The Fine Incense of Virginity: a late twelfth century wall painting of the Annunciation at the Monastery of the Syrians,Egypt

Abstract

A richly symbolical wallpainting of the Annunciation was brought to light in 1991 in the western conch of the church of the Virgin at the desert Monastery of the Syrians at Scetis (Wadi al-Natriin) in Egypt (figs. 1–5). The interpretation put forward here is that the scene celebrates the Mother of God as the epitome of perfect womanhood at the moment of Christ's conception with her key role reinforced by explicit symbolism of her virginity. This is stated visually, through the liturgical symbolism of the burning censer at her feet, and verbally through the ‘container’ imagery proclaimed on the scrolls of the accompanying prophets: Isaiah, Moses, Ezekiel and Daniel. A detailed townscape represents the town of Nazareth, both the Virgin's own birthplace and the site of the Annunciation.