Taking Pictures for the Villagers

The township sent out a notice that all villagers should be photographed as part of the datacollection effort for the New Rural Cooperative Medical Scheme （NCMS） and it was hoped that the work team could help carry this out. We all wanted to help, but knew that it would not be easy. It was during a busy farming season, so it was difficult to gather the villagers （most of whom were busy working in the fields）. First we set up a simple photography studio in the village committee. The only piece of equipment we owned was a tripod and we used the bare wall of the committee building as a backdrop for the photos. As the day drew to a close, the villagers came in twos and threes, most of them straight from the fields. Then facilities for villagers to freshen-up were provided, including a basin of water, towels, and comb for them to tidy up before the shoot. But the villagefolks were often too shy to wash up in front of us, and even after our gentle persuasion, they would just splash some water on their faces. Sometimes, we, the photographers, had to help them with their hair and general appearance. Fortunately, they were completely at ease with that.     

Pictures of science

Abstract

The apparently minor art of scientific illustration raises questions that bear directly on the 'two cultures' confrontation of art and science. A marked shift in approach is discerned at the beginning of the twentieth century, from the incorporation of illustrations within the text to the use of 'enframed' figures, often with captions, as a separate entity. It is proposed that this change, which appears to have coincided with the introduction of bivariate plots in scientific journals, represents the transition from the essentially narrative structure of natural philosophy to the more adversarial mode of modern science. The link between the restraint required of the graphic artist and minimalist and functionalist aesthetics such as those of the Bauhaus is examined, together with the possibility that such a persimonious method of presentation can carry an implicit message. The different roles of abstraction in science and art are discussed with particular reference to the work of Paul Klee.     

Pictures at an Exhibition: Woodrow Wilson Portraits

Television programmes reviewed in this article
The American Experience: Woodrow Wilson. Episode 1: A Passionate Man and Episode 2: The Redemption of the World.     

Leadership in Absentia: Negotiating Distance in Centralized Solomon Islands

This article examines a tension at the heart of national leadership in Solomon Islands today: a conviction that national leaders need to spend more time in rural environments to better represent rural interests, needs and values, while having to be in town to access the individuals and organizations that, essentially, make them national leaders in the first place. Drawing on fourteen months of ethnographic fieldwork in urban Honiara and the rural Lau Lagoon, Malaita, we are especially interested in how this tension shapes rural perceptions of the legitimacy of chiefs as national leaders. Given that development projects can only be negotiated in Honiara, where the required state institutions, international (N)GOs and major businesses are based, rural residents feel compelled to send their most important village leaders, especially clan chiefs, to town. However, the longer these leaders are away from their homes, the more they seem distracted by urban ‘luxuries’ and the less they appear committed to their rural homes. In particular, villagers complain about their chiefs' contributions to exchange relations. Villages, thus, find themselves in a double‐bind that exaggerates a broader ‘crisis of leadership’ alongside an urban‐rural divide which challenges the promise of chiefly leadership as solution to antipolitical sentiments and a centralized state.     

Resisting RAMSI: Intervention,Identity and Symbolism in Solomon Islands

ABSTRACT The Australian‐led Regional Assistance Mission to Solomon Islands (RAMSI) continues to enjoy high levels of approval amongst Solomon Islanders. However, this approval belies the existence of a minority, but nevertheless important, dissenting perspective, one which has mostly emanated from Malaitan quarters. How are we to interpret Malaitan expressions of opposition to RAMSI? While these dissenting voices can, in part, be seen through a lens of legal and economic rationality, Malaitan opposition to RAMSI must be properly located within a deeper tradition of Malaitan resistance to the imposition of alien and centralised authority. Malaitans have responded to the RAMSI intervention by invoking kastom as a symbol of difference, unity and resistance, just as they have done in the past. It is argued that resistance to RAMSI must be (re)interpreted as having fundamentally cultural and historical underpinnings. Resisting RAMSI is as much about asserting culture and identity as it is about money and power. This argument is drawn out through an historically contextualised analysis of contemporary articulations of Malaitan resistance. The voices examined come from the public statements of prominent Malaitans, the published manifesto of the Malaita Ma'asina Forum, and interviews with former members of the Malaita Eagle Force.