从广东方志及地方献中新发现的《全宋诗》辑佚83首

导语:北京大学古籍所编《全宋诗》为目前收录宋人诗歌最多、最全的诗歌总集,有功学界,为海内外学人所称道。近年因编纂《全粤诗》,从明清广东方志发现一些《全宋诗》未收诗,辑成《全宋诗辑佚83首》。本文所辑佚诗,先依序列《全宋诗》已收诗人之作,     

从广东方志及地方文献中新发现的《全宋诗》辑佚73首

北京大学古籍所编《全宋诗》为目前收录宋人诗歌最多、最全的诗歌总集,有功学界至伟,为海内外学人所称道。近年因参编《全粤诗》,从明清文献特别是明清广东方志及古今广东许多地方文献中发现《全宋诗》未收诗,辑成《全宋诗辑佚73首》。本文所辑佚诗,先依序列《全宋诗》已收诗人之作,后列未收诗人之作,凡作者事迹可考者,则先作小传,后录佚诗,并注明出处。     

从广东方志及地方文献中新发现的《全宋诗》辑佚83首

导语：北京大学古籍所编《全宋诗》为目前收录宋人诗歌最多、最全的诗歌总集,有功学界,为海内外学人所称道。近年因编纂《全粤诗》,从明清广东方志发现一些《全宋诗》未收诗,辑成《全宋诗辑佚83首》。本文所辑佚诗,先依序列《全宋诗》已收诗人之作,后列未收诗人之作,凡作者事迹可考者,则先作小传,后录佚诗,并注明出处。[第一段]     

辑佚学的起源,发展和工作要点

辑佚是将久已散佚的书,见载于其他书籍中的一句一段辑录出来,再加以编辑,复为原书。辑佚这门工作开始于何时,据章学诚《校雠通义》卷一“补郑篇”所说:“昔王应麟以《易》学独传王弼,《尚书》止存《伪孔传》,乃采郑玄《易》注、《书》注之见于群书者,为《郑氏周易》、《郑氏尚书注》。又以四家之诗,独《毛传》不亡,乃采三家诗说之见于群书者,为《三家诗考》。嗣后好古之士,踵其成法,往往缀辑逸文,搜罗略编。”章学诚此说认为辑佚古籍工作,是开始于南宋时王应麟。但是在王应麟以前的辑本古书,不是没有,还是很多;所以叶德辉的《书林清话》中有“辑刻古书不始于王应麟”一条,他例举     

《南雁荡山志》与宋诗辑佚

周喟《南雁荡山志》保存了数量可观的两宋南雁荡山题咏,其作者群体主要为浙江平阳县邑人,少部分为流寓诗人。通过查考,可辑得《全宋诗》失收佚诗79首,其中《全宋诗》已著录作者16人,佚诗17首;未著录作者51人,佚诗62首。诸诗的辑佚,有助于《全宋诗》的完善以及南雁荡山地区历史文化状况的研究。诗前所附作者小传为考证作者生平的重要资料,可与他种文献相参证。     

《王世贞年谱》补正

为明代"后七子"领袖王世贞作年谱,始于清朝.清人作有两部,一是王瑞国编《瑯玡凤麟两公年谱合编》一万余字,相当简略;一是钱大昕编《弇州山人年谱》,不足一万字,简明而有法度,但仅叙述了谱主行踪的大略.现代人又作有两部,一部是徐朔方先生著录在《39种晚明曲家年谱》中的《王世贞年谱》(以下简称徐谱);另一部是郑利华先生著的《王世贞年谱》(以下简称郑谱),两书均于1993年12月出版.     

宋代《海棠》诗归属考

《全宋诗》中收有一首《海棠》诗,重出于陈与义、任希夷二位诗人名下.从这首诗的版本流传和艺术风格看,此诗作者应为任希夷.另有一首《海棠》诗,重出于郑刚中、陈孔硕、杜汝能和何基四位诗人名下,通过考察这首诗的流传情况、诗歌内容,初步推断为郑刚中所作.     

《诗渊》所收戴复古集外诗

南宋江湖诗人戴复古虽有《石屏诗集》传世,但遗逸正复不少,历年来有过几次辑佚之举,但都不能称为尽善。《诗渊》是宋诗的辑佚渊薮,此次利用《〈诗渊〉索引》,将其中包含的戴复古集外诗全部加以辑录编排,并指明《诗渊》及《索引》的摘录、编录错误,同时纠正前人利用《诗渊》考佚所得结论中的失误,以彻底澄清这一问题。     

《全宋诗》失收诗人及其佚诗丛考——以稀见汉籍《唐宋千家联珠诗格》为中心

于济、蔡正孙编集的《唐宋千家联珠诗格》是一部研究宋元之际诗学发展的重要文献,然此书在中国本土久佚,但在韩国和日本有多种翻刻本,流传非常广,影响亦甚大。《联珠诗格》对于研究宋代文学有重要的校勘、辑佚及史料价值,特别是此书保存近四百首《全宋诗》未收的佚作,其中有大量的宋代诗人不见于《全宋诗》。本文选取其中13位《全宋诗》失收的宋代诗人,对其生平进行考证,并辑录其佚诗。     

《全宋诗》辑佚120首（二）

《全宋诗》共72册,由北京大学出版社出版后,给宋代文学研究带来极大的便利,确实是一项嘉惠士林、造福子孙的宏伟事业。但该书也还有很多缺误,需要学者们不断补充与研究,方能逐渐臻于完善。笔者多年来查考众籍,从事补遗,所得渐多。今将披览方志及《永乐大典》残卷所得,辑成《全宋诗辑佚作120首》。本文所辑佚诗,均为《全宋诗》未收诗人之作,凡作者事迹可考者,则先作小传,后录佚诗。文后附引用书目,以便查检。     

白金的诗 诗的白金

当代满旗诗人白金以写工业诗见长．先后发表了《血铸的诗文》、《铁工厂的歌》、《五月原野》等十余部诗歌集。他的诗歌早年受时代局限．较为直白。中、后期深入生活．诗歌风格发生变化．具有“溶个性于社会性”的特点,同时明晓达意．诵读上口。白金的诗歌创作．为当代满族诗坛的繁荣做出努力。     

Photius and Poetry

Abstract

‘No art or science, except poetry, was foreign to this universal scholar’. Thus Edward Gibbon. It has long been notorious that poets are excluded from the Bibliotheca. Why? The question persists. Hence the present paper.     

Hebrew Prose and Poetry

Book reviewed in this article: Agnon vehatzimhonut (Agnon and Vegetarianism), Rena Lee Jardin D'Eden Jardins D'Espagne, Masha Itzhaki and Michel Gare     

Poetry,Cosmology, Cosmogony

Abstract

This reflective essay investigates the relationship between, on the one hand, the author’s own creative practice and, on the other, cosmological discoveries, both old and new. A series of poems from his collection, Musicolepsy (Shoestring Press, 2013), is presented, contextualized and discussed. All the poems, in very different ways, negotiate and explore the linguistic boundaries and overlap between poetry and cosmology. Specifically, the poetry provides a space in which the sometimes casual, sometimes deep-rooted analogies, metaphors and allusions of popular scientific discourse can be probed, dissected, stretched or exploded. In this way, poetry itself might be seen to embody a kind of pseudoscientific sphere of experimentation, when applied to scientific language.     

Classical Chinese Poetry in Singapore

The evolution of classical Chinese poetry in Singapore is closely related to the immigration experience of Chinese intellectuals in various periods. The travelogues of the foreign trips by Chinese officials dispatched to Singapore in the late Qing dynasty, such as Zuo Binglong 左秉隆 and Huang Zunxian 黃遵憲, focused on the depiction of exotic landscapes and aimed to open up horizons. The poems written by Khoo Seok Wan 邱菽園 and Pan Shou 潘受, and numerous works published in local newspapers from the period before the Second World War to the 1970s, represented the highest achievement of characteristically classical Chinese poetry in Singapore. After the 1980s, the new type of poetry writing reflected in the “Xin Sheng Poetry Society” (Xin sheng shi she 新聲詩社) and poetic columns online was characterized by diversity in the path of communication and the choice of subject matter, as well as an overall decline in creative quality. This article attempts to present the different stages of classical Chinese poetry in Singapore and its features over the course of the century within the context of Sinophone literature.     

贾岛诗风与佛禅思想

贾岛诗歌在唐诗中占据独到位置,岛诗风格独到,有"苦"、"僻"、"清"、"瘦"的特点。解读岛诗风格,要结合贾岛的生活经历和诗歌创作,从佛禅思想的角度进行把握。唯此才可诠释贾岛诗歌的真正内涵。