| 大汶口文化“”符号新解 |
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| 引用本文： | 孙长初. 大汶口文化“”符号新解[J]. 东南文化, 2005, 0(3) |
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| 作者姓名： | 孙长初 |
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| 作者单位： | 东南大学艺术学系 江苏南京210096 |
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| 基金项目： | 东南大学资助课题:“中国艺术考古学论纲”。课题号9213042154 |
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| 摘 要： | 分析新石器时代大汶口文化遗址出土的陶尊上刻划符号“”,结合仰韶文化庙底沟类型彩陶鸟纹的演变、良渚文化玉器上刻划的鸟纹图像,大汶口文化陶尊上刻划的符号“”应是鸟的简化和变形,是巫师借用来沟通天地的巫术符号。
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| 关 键 词： | 大汶口文化 鸟纹 巫术符号 |
A New Explanation of the Sign of Dawenkou Culture |
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| SUN Changchu. A New Explanation of the Sign of Dawenkou Culture[J]. Southeast Culture, 2005, 0(3) |
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| Authors: | SUN Changchu |
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| Affiliation: | SUN Changchu |
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| Abstract: | A carved symbol was found on the pottery Zhun in Dawenkou site of Neolithic age. Comparing the bird pattern development on the painted pottery of Miaodigou,Yangshao culture and on the jade article of liangzhu culture, the author is sure that the carved symbol of Dawenkou culture is a transfiguration of bird patterns, and it is a mediumistic symbol to contact the heaven and the earth. |
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| Keywords: | Dawenkou culture Bird Patterns Mediumistic Symbol |
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