Abstract: | In her 2005 article, "The Long Civil Rights Movement and thePolitical Uses of the Past," Jacquelyn Dowd Hall called on scholarsto complicate the story of civil rights by looking beyond atraditional narrative that begins in 1954, ends in 1965, focuseson the South, and features Martin Luther King, Jr. as the leaderof a single-voiced chorus of interracial activists who overcameracial barriers nonviolently. The recent wave of histories aboutarts movements in African-American communities (e.g., Pointfrom Which Creation Begins: The Black Artists Group ofSt. Louis, by Benjamin Looker, 2004, |