| 对江汉地区楚式鬲美学结构及其内涵的探讨 |
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| 引用本文： | 余介方. 对江汉地区楚式鬲美学结构及其内涵的探讨[J]. 江汉考古, 2003, 0(3): 58-62 |
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| 作者姓名： | 余介方 |
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| 作者单位： | 中山大学人类学系,广东,广州,510275 |
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| 摘 要： | 考古发掘中经常发现的楚式陶鬲,曾是区别江汉楚化和中原商、周化的一个重要的标准性器物。本在对楚式鬲、殷式鬲及周式鬲的外形特征进行比较的基础上,认为楚式鬲所体现的清秀、婉约、富有线条美的风格与楚人及楚艺术所秉持的一贯的审美关照方式是一致的。
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| 关 键 词： | 楚式鬲 楚艺术 审美关照 |
| 文章编号： | 1001-0327(2003)03-0058-05 |
| 修稿时间： | 2002-06-14 |
Discussion on Aesthetic Structure and Connotation of Chu Tripod in Jianghan Region |
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| Yu Jiefang. Discussion on Aesthetic Structure and Connotation of Chu Tripod in Jianghan Region[J]. Jianghan Archaeology, 2003, 0(3): 58-62 |
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| Authors: | Yu Jiefang |
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| Abstract: | Widely-found Chu-style pottery tripod li is an important standard object to tell the Chu culture in Jianghan region apart from the Shang and Zhou culture in central China. By comparing the appearances of tripod li in different styles such as Chu, Shang and Zhou, this paper demonstrates that characteristics conveyed by Chu-styled pottery tripod represent a Chu aesthetic perspective. |
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| Keywords: | Chu-style tripod Chu art aesthetic perspective |
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