‘Cleverly Drawn’: Oscar Wilde,Charles Ricketts,and the Art of the Woman's World

This paper offers a new examination of the influential women's magazine, theWoman's World (1887–90), and Oscar Wilde's editorship thereof. Previous studies have focused on the magazine's importance as a venue for promoting proto-feminist writing and for enabling Wilde to boost his professional cachet through editorial work, but the aesthetic aims and execution of theWoman's World merit further analysis. The Woman's World reveals how male artists negotiated aesthetics and Aestheticism between themselves within its pages, as well as how they presented it to the publication's assumed audience of women. This paper particularly centres on the magazine's role in establishing the professional relationship between Wilde and Charles Ricketts, later the designer and illustrator of some of Wilde's most important texts, while simultaneously considering how Ricketts's work furthered the artistic and intellectual instruction Wilde hoped to offer the magazine's readers. Case studies of several of Ricketts's illustrations demonstrate the types of visual reading that the Woman's World seemed to espouse, and which worked in tandem with the textual contents to encourage women to develop critical reading skills.     

‘Looking at the Others’: Oscar Wilde and the Reading Gaol Archive

In looking at Wilde and the prison, scholarship has understandably focussed on the lengthy and complex De Profundis, and how the prison experience confirmed or re-shaped Wilde as a writer and thinker. Wilde himself claimed to have been saved by the ‘others’ that he encountered in prison, and these ‘others’ have received scant attention. Who were they? How does a greater knowledge of them supplement our sense of the nineteenth-century prison and of Wilde? This essay looks closely at the Reading Gaol archive, tracing out the lives of some of those with whom Wilde was incarcerated and providing analyses of the prison population in Reading while Wilde was there. Aside from yielding the only known photographs of any of the young working-class men in whom Wilde took an interest, the essay seeks to build a more nuanced reading of Wilde's experience. Above all, the aim is to open out the meanings of the Wilde myth, and, in particular, to offer a more socially inclusive version.     

Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.     

‘One single ivory cell’: Oscar Wilde and the Brain

This paper considers Oscar Wilde's ongoing interest in the image of a single brain cell as a souvenir of human autonomy in a world of matter. Taking a long view of Wilde's career that demonstrates the relevance to his literary work of his college interests in physiology and philosophy, this paper shows how Wilde's socialism can be explained by his uniquely aesthetic take on the brain. For many late Victorians brain science threatened both the autonomy of human action and the legitimacy of beauty because it had the potential to invalidate conscious experience, but writers whose work Wilde knew, like Ernst Haeckel, W.K. Clifford and John Tyndall, apply aesthetic vocabularies to their own discussions of cells. Their theories illuminate Wilde's representation of the cell as an aesthetic object. Wilde's art collaborates with science to reject action, as action is conventionally understood, without relinquishing beauty as his ultimate value. His discovery of beauty in matter that is beyond the pale of human experience, yet intimately and strangely constitutive of our experience, directs the senses to a new field of experience that values the molecular life the species holds in common, in which individuals and their actions matter less to the possibility of social change than does the necessity of pleasure.     

Poison and romance: Oscar Wilde and the strange case of Edith Thompson

Oscar Wilde considered crime and sin no impediment to art or culture, as the case of the poisoner-artist-critic Thomas Wainewright (1794–1847) allowed him to demonstrate. English society of the time, as George Orwell famously declared, was as fascinated by poisoning as was Wilde. One of Orwell's cases was that of Edith Thompson who, along with her young lover, was convicted in 1922 in London of conspiracy to murder her husband whom it was alleged she had tried to poison. She and her lover were hanged in early 1923. Thompson's preoccupation with poison was entangled with her preoccupation with popular romance fiction of the day which she read copiously and discussed perceptively with her lover in the letters that helped to convict her. Her favourite novelist was Robert Hichens, the acquaintance, imitator and caricaturist of Wilde. She quoted Hichens's novel Bella Donna (1909) in letters to her lover, including on the practical matter of poison, which helped convince the jury of her guilt. Her trial, like Wilde's trials – all involving sexual transgression – raised the difficult question of whether literature could poison and influence for the worse its readers or whether it lay outside both morality and the world of action. Moreover, were Thompson's own letters literature and fantasy or were they oblique discussions of practical intent, including the intent to murder? As in the case of Wilde, a larger question supervened. In part through her reading, in part through her own experience, Edith came to believe, even before the murder, that freedom is an illusion, fate an inescapable reality.     

The Rise and Fall of Hicky's Bengal Gazette (1780–2): A Study in Transoceanic Political Culture

The rise and fall of Hicky's Bengal Gazette (1780–82), India's first printed newspaper, is a narrative of prime importance to the history of Indian newspapers, and such is the context within which it has invariably been written. Previous works have approached Hicky's Gazette in a somewhat teleological and insular manner. These accounts have ignored the significance of foreign news among its content and fail to acknowledge Hicky's appropriation of political rhetoric from other parts of the British Empire. Through the contents of Hicky's Gazette we find Calcutta residents engaged in a transoceanic political discourse, criticising ‘nabobs’ with all the ferocity of the metropolitan British press; claiming the freedoms of Englishmen in common cause with the discontented, not only in Britain, but also in Ireland and America; and participating in discussions to regulate the governance of the East India Company through petitions of grievances. In the circulation of Hicky's paper throughout the presidencies and in the contributions of pseudonymous writers we find a platform for the politically discontented among the European community of Bengal whose voice is otherwise muted amidst the Francis-Hastings disputes and the steady stream of ‘official’ information between Calcutta and London.     

Decadent Conservatism: Politics and Aesthetics in The Senate

Abstract: The relationship between late-Victorian Decadence and Aestheticism and politics has long been vexed. This article explores the hitherto under-explored confluence of conservatism and avant-garde literature in the period by introducing The Senate, a Tory-Decadent journal that ran from 1894-7. While Decadent authors occupied various political positions, this article argues that The Senate offers a crucial link between conservatism and Decadence The article presents the journal in its political and publishing context, outlining its editorial position on such issues as the Liberal Unionist-Conservative coalition governments, Britain's relationship with Europe and the threat of ‘State Socialism’, as well as its valorisation of Bollingbroke and eighteenth-century Toryism, and its relationship to, and difference from, key Decadent journals the Yellow Book and The Savoy. It then goes on to articulate its relationship to Decadence by focussing on the presence of Paul Verlaine in its pages and its vitriolic response to the press coverage of Oscar Wilde's trials. The article concludes by exploring the surprising wake of The Senate, briefly tracing the editors' influence in the development of Modernism and links with the journal BLAST.     

(Re)Hibernicising Wilde? A genetic analysis of The Picture of Dorian Gray

The controversy surrounding the integrity and originality of Harvard University Press’s unexpurgated version of Wilde’s The Picture of Dorian Gray in 2011 has underlined the timeliness and necessity of further genetic critique of Wilde’s only novel and attendant ephemera. By undertaking a genetic reading of the three versions of this text now available to us, this article examines how Wilde’s letters, poetry, lectures and reviews that precede the novel reveal an intensification of Wilde’s nationalism and anti-imperialism in the run-up to its publication. In particular, the article uncovers the differing impact of the Parnell scandal and the Land Wars on the different versions of the novel and also reads the abject scenes of imperial predation set in the London docks as Wilde’s meditation on Ireland’s contested colonial status within the UK and the global system of exploitation driving “The Great Game” of Empire per se.     

George Egerton,James Joyce and the Irish Künstlerroman

George Egerton (Mary Chavelita Dunne, 1859–1945), from Co. Laois, was the New Woman author most closely associated with the Decadent movement. As such, she was also the New Woman writer most profoundly affected by the downfall of Oscar Wilde. After the Wilde trials of 1895, Egerton's connection to Decadence and New Womanhood would make her work anathema to much of the British public. This essay will argue that ongoing tendencies to situate her texts solely within the New Woman categorisation and an English cultural location have had the detrimental effect of obscuring their importance to a specifically Irish literary tradition. By examining Egerton's 1898 novel The Wheel of God, focusing on its status as an Irish Künstlerroman written from a position of exile, and drawing comparisons between it and the works of James Joyce, this essay will seek to redress this imbalance.     

Social Notes: Oscar Wilde,Francis Bacon,and the Medium of Aphorism

This paper reads Oscar Wilde's aphoristic style in terms of the note-taking practices he develops as an undergraduate at Oxford. It treats his use of small, mobile pieces of language as a strategy for dealing with methodological uncertainty in a time of curricular upheaval. His trademark style is perhaps best understood as a form of social notation, whereby pieces of information behave as actors seeking sociality and recombination, rather than placement in systematic arrangements. One significant unpublished source – the ‘Notebook on Philosophy’ – discloses Wilde's engagement with a surprising aphoristic precursor, Francis Bacon, who deploys the form for similar purposes. In modelling a form of non-teleological informational assembly, Wilde's notebooks also body forth the utopian social life he conceives in his later critical writings.     

Marie Corelli and the Value of Literary Self-Consciouness: The Sorrows of Satan,Popular Fiction,and the Fin-de-Siècle Canon

Marie Corelli's The Sorrows of Satan (1895) presents a paradoxical test case for the practice of academic literary criticism. The best-selling work of fiction of the nineteenth century, the book was demeaned by Victorian critics and has been long ignored by criticism since. In spite of Corelli's recent mini-revival, the formally self-conscious properties of this work deserve further examination: the text insistently foregrounds the act of literary criticism and demands that the reader's attention is focussed on not only the content of the narrative but also the nature of the procedure of reading. Such a strategy allows Corelli's romance to participate safely in the kinds of literary transgressions enacted in the work of her since-canonized contemporaries such as Thomas Hardy and Oscar Wilde. The narrative mode warns against the production of the wrong kinds of readings of the narrative, inoculating its consumer against the corruption suffered by many of Sorrows's characters – and by the readers of the kinds of contemporary fiction Corelli seeks to warn against. As a consequence, The Sorrows of Satan, while exiled from the canon, shows itself to be surprisingly representative of the image of fin-de-siècle literary culture constructed by its afterlife. Like so many 1890s fictions, it is a work of art about the work of art, and dramatizes such by now familiar late-Victorian tropes as: decadence, moral relativism, debates over literary taste, realism, post-Ibsen drama, the sexual double standard, the marriage market, the New Woman, motherhood, hysteria and female pathologies, degeneration anxiety, mesmerism. The Sorrows of Satan's status as forgotten best-seller, a ‘great bad book’, asks difficult questions about the relationship between literary criticism and literary pleasure.     

Orderic Vitalis and the First Crusade

This article examines the narrative of the First Crusade written by the Norman monk and historian Orderic Vitalis, which spans Book IX of his Historia ecclesiastica. Though hitherto little-studied, Orderic's account of the First Crusade, which was probably written in 1135, occupies an important place in the Historia and reveals much about his wider historical method. The significance of Orderic's editorial interaction with Baldric of Bourgueil's Historia Ierosolimitana, through the omission and addition of material, forms the focus of the study. By making only a small number of insertions into the story of the First Crusade which he had inherited from Baldric, Orderic transformed its meaning so that it became suitable for incorporation into the Historia as a whole, linking the First Crusade to the history of his monastery, Saint-Evroult.     

Importing phenomenology: the early editorial life of Philosophy and Phenomenological Research

This paper examines the reception of Edmund Husserl's phenomenology in Philosophy and Phenomenological Research, a philosophy quarterly which was founded in conjunction with the International Society of Phenomenology and for which Marvin Farber served as editor until his death in 1980. From its founding in 1940, Farber relied on the editorial support of many of Husserl's enthusiastic students who found themselves intellectual exiles, including Husserl's son. Farber's professional and personal interaction with Husserl's ardent followers reveals a dramatic story of former students who were ever vigilant about maintaining the core values of the Master's unique philosophy, and Farber's personal philosophical transformation from a publicist of Husserl's work to a guarded critic intent on avoiding the promotion of sectarianism.     

Foregrounding the Muslim periphery (Respond to this article at http://www.therai.org.uk/at/debate)

This guest editorial considers the implications of Akbar Ahmed's latest book –The Thistle and the Drone: How America's war on terror became a global war on tribal Islam, which was the centrepiece of several panel discussions in London.     

“WITHOUT THINKERS … NO THEORIES OF THE WORLD”

Tim Crane's books Aspects of Psychologism and The Objects of Thought present a perspective on human intentionality based on internalism about mental contents. Crane understands intentionality as the defining aspect of the mental. The theory of intentionality that he formulates is similar to that of John Searle when it comes to ontological commitments, but it is also marked by a more traditional approach that retains the concept of intentional objects as its central aspect. In this review I examine the implications of Crane's internalism for the philosophy of history, by comparing his views with some well‐known arguments in favor of externalism about mental contents, such as Hilary Putnam's “Twin Earth” and Tyler Burge's “arthritis” mental experiments. Although internalism about mental contents such as Crane's is a minority view among contemporary analytic philosophers, I argue that it has significant advantages when it comes to the philosophy of history, because it is much better aligned with standard interpretive procedures in historical research. At the same time, externalism about mental contents typically results in inappropriate contextualizations and approaches that most practicing historians will find awkward. More generally, it is possible to argue that over decades, analytic philosophers’ externalist tendencies have significantly contributed to the reduced interest in their views among philosophers of history. The final section of the article reviews the implication of Crane's views on nonconceptual contents of human perception for art historiography.     

Introduction: cultural policies in Ibero-America at the beginning of the XXI century

ABSTRACT

This editorial introduction presents the aims and contents of a special issue devoted to cultural policies in Ibero-America. The issue provides a wide-ranging overview about the subject. In addition to papers focused on the development of cultural policy in specific countries, it also includes articles analyzing particular cultural policies in a transnational perspective, paying attention to their multiple programmatic transferences. It also includes articles centred on the development of cultural diplomacy and institutional networks within this area. In this way, it intends to highlight the commonalities among countries and the relations between them, so offering a new and deeper vision of the development of cultural policies in the Ibero American region. In this introduction we offer some theoretical keys for analyzing this development, in particular the notion of family of nations proposed by Castle (1993) and we evaluate its applicability to the case and beyond.     

‘The Most Churlish of Celebrities’: George Eliot,John Cross and the Question of High Status

Published in 1885, John Cross's biography of his late wife, George Eliot's Life as Related in Her Letters and Journals, was written with the intention to ‘make known the woman as well as the author’ (John Cross, ed., George Eliot's Life as Related in Her Letters and Journals, cabinet edn, 3 vols (Edinburgh: William Blackwood & Sons, 1887), I, v). Yet, ironically, the biography is renowned precisely for the lack of insight it affords readers into the private life of George Eliot. Why did Cross make a promise that he could not keep? My essay attempts to answer this question by examining George Eliot's Life in the context of the fame culture of the late nineteenth century. I suggest that it is possible to read Cross's unwillingness in the Life to make Eliot more ‘available’ to her public as a reaction against the sorts of publicity which, throughout the 1870s, had pushed Eliot's persona into a celebrity arena. George Eliot's Life represents Cross's effort to preserve Eliot's high professional reputation by emphasizing her distance from celebrity culture and her status as a female sage. Through close examination of the reviews of the biography, I identify the contemporary attitudes that made stressing Eliot's greatness appear urgent to her biographer and, paradoxically, so unpopular with the general public. I call attention, in particular, to changing expectations about the relationship between public figures and their audiences as well as the purpose and content of famous Lives. ?1.?Leon Edel, ed., The Diary of Alice James (Harmondsworth, Middlesex: Penguin Books, 1982), pp. 40–41.      

Media and Ideology in the Middle East: A Critical Discourse Analysis

This study explores the ideologization of media discourse in the Middle East through investigating political influences over leading media corporations in the region. A critical discourse analysis was applied to news reports issued by prominent Middle Eastern media giants Al Jazeera and Al Arabiya. The research data included eight news articles from both media outlets. Thus, four articles from each corporation have been studied and analyzed in an effort to realize the objectives of the study at hand. Blass’s Manipulative Strategies… and van Dijk’s Ideological Square… constituted primary methodological instruments within the framework of this research. The findings indicate an explicit impact of local political agendas on the discourse and editorial policies of each of the studied media corporations, which emerge in violation with the claimed journalistic commitment to objectivity and impartiality in terms of news reporting.     

BOOK REVIEWS

Book review in this article: Karma Lochrie, Margery Kempe and Translations of the Flesh David F. Noble, A World Without Women: The Christian Clerical Culture of Western Science Jutta Schwarzkopf, Women in the Chartist Movement Catherine Hall, White, Male and Middle Class. Explorations in Feminism and History Ed Cohen, Talk on the Wilde Side: Toward a Genealogy of a Discourse on Male Sexualities June Purvis, A History of Women's Education in England Felicity Hunt, Gender and Policy in English Education. Schooling for Girls 1902-1944 Andrew Davies, Leisure, Gender and Poverty. Working-Class Culture in Salford and Manchester, 1900-1939 Andrew Davies and Steven Fielding (eds) Workers’Worlds. Cultures and Communities in Manchester and Salford, 1880–1939 Jo Fisher, Out of the Shadows: Women, Resistance and Politics in South America Sarah A. Radcliffe and Sallie Westwood (eds) Viva: Women and Popular Protest in Latin America Manchester Women's History Group Bibliography Project, Resources for Women's History in Greater Manchester Clare Whiteman and Richard Storey, Women at Work and in Society. Modern Records Centre Sources Booklet No 1 Michelle Perrot (ed.) Writing Women's History Joke J. Hermsen and Alkeline van Lenning (eds) Sharing the Difference. Feminist Debates in Holland Hillary Hinds, Ann Phoenix and Jackie Stacey (eds) Working Out. New Directions for Women's Studies Karen Often, Ruth Roach Pierson and Jane Rendall (eds) Writing Women's History: International Perspectives