Re-placing gender? Reflections on 15 years of Gender,Place and Culture

This article reflects on Gender, Place and Culture (GPC) from 1994 to mid-2008, to highlight some of the key subjects and debates which have been delimited and progressed within its pages. Launched simultaneously with the cultural turn in human geography, GPC proceeded to raise important questions about identity and difference, effectively reflecting but also driving a number of transformative intellectual and political agendas. This reflection will focus on three interrelated sites of such activity: empirical, theoretical and political. Empirically, numerous articles have examined the ways gender is lived, in and across spaces and these have been enlivened by approaches highlighting masculinities, sexualities and embodiment. Theoretically these subjects have been informed by post-colonial and post-structural frameworks, directing discussion towards multiple identities, reflexivity, research practice, performativity, material cultures, positionality and the nature of academic knowledge. In addition, GPC has registered progressive political concerns for justice and equality, though the nature and extent of its political import has been legitimately questioned from without and within the pages of the journal. The resolution of the many dilemmas associated with the ways gender is lived, thought about and practiced has not always been successful in the pages of GPC, and the ongoing reality of Anglo-American dominance, the persistence of women's inequality and the tension between discursive and political activism, remains. However, in re-placing gender over the last 15 years, GPC has been a journal of serious and path-breaking scholarship which has further legitimized the value of feminist geography.     

BodiesTouchingBodies: Jenny Saville's over-life-sized paintings and the ‘morpho-logics’ of fat,female bodies

Recent work in geography on materiality and embodiment has drawn attention to the ways that the varied materials of bodies, their capacities to leak and flow, to grow and shrink and endure and disappear, are central to an understanding of the spatialities of bodily experience. This article seeks to contribute to this work by considering how bodies touch themselves, or what I have termed ‘intra-body touching’, through an interrogation of two over-life-sized paintings (Branded and Propped) by the artist Jenny Saville. Her paintings present the topographies of a female fleshy body through detailed observations of bodily surfaces and orifices which include breasts hanging, hands grabbing and fat rolling and pressing upon itself. In drawing upon Luce Irigaray's critical engagement with Merleau-Ponty's account of hands touching, the article seeks to utilise her notion of the mucous for highlighting the ‘morpho-logics’ of sexed and sized bodies as they are produced through the example of intra-body touching. A focus upon the embodied spatialities of intra-body touching challenges accounts of the female body that centre upon women being located in a position of estrangement and distance from its varied materialities. Instead it will suggest that Saville's bodies are centred upon distinctly geographical relations of proximity and intimacy in ways which surprise and challenge our understandings of what a fleshy body can do.     

Pebbles and Peregrinatio: The Taskscape of Medieval Devotion on Inishark Island,Ireland

SINCE 2008, the island of Inishark, Co Galway, Ireland, has been the subject of archaeological research by the Cultural Landscapes of the Irish Coast (CLIC) project, directed by Ian Kuijt of the University of Notre Dame. The CLIC project’s excavations have produced new evidence for the use of water-smoothed pebbles within monastic and pilgrimage practices on the island. Using a relational perspective centred on the concept of ‘taskscape’, this article traces the formation, acquisition, manipulation, and deposition of these pebbles by human and non-human agencies and suggests how the stones may have facilitated worshippers’ embodiment of penitential devotion — peregrinatio — by evoking the divine governance of hydrological forces. Relational theory, although inspired by non-Western indigenous perspectives, is shown to be effective in shedding light on the interplay of bodies, language, objects, and environmental phenomena in early medieval and medieval Irish Christian practice.     

Fabricating the Thanatopolitical Body in Rodrigo Rey Rosa’s Cárcel de Árboles

Guatemalan author Rodrigo Rey Rosa’s first novella, Cárcel de árboles (1991), tells the story of a secret politico-medical experiment conducted on prisoners who have been condemned to death by the State. The experiment takes place in a prison camp located in the tropical forest. In this article, I examine the portrayal of power and embodiment in Rey Rosa’s novella, placing the text in dialogue with thanatopolitical theory and outlining the ways it evokes the historical context of violence and economic transition in Guatemala. I commence by discussing the forms of power at work in the novella’s prison camp, before examining the significance of medical science to Rey Rosa’s depiction of embodiment. I then explore the complex aesthetic and ethical questions embedded in the relationship between language, textuality and the body in the novella. Finally, I discuss the post-human dimensions of the text that emerge in the relationship between the human bodies of the prisoners and the non-human terrain. Over the course of this analysis, I contend that Rey Rosa marshals the body to invoke the ways in which the category of the ‘human’ is formed, deconstructed and reconfigured in the face of the destructive power that operates in the modern techno-scientific epoch.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

‘The meat market’: production and regulation of masculinities on the Grindr grid in Newcastle-upon-Tyne,UK

This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing ‘new’ spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semi-structured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a post-industrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinity – hypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men’s bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.     

Critical feminist reflexivity and the politics of whiteness in the ‘field’

Feminist geographic commonsense suggests that power shapes knowledge production, prompting the long-standing reflexive turn. Yet, often such reflexivity fixes racial power and elides more nuanced operations of difference – moves feminist scholars have, in fact, long problematized. To counter this, we revisit Kobayashi's (1994) ‘Coloring the Field’ [‘Coloring the Field: Gender, “Race”, and the Politics of Fieldwork,’ Professional Geographer 46 (1): 73–90]. Twenty years on, and grounded in our fieldwork in South Sudan and Honduras, we highlight how colonial and gender ideologies are interwoven through emotion. Decentering a concern with guilt, we focus on the way whiteness may inspire awe while scholars of color evoke disdain among participants. Conversely, bodies associated with colonizing pasts or presents can prompt suspicion, an emotive reaction to whiteness not always fixed to white bodies. These feelings have significant repercussions for the authority, legitimacy, and access afforded to researchers. Our efforts thus disrupt notions that we, as researchers, always wield power over our participants. Instead we argue that the positioning of ‘subjects of color’ in the global south, racially and in their relationships with us, is historically produced and socioculturally and geographically contingent. Rethinking the field in this way, as a site of messy, affective, and contingent racialized power, demonstrates the insights offered by bringing together feminist postcolonial and emotional geographies.     

Feeling and the production of lesbian space in The L Word

This article seeks to understand the production of lesbian space in the TV series The L Word (TLW) (Showtime 2004–2009). To do so, it departs from theories of the lesbian gaze to discuss the visibility of feeling. Specifically, I consider how TLW represents the visibility of feeling as constitutive of lesbian bodies, communities and spaces. In TLW, real spaces (actual locations) fold into virtual ones (on screen) in a deliberate construction of televisual lesbian space. TLW implicitly reflects and is embedded within real-life configurations of lesbian space. I identify four excerpts from the series – ‘gay LA’, ‘the pool’, ‘Olivia cruise’ and ‘High Art’ – that problematise lesbian visibility by foregrounding the relationship between feeling and place. Permission to feel, represented as permission to look, reproduces community as the threshold of lesbian identity. Critical to understanding this production of lesbian space is the way in which TLW associates feeling with social relationships as vividly depicted by ‘the chart’, a representational motif that maps lesbian sexual relations and the intelligibility of lesbian feeling. Finally, I develop my account of lesbian visibility through the example of the facial expression of feeling, at once a demonstration of the visible embodiment of lesbian feeling, and the intelligibility of lesbian space.     

Walking,mothering and care: a sensory ethnography of journeying on-foot with children in Wollongong,Australia

This article presents a material feminist perspective into motherhood and walking. Our aim is to explore the process of women ‘becoming mothers’ through journeying on-foot somewhere with children in car-dependent cities. To do so we utilise empirical material gathered as part of a walking sensory ethnography with families living in Wollongong, New South Wales, Australia. Drawing on Deleuze and Guattari’s assemblage thinking and a feminist care ethics we argue that entanglements with bodies and materials alongside ideas, emotions and affects shape how motherhood becomes and is felt on-the-move through ‘moments of care’. We discuss five moments where care emerges not just as a gendered practice, but as an affective force and embodiment of motherhood; these include: preparedness, togetherness, playfulness, watchfulness, and attentiveness. Instead of assuming the figure of the mother is a given identity; insights are provided into how the dilemmas of becoming a ‘good’ mobile mother are felt through moments of care.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

‘Working out’ for two: performances of ‘fitness’ and femininity in Australian prenatal aerobics classes

In this article, I consider the distinctly classed places/spaces in which affluent Australian pregnant women physically maintain their bodies through aerobics. The case study described is drawn from data obtained between 2006 and 2008 in a longitudinal study examining feelings about body image and ‘fatness’ in a sample of pregnant women in Melbourne, Australia. The ways in which pregnant bodies are disciplined within gym spaces are discussed through a case study of a prenatal fitness centre, FitForTwo, and drawing on narrative data of pregnant informants. FitForTwo is described as a primary site for the performance of ‘fit’ pregnancy and underscored by bodies that can be shaped, trained, moulded and modified. This case study is analysed against a backdrop of a growing Australian moral panics about ‘fighting’ maternal obesity. It adds to a body of feminist geographical and qualitative studies of pregnancy, bringing both a more sustained, longitudinal analysis than previously offered, and an Australian context that offers rich comparative material.     

A disobedient gaze: strategic interventions in the knowledge(s) of maritime borders

Abstract

This article reflects critically on how forms of militant research that produce knowledge about the border can produce effects in the politics of migration themselves. It does so by looking at Forensic Oceanography, a collaborative research project that we have been conducting since the summer of 2011. We first locate this research among a broader ‘ecology of knowledges’ that are generated at the border and that directly affect way the border regime actually operates, underlining their ‘aesthetic’ dimension. Secondly, we problematise more specifically the knowledge produced by activists who fight against the border regime and attempt to think how these need to position themselves strategically in relation to existing knowledge practices so as to avoid complicity with the same power structures they are seeking to challenge. Finally, since our knowledge production has amongst others been geared towards the legal sphere, we sketch out a critical reflection on the reliance on legal strategy to forward progressive changes within the politics of migration.     

Racialising global relations: the Rwandan genocide and the ethics of representation

At a time when the historical experience of the Rwandan genocide continues to be invoked to imagine and affirm international responsibility for the suffering of others, this article examines one way in which this event has been made to mean. Through a critical reading of Hotel Rwanda (a feature film) and Shake Hands with the Devil (a memoir), the article examines how the Rwandan genocide has been framed as an event of ‘white’ Western racism towards ‘black’ African injury. Without disputing the veracity of this explanatory framework, this article interrogates its representational politics and ethics. I problematise its continued use of inherently discriminatory racial categories, demonstrate its Eurocentric nature and call for a mode of understanding the ethical significance of the Rwandan genocide that is not limited to an already existing global relation between suffering ‘black’ bodies and potential ‘white’ saviours. In critiquing these texts and this discursive framework, my aim is to enable ways of coming to terms with the genocide that can accommodate the complex connections that do and may exist between non-Rwandans and the 1994 Rwandan genocide.     

Action heritage: research,communities, social justice

Societies are unequal and unjust to varying degrees and heritage practitioners unavoidably work with, perpetuate and have the potential to change these inequalities. This article proposes a new framework for undertaking heritage research that can be applied widely and purposefully to achieve social justice, and which we refer to as action heritage. Our primary sources are semi-structured conversations we held with some of the participants in three heritage projects in South Yorkshire, UK: members of a hostel for homeless young people, a primary school, and a local history group. We examine ‘disruptions’ in the projects to understand the repositioning of the participants as researchers. The disruptions include introducing a scrapbook for personal stories in the homeless youth project and giving the school children opportunities to excavate alongside professional archaeologists. These disruptions reveal material and social inequalities through perceptible changes in how the projects were oriented and how the participants thought about the research. We draw on this empirical research and theorisations of social justice to develop a new framework for undertaking co-produced research. Action heritage is ‘undisciplinary’ research that privileges process over outcomes, and which achieves parity of participation between academic and community-based researchers through sustained recognition and redistribution.     

Commuting,exercise and sport: an ethnography of long-distance bike commuting

The uniqueness of this article is that it deals with long-distance bike commuting in pro-cycling Copenhagen and its environs. Informed by practice theory and sensuous studies of urban and sport practices, I discuss the ‘things and environments’, ‘meanings’ and ‘competences and biological bodies’ that typify long-distance commuter cycling. This article develops cycling literature and the ‘mobilities paradigm’ in the following ways: by outlining a practice approach to cycling; challenging the idea that commuter cycling is only for short distances; undermining the distinction between utility and sport cycling; and lastly by connecting the ‘mobilities paradigm’ with literature on active travel and sport studies.     

A feminist-phenomenology of women’s activism against hydropower plants in Turkey’s Eastern Black Sea region

Taking a feminist-phenomenological perspective of the body, this article provides an empirically grounded analysis of the embodied subjectivity of women in the movement against hydropower plants (HPPs) in the culturally and spatially specific context of the Eastern Black Sea region of Turkey. Informed by a feminist engagement with Merleau-Ponty’s concepts of ‘the body-subject’, ‘the flesh’ and Einfühlung, the article places subjectivity within a relational ontology of sentience and intelligence in which corporeal experiences, senses and affects condition cognitive and agential processes. Bodily senses and affects are thus treated as media of subjectivity. The relationship between water and identity, established through memory, heritage and history, is also produced and/or conserved by the embodied relation between women’s bodies and bodies of water, within the connective ‘flesh’ of the physical world. The case of the Eastern Black Sea demonstrates how political subjectivity of women in the movement against HPPs is conditioned by an intimate embodied relationship with river waters that is sustained by a series of sensory-affective experiences. Their statements emphasize, over and over again, an interconnectedness with the rivers, which makes the cause of anti-HPP struggle vital and urgent for them. This feeling of urgency is a source of women’s radicalism in opposing HPPs. The article maintains the female subject as embodied and transversal, and stresses the centrality of corporeal experience, sense and affect in formation of political subjectivity. By developing a body-centred feminist-phenomenological approach to political subjectivity, it introduces a novel way of analysing women’s activisms within and beyond environmental movements.     

The ‘Dividual Androgyne’ and Me: a Personal Affair

In the 25 years since Marilyn Strathern published The Gender of the Gift (1988) its signature concepts of the ‘dividual androgyne’ and ‘sociality’ have received almost no criticism in the anthropological literature and are now widely accepted as true. The ‘dividual’ is considered to be ‘a new, non‐unitary model of embodiment and … one of the most important theoretical accomplishments to emerge from Melanesian ethnography in the latter part of the 20^th Century’ despite the fact that it erases affect, agency, identity and other essential features of human beings (Lipset 2008). The present critique of Strathern's concept of the androgynous ‘dividual’ challenges its legitimacy as a Melanesian or any other ‘premodern’ form of personhood and suggests that it expresses the wish of academic feminists in the 1970s and 1980s to locate an indigenous model for androgyny and to characterise patriarchy, misogyny and sexual segregation as peculiarly Western. The article explores aspects of Gimi myth, ritual and exchange which Strathern claims helped her to formulate the concept of the ‘dividual’ (especially those surrounding men's sacred bamboo flutes) and concludes that she mistook a virulently anti‐female ideology – including a fantasy in which men may subsume or incorporate certain aspects of female anatomy – for benign accommodation between the sexes. The ‘dividual’ does not correspond to social reality among the Gimi and paradoxically affirms Lévi‐Strauss' classic demonstration in the Elementary Structures of Kinship (1949) that ‘the gender of the gift’ is invariably female.     

Wearable cameras,in-visible breasts: intimate spatialities of feminist research with wearable camcorders in Istanbul

Abstract

Video-based wearable technology such as actioncams and optical head mount devices lead to various kinds of visualities and interrelations between camera vision, bodily visibility, immersive viewing and public visibility of the body-wearing-the-camera. These interrelations are not neutral and in order to claim wearable visual technology's potential for critical, feminist research, it is essential to problematise the contexts and frictions that precede and/or surface during and after the bodily experience of shooting with a wearable device in a research context. In this article, I problematise the common approaches to video-based wearable research technology by engaging participants' particular ethical, emotional, political positions and embodiment of camera's prosthetic vision during mobile visual research in Istanbul. This work was realised as part of the ongoing study on memories of violence and wellbeing in Istanbul and the specific questions that guide my discussion are: what wearable camcorders as mobile research tool do to bodies; how they co-constitute the norms of visibility, movement and gender of particular bodies and what practices and emotional responses emerge from these intersections. A major aim, therefore, is to situate the camera experience as in physical and social relations of moving, seeing and be seen as gendered bodies in specific (research) settings. Drawing on ‘the embodied nature of all vision’, the article provides a close-up, chest-specific analysis of the implications of doing wearable visual research and presents breast-space as an emergent research site in my Istanbul study.     

Theatre Elicitation: developing a potentially child-friendly method with children aged 8–12

ABSTRACT

This article discusses the growing body of literature published in Children Geographies on the importance of involving children in research processes. Inspired by participatory creative methods such as photo elicitation and popular/forum theatre, we have developed a potentially child-friendly tool referred to as Theatre Elicitation (TE). The objective of TE is to use theatre forms as a means of data collection in the context of a negotiated research process. In a pilot project in which we explore TE, children shared their perceptions of happiness. This was inspired by a UNICEF Report [2007. Child Poverty in Perspective: An Overview of Child Well-being in Rich Countries. Innocenti Report Card 7. Florence: UNICEF Innocenti Research Centre] that listed ‘Dutch children’ as the happiest of the world. The focus of this article is the development of TE as an interactive research tool. Insights were gained into the meaning of ‘child-friendly’ research, shifting power relations between children, peers and adults, and how children’s own positioning in lived experiences contextualized concepts such as ‘Dutch children’.     

‘The Pathos of Conservation’: Raphael Samuel and the politics of heritage

When Raphael Samuel’s Theatres of Memory: Past and Present in Contemporary Culture was published in 1994, it was critically received. Yet, the book has not had the impact of other key works such as Lowenthal’s The Past is a Foreign Country (1985) or Hewison’s The Heritage Industry (1987). A number of factors have contributed to this, such as Theatres essentially being an unfinished project, and ‘heritage’ in the book having multiple personas – the net result being that Samuel’s arguments can at times be hard to pin down. Yet with interest in his approach to heritage now growing, this article seeks to unravel Samuel’s core ideas and arguments pertaining to heritage, and to give an historical background to their evolution. With the central tenets of Samuel’s argument essentially being a case for the democratisation of heritage; the validity of what we might today call ‘unofficial’ narratives and discourses; and to challenge the dominant view that heritage was ultimately history’s poor cousin, I argue that Samuel’s ideas have much to offer contemporary research agendas in heritage.