Messing with the attractiveness algorithm: a response to queering code/space

Responding to the collection of articles, ‘Queering Code/Space,’ this article discusses how algorithms affect the production of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) spaces, namely online dating sites. The set of articles is well timed: lesbian bars have closed en masse across the US and many gay male bars have followed suit so that online spaces fill – or perhaps make – a gap in the social production of LGBTQ spaces. I draw on Cindi Katz’s idea of ‘messy’ qualities of social reproduction and the necessity of ‘messing’ with dominant narratives in order to think about the labor, experience, and project of queering code/space.     

Trans experiences in lesbian and queer space

This article explores how individuals who identify as transgendered and transsexual men experience the internal possibilities, limitations, and resistances found in spaces identified as ‘lesbian’ or as ‘queer’ in the City of Toronto. The article draws on interview data transcribing the experiences of 12 transgender and transsexual individuals in LGBTQ (lesbian, gay, bisexual, trans, and queer) spaces. These interviews empirically illustrate how fluid and unfixed gendered and sexualized practices can transform spaces and their occupants. Further, this article considers the ways spaces may be ‘queered’ and the implications of these processes on the constitution of LGBTQ spaces. The experiences of transmen in lesbian and queer spaces bring into sharp relief the complex ways that material spaces, even those arising out of resistive impulses, incorporate disciplining expectations and new opportunities. Those who research or utilize these places must be attentive to these processes, if there is to be a serious commitment to the creation of libratory, inclusive spaces.     

Visions of visibility: LGBT communities in Turin

Recent anti-discrimination campaigns by lesbian, gay, bisexual and transsexual (LGBT) activists in Italy have increased the visibility of these communities and individuals, but have not resulted in the desired improvements to legislation. In light of this situation, this article analyses modalities of ‘visibility’ as defined and desired by the active LGBT community in Turin, host city for National Pride 2006. The Pride committee scheduled an unprecedentedly ‘visible’ year-long programme of consciousness-raising and cultural events that went far beyond the more usual one-day march. Drawing on a series of interviews with members of the committee and of the lesbian community conducted in Turin in March and June 2006, the discussion explores social, cultural and political visibility in this LGBT community as it hosted National Pride.

I think people live in a state of non-visibility, lacking self-acceptance; there are gay men and lesbians in Italy who are in hiding. (Andrea Benedino)1 1.?Interview conducted by the author, 31 March 2006.      

‘That street is taking us to home’: young children’s photographs of public spaces

ABSTRACT

Children’s identities constitute and are constituted by the everyday spaces they inhabit. Though there are innumerable accounts of what adults think public spaces like subways and city streets mean to children, fewer recorded accounts exist from young children themselves (Faulkner and Zolkos 2016, “Introduction.” In Critical Childhood Studies and the Practice of Interdisciplinarity, ix–xvii. Lexington: Lanham.). In this work I explored 2- – 5-year-old children’s conceptions of public space through the photographs they took and the narratives they told in and around those images. I focused on how children imaged their spaces, how their narrative fragments added layers of story to the images’ contents, and how their photographic performances acted as ‘visual voice’ (Burke 2005, “‘Play in Focus’: Children Researching Their Own Spaces and Places for Play.” Children Youth and Environments 15 (1): 27–53.), highlighting for us how they see themselves and their positions within the larger urban environment. The young children’s photographs depicted their growing autonomy and mobility within an urban context, attunements to non-human forms of the city, and knowledge of what it means to live in their communities.     

‘Dulling it down a bit’: managing visibility,sexualities and risk in the Night Time Economy in Newcastle,UK

Drawing on qualitative interviews with young women in the UK, this article highlights how gendered and sexualised negotiations of visibility intersect and continue to be important in the ways in which young women self-regulate bodies and identities to manage risk in the Night Time Economy (NTE). Adopting visible markers of normative, heterosexual femininity on a night out can be understood as simultaneously mitigating against the risks of experiencing certain types of harassment, whilst increasing the risks of experiencing others. This article reaffirms the relevance of negotiations of visibility in shaping non-heterosexual women’s dress as a strategy for managing the risk of homophobic abuse and demonstrates some of the ways in which all young women – regardless of actual or perceived sexual identification – are required to police their bodies in order to manage the additional risks of ‘heterosexualised’ harassment in the NTE. These include threats of sexual violence and harassment primarily associated with women’s positioning as subordinated gendered subjects rather than with the policing of ‘non-normative’ sexualities, with findings suggesting that young women are more concerned with managing the risks associated with a heterosexualised male gaze rather than a homophobic gaze. ‘Everyday’ experiences of harassment are trivialised and normalised in bar and club spaces, and adopting markers of normative, heterosexual femininity was felt to increase the risks of receiving this kind of ‘unwanted attention’. Clearly, young women face challenges as they attempt to negotiate femininities, sexualities and safety and manage intersections of gender and sexuality in contemporary leisure spaces.     

‘The meat market’: production and regulation of masculinities on the Grindr grid in Newcastle-upon-Tyne,UK

This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing ‘new’ spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semi-structured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a post-industrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinity – hypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men’s bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

Liberty for All? Contested spaces of women's basketball

The Women's National Basketball Association is a professional women's basketball league that is notable for constructing a heteronormative ‘family friendly’ self-image while maintaining a sizable following of lesbian fans. This article examines this apparent contradiction through two case studies: a kiss-in protest by a group of New York WNBA fans, Lesbians for Liberty, and experiences by Minnesota Lynx lesbian fans of the marketing tactics and daily practices that regulate WNBA game spaces. By highlighting the socio-spatiality of the WNBA venue, it becomes clear how heteronormativity is naturalized, as well as accepted and resisted by lesbian fans in both New York and Minnesota. An overt act of resistance, however, failed to encourage the WNBA to reconsider its policies: the Liberty kiss-in, by situating lesbians as a counterpublic, foreclosed the range of attitudes held by lesbian fans. Moreover, as Minnesota Lynx fans demonstrate, WNBA spaces feel ‘safe enough’ to many lesbian fans. As a result, there remains a contest over the meanings and practices that define WNBA landscapes. To date, however, normative heterosexuality has contained the presence and visibility of the lesbian fan.     

Negotiating In/visibility: The Political Economy of Lesbian Activism and Rights Advocacy

Efforts to address HIV/AIDS have brought new opportunities and resources to LGBT (lesbian, gay, bisexual, transgender) activism in many parts of the developing world. However, increased attention in terms of both political opportunities and economic resources is uneven across the diverse population of LGBT peoples and activists. Lesbian activists have reaped far fewer benefits than their gay men counterparts. Building on existing approaches to movement visibility and invisibility, we posit a ‘political economy of in/visibility’ to analyse lesbian activism in China and Myanmar, where activists face particularly restrictive political and economic conditions. Rather than focus on visibility as a movement pre‐condition, objective or strategy, we examine the sources of in/visibility and their interactions with activists’ agency; in/visibility emerges from political and economic conditions, but is continuously reshaped by activists who negotiate them. We demonstrate that, despite challenges, lesbian activists respond in ways that help advance LGBT rights advocacy broadly, sometimes even with tactics that their more visible gay counterparts avoid. These interactions subsequently influence the conditions that shape in/visibility. Investigating the political economy of in/visibility, therefore, has significant implications for understanding not only lesbian activism, but also LGBT advocacy and collective mobilization, especially under politically and economically restrictive conditions.     

La Méditerranée solide: un espace double en construction

There exists a space of the ‘solid Mediterranean’. This concept was first proposed by the Annales’s co-founder Lucien Febvre in 1944–45, during a course on Europe in the longue durée. The flexible borders of this double space, both conceptual and contextual, remain in construction within the on-going and global reality of the solid Mediterranean’s space. The comparative history of European societies promoted during the interwar period by Marc Bloch, the other Annales founder, contributes to the construction of said space. Examining this space allows us to concretely articulate scales of analysis from the local to the global. The article is based on a comparative analysis of two Italian and Spanish cases that appear to be particular and paradigmatic (‘exceptional normal’, Edoardo Grendi) of – respectively – Italy’s so-called ‘southern question’ (questione meridionale) and the Spanish ‘agrarian question’ (cuestión agraria). Thus the article helps to conceptualize the space of the Méditerranée solide, marked by the complex and long-term Southern European question. The article compares Il Ministro della mala vita (The Minister of the Corruption, 1910) by historian Gaetano Salvemini and Del caciquismo trágico (On Tragical Caciquism, 1913) by republican journalist Pedro Torres. Through these ‘exceptionally normal’ case studies, taken together and explained reciprocally, it is possible to better understand the space of the solid Mediterranean. The social realities of the Spanish cuestión agraria and the Italian questione meridionale, as well as the conditions of local historiographical production on such realities are, indeed, a consubstantial part of the European transnational, global space of the ‘solid Mediterranean’.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

Performing science amongst the filing cabinets. Women,anthropology and museums in Belgium (1930–1970)

I trace the scientific trajectory and identity of Olga Boone (1903–1992), the first female scientist working in the Belgian Congo Museum's ethnography section. Uncovering Boone's relatively unknown and remarkably diverse research in ‘ethnic’ geography, musicology and bibliography, and her fieldwork in Congo, serves as a point of entry into a less well-known period in and ‘unofficial’ history of Belgian twentieth-century anthropology. It also provides a window into museums as gendered spaces, particularly aspects of (in)visibility and materiality in collections and archives.

Abbreviations: AA: African abstracts; BCM: Belgian Congo Museum; ESA: Ethnographic survey of Africa; IAI: International African Institute; IRCB: Institut Royal Colonial Belge; IRSAC: Institut de Recherche Scientifique en Afrique Centrale; MFA-AA: Ministry of Foreign Affairs – African archives; OB: Olga Boone; RMCA(A): Royal Museum for Central Africa (archives)     

The safe spaces ‘in-between’ – plays,performance and identity among young ‘second generation’ Somalis in London

ABSTRACT

The article elaborates on how young UK-born self-identifying Somalis use performance to create ‘liminal’ spaces that allow them to explore and express the often contradictory registers of self and belonging through play and the carnivalesque. The plays they write, practise and perform transform community places into ‘safe spaces’ that open and invite dialogue on the intergenerational conflicts they experience around identity and expected behaviour. Far from being fictions, in making visible the liminality in the daily lives, these young people communicate ‘the reality behind the role playing mask’ [Turner, Victor. 1982. From Ritual to Theatre – The Human Seriousness of Play. New York: PAJ, 155]. This research is based on 6 months ethnographic research with the Mustaqbal youth group based in London. It contributes to rethinking ‘safe space’ by illuminating how young people use the ‘stage’ to express elements of their lives they are otherwise unable to voice.     

‘We are of the connections’: migration,methodological nationalism,and ‘militant research’

Abstract

If there were no borders, there would be no migrants – only mobility. The persistent reification of migrants and migration – even in critical migration studies –(re-)fetishizes and (re-)naturalizes the epistemological stability attributed to the (‘national’) state as a modular fixture of geopolitical space. In this regard, migration scholarship (however critical) is implicated in a continuous (re-)reification of ‘migrants’ as a distinct category of human mobility. Thus, the methodological nationalism that rationalizes the whole conjuncture of borders-making-migrants supplies a kind of defining horizon for migration studies as such. The dilemma of methodological nationalism has never been merely a problem of thought, however. It is indeed a manifestation of the veritable participation of researchers and scholars – whether consciously or unwittingly – in the very same sociopolitical processes and struggles through which the ‘national’ configuration of ‘society’ (or, the social field) is reified and actualized as the territorial expression of state power. Therefore, the questions of methodological nationalism and what might be called ‘militant research’ are deeply interconnected, indeed, mutually constitutive. As scholars of ‘migration’ – and above all, as practitioners of ‘militant research’ – we must attend to a self-reflexive critique of our own complicities with the ongoing nationalization of ‘society’. Hence, as researchers or scholars of migration, we are indeed ‘of the connections’ between migrants’ transnational mobilities and the political, legal, and border-policing regimes that seek to orchestrate, regiment, and manage their energies. We are ‘of’ these connections because there is no ‘outside’ or analytical position beyond them. The larger juridical regimes of citizenship, denizenship, and alienage configure us to be always-already located within the nexus of inequalities that are at stake in these conflicts.     

Pathways of confinement: the legal constitution of carceral spaces in France’s social housing estates

This paper analyzes the enactment and evolution of article L.126 of the Code of Construction and Housing (CCH) in France and demonstrates the careful ways lawmakers have redefined ‘common areas’ in social housing estates as carceral spaces. It argues that such transformation has inserted these areas into a ‘carceral continuum’ that facilitates the arrest, prosecution and confinement of young people ‘hanging out’ in ‘common areas’. Drawing on the work of legal geographers on the co-constitutive relationship of law and space, and urban and carceral geographers exploring the criminalization of urban space and the extension of the carceral state, the paper illustrates how the pathways of confinement are legally constituted. The legal process documented here seeks to highlight the law’s meaning-making capacity and the complex legal practices – by actors and institutions located at multiple scales – which significantly condition urban practices and relationships. The analysis suggests, finally, that law’s constitutive power has limits that are brought to the fore by anti-police violence struggles. Pathways of confinement are, thus, fragile networks dependent upon the ongoing enactments, discourses, and practices by lawmakers and law-enforcers.     

Arendt in the refugee camp: The political agency of world-building

Refugee camps are frequently conceived as spaces in which social and political life is reduced to biological concerns of survival or ‘bare’ life. Yet, for researchers who focus on life in the camp as it is lived, through material adaption, social negotiation and resistance, this Agambenian perspective is unsatisfactory. Instead, a relation is made apparent between practises of everyday life and the manifestation of a politics. This paper argues for the importance of Hannah Arendt's writings for a new understanding of how refugee camp inhabitants can develop and sustain political agency. First, it will highlight the relation by observations and analysis of ‘the jungle’ in Calais, France. This unofficial camp, although short-lived, has influenced a broad spectrum of research including examination of spatial political practice. Second, applying a phenomenological reading of Arendt's work, I argue that political agency emerges through the concept of world-building. World-building results from the conjunction of human activities – from the quotidian, like labour and work, to the exceptional cases of action – and their orientation towards a specific type of visibility. World-building manifests as camp inhabitants erect spaces of meaning that engage a plurality of persons, transforming them into political agents.     

The Corporeal Empire: Physical Education and Politicising Children's Bodies in Late Colonial Bengal

This article deploys children's bodies as an analytical lens to examine the political significance of knowledge production and childhood in British colonial projects in late colonial India. Scholars have theorised the ‘body as method’ of history to argue that bodies are imbued with meanings, become stakes in power struggles and are sites of knowledge and power. I examine this theme by investigating a key locus of knowledge production for children – the colonial school and its curriculum, specifically physical education. To underline the multi‐stranded processes and loci of colonial knowledge production, I examine nationalist pedagogies of two Bengali children's magazines (Amaar Desh and Mouchak) as a form of informal schooling. I argue that the colonial state's engagement with physical education in schools stemmed from anxieties to both discipline native children's bodies, and to discourage students’ ‘seditious’ political activism. Second, I demonstrate that for Bengali educated elites, children embodied a political space for contestation and undertaking their projects of re‐masculinising the youth. These nation‐building projects placed a premium on masculinity, influenced boy cultures to imitate adult male cultures, and inscribed gender roles on the bodies of Bengali boys and girls. By doing so, these colonial encounters restructured and redefined childhood in crucial ways.     

Confusing the grid: spatiotemporalities,queer imaginaries,and movement

Mediating between queer theory's privileging of time as actor and geographic emphases on material spaces and identities, this article engages feminist geographies and the work of Deleuze and Guattari to understand the implications of time and space as imagined, or actors' spatiotemporal imaginaries. We draw on Massumi's metaphor of the ‘grid,’ which sediments ways of seeing self and other and logics for action and interaction. The grid incites imaginaries of time as active and space as passive, which evoke past, present, and future, offering coordinates for locating identities. Focusing on spatiotemporality, we conduct a discourse analysis of interviews with two Chilean lesbian-feminist activists, focusing on (1) overtly spatial and temporal dimensions (nation, region, history), (2) the constitution of lesbian space and identity (identity, visibility, consciousness, and community), and (3) oppositional entities that stabilize lesbian identity and space (men, gay men, feminists, universities, and queer). We demonstrate how the activists' imagining of Chile as a space with a linear history with a fixed past and present directs their actions to a particular future of pre-given positions. Nonetheless, we point to moments of disidentificatory movement that returns analytic attention to process, creation, and the open potentiality of movement. The politics of spatiotemporal imaginaries offers activists, geographers, and queer theorists ways of narrating sexualized subjects and politics that are not repetitive of identitarian debates, history as necessary sequence, or spaces as material.     

Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.