The Poetics of the Crocodile: Changing Cultural Perspectives in Ambonwari

ABSTRACT Ambonwari people from the East Sepik Province, Papua New Guinea, had a rich repertoire of song‐dances, each of which was associated with specific events and the birth of something new. Together they represented the entire human life cycle as well as the cosmology at large. Visual, verbal and tactile modalities of singing and dancing were tightly interwoven; images and symbols were enacted by the dancers, in their decoration, arrangement, movements and in the whole ceremony and were firmly situated in their landscape. Accordingly, song‐dances were also an important practice in male initiation ritual. The first song‐dance of the ritual was the crocodile song‐dance. This article analyses different transpositions of images and meanings which can be decoded from the dance, from the objects that were part of the initiation rite, and from the parallelism and rich allegory of verses. These transpositions operate at different levels until they converge upon the existential facts of birth and death. In the new millennium and under the influence of a Catholic charismatic movement, however, Ambonwari broke off their relationships with spirits, abandoned the men's houses and stopped talking about male initiation ritual. Along with other traditional song‐dances the crocodile song‐dance has been taken over by the song‐dances of the Holy Spirit. These changes in social and cultural perspectives, which are still taking place, are at the same time products and producers of the changes in their relationship to ‘space’ and ‘time’ which are at the same time changes in visual and auditory perception and expression of their life‐world. All these changes should not be seen merely in some abstract or symbolic terms but as tangible processes generated by people's action.     

CIRCLE DANCE FESTIVAL “GORKA”: TRADITIONS AND INNOVATIONS*

The circle dance festival “gorka” is one of the oldest Russian rituals of the spring and summer cycle, preserved by the Priestless Old Believers (Pomortsy) living in the Ust-Tsilma Region of the Komi Republic. This ritual activity requires the performance of seven dance fi gures or moves. Particular songs that are called “gorka songs,” correspond to each of the fi gures. In the past, the symbolism of the circle dance was linked to the renewal of life. The transition of adolescents to adulthood was arranged in ritual form; dramatized songs helped young people to fi nd potential marriage partners and to approve couples that had been formed earlier. The modern festival is held as a tribute to the ancestors. A recent innovation can be seen in the children's “gorka” and the inclusion of children into a single circle dance.     

中国礼乐文明之源——以史前乐舞遗存为例

前仰韶时期的乐舞遗存仅作为日常生活用品,至仰韶时代晚期陶鼓乐器已为少数权力阶层拥有,龙山时代以鼓磬为组合特征的乐舞遗存标志中国礼乐明的基本形成。     

西方舞蹈地理研究进展：从非表征争议到创意地理实践

作为早期非表征理论构建的主要场景,舞蹈是特定想法—行为的表达与实践,有助于探察身体动作在理解和创造表达上的潜能,而舞蹈正式进入文化地理学视域的时期也正好是非表征理论对传统文化地理学的挑战接近成熟的关键时期。随着展演的身体成为分析对象以及编舞成为地理研究中新的非表征方法概念,舞蹈作为社会跨学科实践和工具受到越来越多关注。本文以非表征理论引发的诸多争议为基本背景,力求全面呈现如下两个转变过程：①舞蹈如何从关于身体、展演性、认同等地理学话题,逐渐演变为检测动作节奏、感觉、生成空间的地理实践和方法;②舞蹈地理研究经历如何从批判的舞蹈文化政治学,逐渐转向实践性的展演艺术与创意地理学。文章认为,非表征思想有望用于解决表征之外可能存在的开放性实践难题,丰富调节实践的情感维度,并拓展分析情感交缠的物质主义话语,而转变后的西方舞蹈地理研究对于理解我国现当代文化政治经济的情感属性、思考艺术影响下城市公共社区的差异化也就具有明确的启发价值。     

Social decision-making driven by artistic explore–exploit tension

We studied social decision-making in the rule-based improvisational dance There Might Be Others, where dancers make in-the-moment compositional choices. Rehearsals provided a natural test-bed with communication restricted to non-verbal cues. We observed a key artistic explore–exploit tension in which the dancers switched between exploitation of existing artistic opportunities and riskier exploration of new ones. We investigated how the rules influenced the dynamics using rehearsals together with a model generalized from evolutionary dynamics. We tuned the rules to heighten the tension and modelled nonlinear fitness and feedback dynamics for mutation rate to capture the observed temporal phasing of the dancers' exploration-versus-exploitation. Using bifurcation analysis, we identified key controls of the tension and showed how they could shape the decision-making dynamics of the model much like turning a ‘dial’ in the instructions to the dancers could shape the dance. The investigation became an integral part of the development of the dance.     

试谈当前高校中的中国古典舞身韵教学

本文从古典舞身韵教学的基本要点、课程特点、如何教学以及作为高校教师所应注意的要点四个方面来详细阐述和分析当前高校中的中国古典舞身韵教学。作为一个学科的建设,中国古典舞已经走向成熟,而身韵教学是这一学科建设在舞蹈本体观、舞蹈方法论方面成熟的标志。     

The Efficacies of Heritage: Syndromes,Magics, and Possessional Acts

In this paper I present critical insights into the efficacies of heritage. I take the phenomenon of the Jerusalem Syndrome (JS) as my point of departure and recast it as Heritage Syndrome (HS). I do this to better understand how such efficacies are experienced and materialized in ritual possessional acts. As a framework, the JS reveals the power and potency that reside in experiences of collapse. Such disembedding events activate subsequent ritual dramas (whether malign/benign or successful/failed) of world-making, redemption, repair, and renewal. Heritage quests as ritual ‘sacred dramas’ and ‘practical magics’ are I argue, similarly experienced in the collapse of known categories: imagined/real, extraordinary/mundane, possessing/being possessed, and crucially what heritage is versus what heritage does. Writ large, heritage efficacies are bound-up in the breakdown and blurring of boundaries — and thus the non-distinction — between heritage in the conventional sense and other dynamics such as magic, prophecy, and well-being/ill-being. These reveal alternative pathways, potentialities, and patterns of behaviour that demonstrate that dominant, elite, rationalized approaches to heritage banalize heritage efficacies and can thus be termed a failed project. I argue that conceiving of heritage as a syndrome — and critically as a movement away from medical pathologization and towards a recasting of heritages as diverse constellations of cultural-spiritual-magical-emotional experiences and engagements — better reflects the deeply felt complex and transformative practices at play. These heritage rites distinguished at points by those who wish their lives were more dramatic and those who wish their lives were less traumatic better describe how the vast majority of global actors engage with heritage, notably at popular, grass-roots level and in contexts of extremis, yet its significance goes largely unrecognized and unvalued.     

二里头文化陶礼器造型艺术研究

二里头文化陶礼器的造型艺术表现为简洁质朴的艺术风格,这与夏代礼制文化中"尚质"的审美倾向十分吻合。陶礼器的造型艺术由黄金比例、纹饰和仿生三种设计方法以体现陶器造型和装饰的简洁与抽象性,而三至四期动物造型装饰的增多则为商代青铜礼器的艺术形式奠定了基础。酒器和食器的器物造型构成了礼仪中行为与时间的观念,以及动与静的礼仪活动的日常行为规范。而高等级墓葬中的稀有陶器斗笠形器,其造型与古人对天的描述相同,它不仅代表了所葬之人的身份与职能,还是上层社会对天祭祀权力的象征。     

The Classic-period pictographs at Juliq’ Cave,Alta Verapaz,Guatemala: an interdisciplinary approach to cave art as organizing principle

The Cave of Juliq’ in Alta Verapaz, Guatemala contains an impressive corpus of ancient Maya rock art. Unlike other examples of rock art in this area, the Juliq’ pictographs are simply rendered, generally consisting of lines, handprints, and other basic shapes. We thus focus on context rather than on iconographic content in order to access the meaning of these ancient pictographs. We argue that they were used to record human presence in and movement through the alien cave environment in specific ways, demarcating procession routes, points of transition, moments of physical prowess, and places charged with sacred power. These circuits within Juliq’ reflect attempts to order the Underworld landscape and link it to the surface world through ritual movement akin to aboveground ritual processions.     

Exploring Roman Ritual Behaviours Through Plant Remains from Pannonia Inferior

The recovery of new plant remains from eastern Croatia are discussed here in order to determine their ritual significance and how this evidence may fit into chronological and regional observations on ritual plant offerings in the Roman world. Samples collected from inhumations, cremations and an altar dedicated to Silvanus Domesticus, dating from the 2nd to 4th centuries AD, are presented and show that a range of more ‘common’ plant remains, such as cereals and pulses, were an important part of ritual life. These results are also compared to the growing archaeobotanical data collected from shrine and cremation burials across Europe. Although the archaeobotanical data from the Croatian sites are limited, the increasing evidence of ritual plant use allows observations regarding the wider context of Roman social and religious change.     

A vernacular way of “safeguarding” intangible heritage: the fall and rise of rituals in Gouliang Miao village

This paper documents a vernacular method of interpreting and safeguarding intangible heritage in an ethnic Miao village in China. Tracing the conflicting discourses of ritual in different stages of the past and the present, it shows how ritual practices were transformed by imperial Qing officials in the mid-nineteenth century, demonised and denounced as feudal superstition during the Cultural Revolution (1966–1976), exploited as cultural resources for ethnic tourism since the early twentieth century and involved in the evaluation system of intangible cultural heritage in the twenty-first century. Based on ethnographic materials collected in 2008 and 2009, this paper argues that it is the inherited vernacular narratives and ritual performances that are negotiating with the state’s constant effort of shaping the ritual through various discourses, constructing the meaning of inheritance and safeguarding the intangible heritage within the community.     

Using multi-criteria cost surface analysis to explore past regional landscapes: a case study of ritual activity and social interaction in Michigan,AD 1200–1600

Major advances have occurred in the analytical use of GIS in archaeology, particularly in uses of this tool for furthering understandings of past social landscapes. A major focus of these efforts has been visibility studies and archaeologists have paid less attention to how GIS can facilitate the study of another important socio-spatial component, movement. This paper examines the GIS application of multi-criteria cost surface analysis as a robust technique for modeling past movement and applies this approach to the Late Prehistoric period (ca. AD 1200–1600) in Michigan as a case study. This analysis extends understandings of the role of localized connections and tribal territoriality with the spread of maize agriculture in this period and adds further support to the proposal that earthwork enclosures served as uniquely accessible ritual centers for social, economic and ideological interaction between separate tribal communities within the Late Prehistoric regional organization. By showing this technique can build on and validate models of past social developments, grant real insights into social connections and affiliations, and stimulate new directions for future research, this specific case illustrates the general heuristic value of multi-criteria cost surface analysis for exploring regional landscapes in archaeology.     

Ritual,Continuity and Change: Greek Reflections

This article examines the tangled question of continuity and change from the point of view of ritual. It brings together in dialogue recent theoretical approaches to ritual in anthropology with several examples of diachronic studies of Greek death practices. It points to the importance of focusing on questions of “form” in ritual practices—that is, “how” rituals work and are transmitted, more or less completely, from one generation to the next. It also considers the importance of historical consciousness, in particular the notion of “changing continuities”, in understanding some of the existential ways that ritual addresses common human experiences of temporality.     

Landscapes of the Ghost Dance: A Cartography of Numic Ritual

Recent historical and ethnographic research indicates that the study of ritual behavior could be greatly enhanced by combining parameters of place and landscape use with interpretation of material culture. This strategy is especially useful for identifying the archaeological record of ritual among societies that incorporated topographic features and natural resources into their liturgical order. In this article we apply a behavioral framework to the study of Numic ritual technologies. By intergrating ethnographic and historic data on the geography, practice, and material culture of the nineteenth-century Nevada Ghost Dance, we demonstrate how this framework helps to determine the configuration of a ritual place and its position relative to other ritual and nonritual places.     

Ritual and Politics: An Examination of the 1072 Primal Ancestor Debate in the Northern Song

In considering the vital role played by imperial rites in claiming political legitimacy and maintaining social stability, Chinese emperors endeavored to present themselves as the perfect model for their subjects in terms of ritual performance. Focusing on a Northern Song (960–1127) ritual debate over the placement of imperial ancestors’ spirit tablets and ancestral chambers, especially that of the Primal Ancestor, this study aims to contribute to a better understanding of discussions on ancestral rituals and how they were intensified during the implementation of Wang Anshi’s New Policies. More importantly, this study reveals the differences between Song scholar-officials’ political positions and intellectual interests, thus providing a new interpretation of Song factionalism from the perspective of ritual politics.     

Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool

This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents or grandparents were born in Ireland. The paper first explores the comments of the Liverpool respondents and points to how music and dance can offer a space in which different generations can mark out their affiliation or embody their Irishness. Secondly, the paper considers interview work with schoolchildren in Coventry, concentrating on their responses as listeners to Irish traditional music. Their comments point to the capacity of this music to resonate with multiple, even conflicting, productions of Irishness. The comments of all the respondents raise key debates about authenticity and the construction of identity.     

试论中老年人健身动机与体育舞蹈项目的融合力

本文采用文献资料法、调查访问法、社会实践等方法,寻求体育舞蹈项目对中老年人健身、健心的重要性。经研究证明体育舞蹈项目集社交、娱乐、体育健身于一体,属于运动强度适中的一种有氧代谢运动,适合中老年人生理、心理的特点,完全符合中老年人的健身动机。     

The reluctant sovereign: New adventures of the US presidential Thanksgiving turkey

This article revisits the annual US presidential ritual of pardoning a Thanksgiving turkey, and explores the changes made to the procedures since 2003, when the author's Prickly Paradigm pamphlet on the issue was published. This includes such curious developments as the turkey being retired to Disneyland in Florida instead of a nearby petting zoo; the presidential contender Sarah Palin's attempt at pardoning her own turkey, a PR disaster with a twist; the new Virginia‐based movement to pardon a pig instead of a turkey; and President Obama's apparent reluctance in face of the ceremony — by now a spectacle so firmly implanted in US political life that it can no longer be dislodged. An extended interpretation is offered for just how all these developments relate to the deep‐seated American ambivalence towards the place of Native Americans in the nation's history, as well as towards the position of the US as a military superpower.     

The ritual dugong bone mounds of Koey Ngurtai,Torres Strait,Australia: Investigating their construction

The islands of Western Torres Strait, between Papua New Guinea and Australia, saw the emergence of ritual dugong bone mounds approximately 400 years ago. These mounds were used as a means to commune with, and as an aid for the hunting of, dugongs. This paper explores the bone contents of three dugong bone mounds on the small, uninhabited island of Koey Ngurtai as a means to determine their construction and in doing so to explore the historical emergence of ritual bone mounds associated with dugong hunting magic—and thereby to historicise ethnographically known cultural practices—in Torres Strait. Copyright © 2009 John Wiley & Sons, Ltd.     

DOMESTICITY BY DEFAULT. RITUAL, RITUALIZATION AND CAVE-USE IN THE NEOLITHIC AEGEAN

Summary.   Neolithic caves in the Aegean are conventionally understood in domestic terms, principally as temporary homes for farmers or pastoralists. This paper challenges the theoretical and empirical foundations of this orthodoxy and develops an alternative model grounded in an understanding of Neolithic ritual and how through ritualization the everyday is referenced and transformed. This model is explored with reference to the corpus of well-published cave-sites. Although further testing remains a priority, facilitated by the development of new ways of studying cave assemblages, ritual explanations are considered to provide a more credible explanation for Neolithic cave-use in all its aspects, from the selection of caves as locales for activity to the complexity and diversity of their material records. In this way the Aegean may be seen to fit within a broader pattern of ritual cave-use in the Mediterranean during the Neolithic and Chalcolithic.