清代誠齋詩學與唐宋詩之爭

南宋詩人楊萬里的詩歌創作甚豐而風格別樹一幟,他受到同代人賞識,卻不見重於元明兩代,到清代更是屢受惡評。在當時詩學的唐宋詩之爭中,誠齋詩往往不容於雙方。直至清末,纔受到同光詩人的推尊。本文通過梳理清代誠齋詩在唐宋詩之爭中的各期發展,最後聚焦到同光詩人的誠齋詩觀,指出夏敬觀是清代第一個全面肯定誠齋詩的學者,楊萬里的詩史地位最終因同光派而得以確立。

Qing Dynasty Chengzhai Poetics and the Debate about Tang and Song Poetry

Yang Wanli,a prolific Southern Song poet who left abundant works with unique style,was much esteemed by his contemporaries. In the Yuan and Ming Dynasties,however,he was not a highly regarded poet. His poems were even vehemently criticized in the Qing Dynasty. In the debate about Tang and Song Poetry in the Qing Dynasty, Chengzhai poems were not recognized by both sides. Only until late Qing he was revered by Tongguang poets. Combing through the changing roles of Chengzhai poems in the different stages of the debate about Tang and Song Poetry in the Qing Dynasty,this paper will focus on Tongguang poets’ views on Chengzhai poems. It would be argued that Xia Jingguan was the first scholar to fully affirm the values of Chengzhai poems in Qing Dynasty,and Yang Wanli’s status in the history of poetry was eventually established thanks to the Tongguang School.