‘I call the people.’ Church bells in fourteenth-century Catalunya

Bells were an inescapable part of fourteenth-century urban life. They signalled the hours of the day and times for prayers; they warned of tempests and enemy armies; they heralded masses, funerals, and deaths. The pealing of bells brought men, women, and children together, choreographing communal behaviour in time and space. Bells echoed the vox Domini, calling out the deaths of holy men and women, celebrating the working of miracles. The ubiquitous presence of bells reflected the omnipresence of God in the medieval world. Their echoes transformed private moments into collective experiences, elevating the mundane into the miraculous. Scholars have rarely examined the religious aspects of bells, looking instead at their more practical side, especially their utilisation as markers of time and the allegedly concurrent rise of mercantile culture. This article approaches bells from the viewpoints of those men and women who heard them and wanted them rung. Focusing on sources from Christian clerics, we see that medieval men rang the bells with clear, but many possible, purposes in mind. By marking time and prayers, Christian church bells helped to create and facilitate communities within dioceses, spurring and choreographing their actions. During funerals, bells broadcast private moments, giving them communal significance. The transformative, creative function of bells is clearest in their role in miracles. In Manresa, the vision experienced by a few became a community affair when the church bells gathered the people; the bells transformed an ordinary day into one where the people, as a community, received divine favour. Finally, with the deaths of holy persons, the tolling of bells transformed private, even anonymous deaths, into moments of wonder as God’s hand touched the world.The pealing of bells defined Christian communities in the Mediterranean and, at the same time as rulers and elites throughout the region were seeking to control minority groups, those same groups were seeking to exercise control over the sounds within their own communities. Through the pealing of bells, churchmen across Catalunya sought to direct the thoughts and prayers of their listeners. When the Christian clerics of Catalunya rang their churches’ bells, they had specific aims in mind, yet, as the evidence demonstrates, the pealing of the bells never meant just one thing. This article demonstrates that there is much more to understanding medieval bells than knowing ‘for whom the bell tolls’; we have to look at the listeners as much as the ringers in order to understand their cultural significance in medieval Europe. This article is a first step in how such a study could be begun.