Europa's membership in a family of eponymous founders. From the Archaic through the Hellenistic periods, Europa's kin gradually grew as various myths were integrated with each other—myths, which shaped identities by creating memory through storytelling. Mythical family bonds came to be seen as biological facts and served both to consolidate local identities and to affirm a Panhellenic identity in times when inner and outer boundaries had to be negotiated as a consequence of migration, colonization, or warfare. The high degree of migration and the dense genealogical network in the narratives of Europa's kin allowed many different groups to lay claim to this narrative knowledge and in doing so, created new myths and cults, interpretations and evaluations of a family well-established in the Greek mind on account of its holy origins. Thus foundation myths surrounding Europa helped to define cultural and ethnic space shaped by migration and the dialectics of unity and plurality. As such, these myths remain relevant to Europe today.     

On the Sexagenary Cycle of the Tibetans

This study examines Zuozhuan narrative accounts that conclude with evaluations ascribed to the “Gentleman” (junzi 君子). The Zuozhuan is one of the earliest extant Chinese works of narrative history, and in the past many scholars assumed that narrative accounts formed its core, dismissing subjective evaluations of those accounts, such as the Gentleman's comments, as secondary, later additions. This study demonstrates that narrative account plus Gentleman judgment function together as a unit, contending that these units were likely introduced into the Zuozhuan as such. It further proposes that the perception that the Gentleman's concluding comments were later, independent additions was likely influenced by the practice of capping narrative accounts with quotations borrowed from other sources, and furthermore, suggests that this perception may have led compilers on occasion to insert material between the narrative accounts and the Gentleman's evaluations of them.     

A third road to the past? Historical scholarship in the age of big data

Is a third passage to the past possible, beyond Elton's and Fogel's two roads of narrative history and scientific/quantitative history? One that would combine narrative history's focus on the event, on individuals and their actions, at a particular time and place, to scientific/quantitative history's emphasis on explicit behavioral models based on social-science theories? That is the question this article addresses. It illustrates a computer-assisted methodology for the study of narrative—quantitative narrative analysis (QNA)—that does just that. Based on the 5 Ws + H of narrative—Who, What, When, Where, Why, and How—QNA quantifies events without losing the event itself, without losing people behind numbers, diachronic time behind synchronic statistical coefficients. When used in conjunction with dynamic and interactive data visualization tools (and new natural language processing tools), QNA may provide a third unforeseen road to the past.     

Literary geography: setting and narrative space

This paper explores some of the ways in which analytical strategies developed within narrative theory might be combined with recent developments in literary geography in the study of setting and narrative space. It suggests that despite narrative theory's urge toward categorization and its associated tendency to conceive of space as relatively stable and fixed, the technical vocabulary developed within the discipline has much to offer the literary geographer. The first section of the paper reviews some of the areas of potential collaboration in this cross-disciplinary overlap, while the second section offers three brief case study readings designed to suggest the potential of a combination of the analytical specificity of narrative studies with the imaginative stretch of spatial theory. The case studies look at setting and narrative space as they emerge in relation to narrative voices and multiple audiences in three case study texts: P.K. Dick's The Man in the High Castle (1962), J.A. Mitchell's The Last American (1889), and F. Scott Fitzgerald's The Great Gatsby (1925).     

2. REASONS,GENERALIZATIONS, EMPATHY,AND NARRATIVES: THE EPISTEMIC STRUCTURE OF ACTION EXPLANATION

It has become something of a consensus among philosophers of history that historians, in contrast to natural scientists, explain in a narrative fashion. Unfortunately, philosophers of history have not said much about how it is that narratives have explanatory power. They do, however, maintain that a narrative's explanatory power is sui generis and independent of our empathetic or reenactive capacities and of our knowledge of law‐like generalizations. In this article I will show that this consensus is mistaken at least in respect to explanatory strategies used to account for rational agency using the “folk‐psychological” framework of intentions, beliefs, desires, and the like. Philosophers distinguish insufficiently among different aspects and different types of information needed for a historian to persuasively account for an agent's behavior in particular circumstances. If one keeps these aspects apart it will become apparent exactly how one should understand the epistemic contribution of empathy, generalizations, and narrative for the explanation of action.     

Brewarrina: An Australian Story

This short paper discusses Barry Morris's account of the ‘riot’ at Brewarrina, New South Wales, in 1987 and its legal aftermath, which continued for some years. An iconic event in Australian race relations, much can be learnt from its various dimensions, a fact that Morris amply demonstrates. Notwithstanding, this discussion questions a related narrative in his book, which interprets capitalism's impact on self‐determination simply in terms of neoliberalism's ‘political effects’. The paper seeks to broaden the discussion of the relations between the state and self‐determination, and between capitalism and race.     

Stories of fracture and claim for belonging: young migrants' narratives of arrival in Britain

This article brings an anthropological approach to bear on the question of ‘children's voices’ and, particularly, on the stories told by some young migrants about their recent arrival as asylum-seekers in Britain. Young migrants' narratives are examined as situated and self-conscious claims to a certain identity as child refugee. The question of why a particular narrative of ‘arrival in Britain’ was offered by a diverse group of young migrants and asylum seekers is discussed. These stories present a view of their tellers as alone and irreconcilably detached from past lives and relationships. These narrative repertoires as well as their telling draw from and elaborate certain views of the ‘proper refugee child’ that circulate through various regimes of immigration, welfare and emancipatory community work that all involved these young people. An approach to the stories as accomplished as well as situated performances that collapse the ordinary division between stories as ‘facts’ or ‘fictions’ is introduced. In this sense, the ‘children's voices’ heard in this study are recognised as situated and interested products of a research relationship.     

Trauma,Mourning and Resistance in Spozhmai Zaryab's Short Stories

The war in Afghanistan (1978 to the present) is one of the longest and bloodiest wars in modern history. From the early 1980s war intensified between the Leftist regime and the opposition Mujahideen and touched the life of every citizen. Bombardments, rockets and landmines killed and injured hundreds of thousands of civilians and caused massive displacement. Women were the direct and indirect targets of the war; some women lost members of their immediate family, others were displaced and emigrated, some were raped, and others were enslaved and sold. Thus trauma and mourning mark the lives of the majority of Afghanistani women. Given the political nature of the conflict—with superpowers and regional powers behind the warring sides—and the nature of socio-cultural bonds that required women to keep silent, how did women deal with these traumas? One of the areas in which this can best be seen is in women's literature—most notably narrative works. These works, in which the authors were themselves either victims or witnesses, voice women's resistance to the war and portray war and its consequences for ordinary women's everyday lives. In the narrative works of Spozhmai Zaryab (the pioneer of the anti-war fiction in Afghanistan), women and trauma are multi-dimensional. In some of her short stories women mourn publicly; in others, women cope with war and resist it by whatever means available to them. In others, women visualize war, invasion and destruction of all socio-cultural bonds. Women are transformed by a profound change, including in their perception of gender relations.     

Construction of Meaningful Contexts On War,Lions, Dogs,Birds and a Vineyard

The present article argues that 1 Kgs 20-22 are not well-suited as historical sources for the Aramean wars, but are of considerable importance in the reconstruction of the world of ideas of that time. It is shown how animals and plants can be used as codes in the narrative. The use of lions, dogs and birds in 1 Kgs 20-22 illustrates one and the same theme: killing and devouring. Yahweh can appear as a lion or send a lion, but even though the lion kills, it does not “devour” the disobedient prophets of Yahweh. Yahweh is also behind the treatment of Ahab, Jezebel and the prophets of Baal, but Yahweh leaves it to dogs and birds to devour them. The king of animals is connected to Yahweh's prophets and the unclean animals to the apostate royal house. Through the codes we gain insight into certain basic modes of thought in Old Testament cosmo-ontology. For linguistic expressions acquire their meaning not only from the narrative sequence in which they are used, but also from the system in which they are included.     

The Byzantine conquest of Crete (961 AD), Prokopios' Vandal War,and the Continuator of the Chronicle of Symeon

Abstract

Historians reconstruct the Byzantine conquest of Crete in 960?961 based largely on the History of Leo the Deacon and two variants of the continuation of the Chronicle of Symeon the Logothete. However, the account in the continuation is modelled closely, in narrative structure, imagery, vocabulary and ideology, on Prokopios' account of the conquest of North Africa by Belisarios in 533?534. This challenges our knowledge of the campaign but sheds interesting new light on the sophisticated use of classical texts that Byzantine ‘chroniclers’ could make.     

2. THE VICTIM'S VOICE AND MELODRAMATIC AESTHETICS IN HISTORY1

Saul Friedländer's recent Nazi Germany and the Jews: The Years of Extermination offers a brilliant new literary mode for historical representation of extreme events such as the Holocaust. He has produced an authoritative historical narrative of the Holocaust, within which he integrates the victims' authentic voices, as recorded (mostly) in their contemporary writings. This article offers a comparative assessment of Friedländer's achievement with regard to the integration of Jewish sources into the historical account. It begins with a contextualization of Friedländer's book within a framework that compares the ways in which Jewish sources are addressed by different historiographical approaches. In the second part it seeks to contextualize analytically and critically Friedländer's concept of “disbelief”—a concept by which he defines the role of the “victims’ voices” in his narrative. I claim that in our current “era of the witness,” set within a culture addicted to the “excessive,” the voices of the victims and the witnesses appear to have lost their radical political and ethical force. They seem no longer to bear the excess of history, and can thus hardly claim to be the guardians of disbelief. Excess and disbelief have thus become the most commonplace cultural topos. In our current culture, I contend, the excessive voices of the victims have, to some extent, exchanged their epistemological, ontological, and ethical revolutionary function for an aesthetic one. They operate according to the pleasure principle in order to bring us, the consumers of Holocaust images, the most expected image of the “unimaginable,” which therefore generates a melancholic pleasure and involves the narrative in melodramatic aesthetics. The article concludes by briefly suggesting some guidelines for an alternative approach to the study of contemporary Jewish Holocaust sources.     

CALIFORNIA IRREDENTA

Kevin Starr's Golden Dreams is the culmination to some forty years of scholarship on the unfolding theme of a “California Dream,” that imaginal component to the growth of the self‐identity and increasing international economic power of the most populous state in the American Union. Indeed, the period 1950–1963 that the book meticulously covers forms in many ways the most imposing manifestation of that Dream. This essay reviews the central features of Starr's account, particularly the infrastructural foundations in transportation, water supply, and higher education realized by a triumvirate of California governors, both Republican and Democrat, who regarded themselves as nonpartisan members of the “Party of California”; the expansion of California's major cities: Los Angeles, San Diego, and San Francisco; the characteristics of the Silent Generation and the culture of “cool Jazz” that dominated the period; as well as the rise of dissident elements among environmentalists, minorities, and Beats, that foretold the protest period of the 1960s. This essay then asks whether Starr has avoided the larger implications of his own narrative that California from this period on had become in most respects a putative nation‐state in its own right. From the global impact of its major media industry—Hollywood—to the continued advances of its economic clout throughout the rest of the century as at times the fifth largest economic entity in the world, California may need to be increasingly regarded as a world civilization in itself rather than as a regional civilization to which Starr's historical narrative has so far constricted it.