‘Traditional Birth Attendants’ and Reproductive Expertise in Postcolonial Mali

Over the twentieth century, Malian families turned to older women reproductive specialists like excisers (who initiated young women into adulthood), nuptial counsellors (who educated women for sex within marriage) and popular midwives. Their work reflected an expansive understanding of health and fertility. In the 1970s, Mali's government sought to incorporate ‘traditional medicine’ into the health system. State health workers trained popular midwives as ‘Traditional Birth Attendants’ (TBA). The same health workers defined nuptial counselling and excision as un-therapeutic and outdated cultural practices. Comparing these responses reveals the role of gender and social status in the making of an African health system.     

Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan

Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.     

Beyond ‘Culture’ as an explanation for intimate violence: the politics and possibilities of plural resistance

This article interrogates simplified culturalist explanations of gendered violence, which evoke timeless ‘tradition’ and religiosity to locate violence in racialized places and upon ‘othered’ bodies. I examine structural processes that shape women’s experiences of and vulnerability to intimate violence. My analysis complicates culturalist narratives, but engages critically with culture as one context within which violence is embedded. Drawing on field research within Muslim communities in Hyderabad, India, I discuss the complexities of interwoven experiences of structural, state, and intimate gender violence. I draw attention to how anti-violence organizations working in marginalized communities theorize these complexities, and practices of what I am calling ‘plural resistance,’ which these organizations enact through equally complex responses to such violences. Plural resistance describes community-based strategies that simultaneously reject both gender violence and other forms of systemic violence, such as poverty born of uneven development. Embodied resistance to gender violence provides a critical lens for understanding articulations between regional patriarchies, exclusionary state practices, uneven development, and Islamophobia.     

Towards Eurasia: remapping Europe as ‘upstart peripheral to an ongoing operation’

In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.     

Modern Őmie Women: Virtual Indigeneity and Intimations of Empowerment

The women of ?mie Artists, a cooperative that produces original bark cloth paintings for the global indigenous art market, are described in contemporary ethnographic publications as ranked into a hierarchy of chiefs on the basis of their ‘wisdom’ which is expressed in their paintings. This depiction of the ?mie, who comprise a marginalized population of less than 2000 in Oro Province of Papua New Guinea, is dramatically different from what was known of their culture several decades ago. An assessment of the likelihood of this virtual depiction reflecting the social empowerment of ?mie women is undertaken. Although the impact of missionization and entry into capitalist markets is recognized, it is the interpellation of the art market of the ‘indigenous artist’, working within a traditional mystical tie with the land and the ancestors, which must be seen as precipitating what appears in virtual form an amplification and cultural embellishment of women’s traditional knowledge and practices. This process is foregrounded against the historical change in valuation of women’s cultural contributions by the discipline and the art world.     

Totem and Transaction: the Objectification of ‘Tradition’ Among North Mekeo

Most recent treatments of Melanesian post‐contact change have presumed that objectifications of ‘culture’ and ‘tradition’ have intensified and proliferated in response to the forces of colonialism and the penetration of the nation‐state. Harrison (2000) has recently argued, however, that in pre‐colonial times too Melanesians characteristically objectified their cultural practices and identities as ‘possessions’ that could be readily exchanged or transacted. Supposedly, the key difference between the two eras has accorded with different formulations of ‘property’: ‘private property’ and the logic of ‘possessive individualism’ in the post‐contact era; and ‘trading and gift‐exchange systems’ or ‘prestige economies’ in pre‐contact times. In this article I examine Harrison's portrayal of Melanesian cultural practices as ‘possessions’ and the notions of ‘property’ that he sees as key to the cultural objectification in both pre‐ and post‐colonial settings with reference to ethnographic and historical information regarding the North Mekeo peoples of Papua New Guinea. I argue from the perspective of the New Melanesian Ethnography that Harrison's view of pre‐contact prestige economies and trade and gift exchange systems retains several misleading a priori assumptions about ‘commodity exchange’ and, illustrating the potential of the New Melanesian Ethnography for historical applications, that he overemphasizes the extent to which post‐contact changes in cultural objectification have involved individualised and commodified forms of property. Consequently, in the case of North Mekeo, both the continuities and the changes between pre‐ and post‐contact cultural objectifications may have proceeded differently from the ways Harrison has outlined for Melanesia generally.     

Femonationalism and populist politics: The case of the Swiss ban on female genital mutilation

This article examines configurations of Swiss national identity that were generated in the course of the drafting of the 2012 Female Genital Mutilation Act, a new law that seeks to regulate practices of female genital modification (including female circumcision and genital cosmetic surgery). Our analysis of Swiss parliamentary debates on this legislative proposal between 2005 and 2011 shows that Swiss MPs came to depict female circumcision as a threat to the Swiss nation but portrayed genital cosmetic surgery carried out in Swiss clinics as a signifier of “Swissness.” The Swiss debates over women's genital modifications produced an unusually high level of political unanimity between pro‐feminist left‐wing MPs and anti‐feminist conservative and populist MPs, all of whom claimed to defend women's rights. In this process, MPs formulated criteria for membership and non‐membership of the Swiss nation which, we argue, reflect wider political dynamics, best understood through the lens of femonationalism.     

Returning home: heritage work among the Stl’atl’imx of the Lower Lillooet River Valley

This article focusses on heritage practices in the tensioned landscape of the Stl’atl’imx (pronounced Stat-lee-um) people of the Lower Lillooet River Valley, British Columbia, Canada. Displaced from their traditional territories and cultural traditions through the colonial encounter, they are enacting, challenging and remaking their heritage as part of their long term goal to reclaim their land and return ‘home’. I draw on three examples of their heritage work: graveyard cleaning, the shifting ‘official’/‘unofficial’ heritage of a wagon road, and marshalling of the mountain named Nsvq’ts (pronounced In-SHUCK-ch) in order to illustrate how the past is strategically mobilised in order to substantiate positions in the present. While this paper focusses on heritage in an Indigenous and postcolonial context, I contend that the dynamics of heritage practices outlined here are applicable to all heritage practices.     

Cultural policies for sustainable development: four strategic paths

Abstract

In the Sustainable Development Goals adopted by the United Nations in 2015, the role of culture is limited. We argue that culture’s absence is rooted in the longue durée of interplay among theoretical and policy debates on culture in sustainable development and on cultural policy since the mid-twentieth century. In response to variations in concepts and frameworks used in advocacy, policy, and academia, we propose four roles cultural policy can play towards sustainable development: first, to safeguard and sustain cultural practices and rights; second, to ‘green’ the operations and impacts of cultural organizations and industries; third, to raise awareness and catalyse actions about sustainability and climate change; and fourth, to foster ‘ecological citizenship’. The challenge for cultural policy is to help forge and guide actions along these co-existing and overlapping strategic paths towards sustainable development.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Why is it so difficult to reduce gender inequality in male-dominated higher educational organizations? A feminist institutional perspective

ABSTRACT

Using a Feminist Institutional perspective, and drawing on a wide range of evidence in different institutions and countries, this article identifies the specific aspects of the structure and culture of male-dominated higher educational organizations that perpetuate gender inequality. Gender inequality refers to the differential evaluation of women and men, and of areas of predominantly female and predominantly male employment. It is reflected at a structural level in the under-representation of women in senior positions and at a cultural level in the legitimacy of a wide range of practices to value men and to facilitate their access to such positions and to undervalue women and to inhibit their access. It shows that even potentially transformative institutional interventions such as Athena SWAN have had little success in reducing gender inequality. It highlights the need to recognize the part played by the ‘normal’ structures and culture in perpetuating gender inequality.     

Maisons Tropicales/Maisons Coloniales: contesting technologies of authenticity and value in Niamey,Brazzaville, Paris,New York and Venice

This article draws on multi-sited anthropological fieldwork to analyse institutional practices of producing cultural authenticity and value under conditions of globalization. It focuses on the ‘re-discovery’ of three so-called Maisons Tropicales as modern architectural heritage in Niamey and Brazzaville. These prototypes of a colonial building project were subsequently translocated, commoditized and displayed as modern works of art in Paris and New York. The article describes the global connections and disconnections between the actors involved, claiming that the alternative practices of appropriating the Maisons Tropicales rely on competing and conflicting technologies of authenticity and value. Adding to scholarship on exchanges of material culture, as well as on the production of cultural authenticity and value, the article reframes debates in heritage studies pertaining to the ethics of site-specificity, material integrity, and integrity of place; preservation, conservation, and restoration; restitution and repatriation; as well as questions of cultural identity and the notion of a ‘shared’ colonial heritage. Ultimately, the article re-contextualizes the Maisons Tropicales in their (post-)colonial legacies. It concludes that critical interjections by artists and ethnographers suggest potential to reassemble the dominant technologies of authenticity and value in the fields of art and heritage preservation.     

Endangered musical heritage as a wicked problem

The issue of the widespread decline and loss of musical heritage has recently found increasing prominence in ethnomusicological discourse, and many applied projects from grassroots to international levels strive to support genres perceived to be under threat. Much recent literature on the subject features rhetoric that draws on metaphors from ecology, including, for example, the ideas of music ‘ecosystems’, ‘endangerment’ and ‘sustainability’. Offering an alternative (though not contradictory) perspective, I here characterise the widespread loss of musical heritage as a ‘wicked problem’– one with complex interdependencies, uncertainties and conflicting stakeholder perspectives, which defies resolution more than some of the ecological metaphors arguably imply. By drawing on theoretical notions of ‘wickedness’ from social policy planning and other areas, I aim to bring interdisciplinary insights to the discussion of strategies to mitigate the global threat to music as intangible cultural heritage. Offering three ‘stories’ about the problem of music genres ‘at risk’ and critiquing each of these stories against the theory of wicked problems, I explore the implications of this conceptualisation for heritage scholars, music researchers, policy-makers and other cultural stakeholders, in terms of moving us closer to realising effective, resilient and innovative approaches to the problem at hand.     

White gloves,feminist fists: race,nation and the feeling of ‘vintage’ in femme movements

This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.     

Cultural Economy: Achievements,Divergences, Future Prospects

This paper reflects on two decades' scholarship in geography on cultural economy, assessing strides made against some of the expectations of early proponents. Cultural economy continues to be a polysemic term. In some quarters, it refers to a type of economic geography into which matters of ‘culture’ are absorbed. This work frequently focuses on the empirics of the so‐called ‘cultural and creative industries’. Others see cultural economic research as an opportunity to move beyond the epistemological constraints of ‘culture’ and ‘economy’, questioning their status as foundational categories. This latter approach has been used in a broader set of empirical projects encompassing technology, knowledge, and society. Contrasting threads of cultural economic research have helpfully moved geographical scholarship beyond paradigmatic limitations, but jostle somewhat uncomfortably within existing (and increasingly specialised) disciplinary and subdisciplinary fields. The risk is that by questioning the categorical underpinnings of much specialised research, cultural economy struggles to ‘belong’ in the increasingly coded and compartmentalised university setting. I conclude with a discussion of future prospects. Some measure of vitality could be achieved through incorporation of a cultural economy perspective into the pressing issues of climate change, human sustenance, and urban infrastructure planning. These are issues for which the polysemy of cultural economy could prove constructive, transcending technocentric market ‘fixes’ and bland assumptions about how best to ‘green’ our cities – promoting instead ethnographic interrogations of how humans access, use, exchange, and value financial and material resources as moral and social beings.     

Containing Kassindja: detention,gendered threats and border control in the United States

In 1996, the USA issued a landmark decision to grant political asylum to a young woman, Fauziya Kassindja, due to the threat of forced genital circumcision. The case, Matter of Kasinga, is now a cornerstone in the area of law known as ‘gender-based asylum.’ While the legal victory occurred during a watershed moment for women’s human rights, it also spawned considerable critique for reproducing colonial tropes of third-world women, cultural backwardness, and narratives of rescue. This article offers another perspective by examining key phases of the case that predate the final decision. I demonstrate how logics of containment shaped the case trajectory and outcome. Initially, the Immigration and Naturalization Service (INS) sought to contain Kassindja as a bogus asylum seeker through detention. However, once a powerful advocacy campaign exposed the violence of detention, the INS shifted their containment strategies to safeguarding the legal paradigm and circumscribing its legacy as a precedent-setting case. By focusing on the role of detention and the logics of containment, this article supplements cultural critiques of the case and provides an example of how gender and gender violence can be leveraged by state agencies and actors to reinforce border control and manage refugee/asylee populations.     

Diversity and cultural policy: cultural citizenship as a tool for inclusion

At the crossroads of citizenship, cultural and diversity studies, I enter in the emerging debate on cultural citizenship. Culture is seen as a channel for diversity inclusion, and cultural policy carries the function of enhancing citizenship. My reasoning will follow two steps. First, in overviewing the recent literature, I identify two main drivers making cultural citizenship: the democratic/equality and the identity/national drivers. However, I will note that the debate is concentrated in the plurality of meanings of ‘culture’, and not, as I will argue as a second step, in the plurality of citizenship traditions: a liberal, a communitarian and a republican one. This view is at the basis of different approaches of cultural policies when we focus on them as enhancing cultural citizenship in diversity contexts. At the end, I will also contend that this can ground an interpretative framework capable of distinguishing current social practices and policies.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

One for all,or all for oneself? Governance cultures in regional public transport planning

Due to the fragmented organizational landscape characterizing public transport, it is important to study and explore how regional governance of public transport adapts to national institutional reforms. By employing the term ‘governance cultures’ to a comparative case study of regional public transport planning in Sweden, we contribute to theories of governance by cultural sensitization. Combining governance theory with cultural analysis, we apply a cultural perspective to understand the two cases. We conclude that public transport planning in the Stockholm region is defined by ‘negotiations’ between stakeholders, whereas in the Västra Götaland region it is characterized by a governance culture of ‘collaboration’. The evidence from our case studies emphasizes the importance of understanding local governance practices as situated in cultural contexts as well as of viewing governance cultures as an important factor affecting the purpose, degree and outcomes of collaboration in planning practices.